Work Cited
- Baxi, P., S. M. Rai, and S. S. Ali. 2006. “Legacies of Common Law: “Crimes of Honour” in India and Pakistan.” Third World Quarterly 27 (7): 1239–1253. doi:10.1177/2455632719880852
- Braidotti, R. 1993. “Discontinuous Becomings. Deleuze on the Becoming-Woman of Philosophy.” Journal of the British Society for Phenomenology 24 (1): 44–55. doi:10.1080/00071773.1993.11644270
- Brownmiller, S. 1993. Against Our Will: Men, Women, and Rape. New York: Ballantine Books.
- Butler, J. 1999. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge.
- Clover, C. J. 1987. “Her Body, Himself: Gender in the Slasher Film.” Representations 20: 187–228. doi:10.1525/9780520327306-010
- Creed, B. 1993. The Monstrous-Feminine: Film, Feminism, Psychoanalysis. London: Routledge.
- Deleuze, G., and F. Guattari. 2000. Anti-Oedipus: Capitalism and Schizophrenia. Minneapolis: University of Minnesota Press.
- Foucault, M. 1980. “Truth and Power.” In Power-Knowledge: Selected Interviews & Other Writings 1972–1977, edited by C. Gordon, 109–133. New York: Pantheon Books.
- Freud, S. 1909. Analysis of a Phobia in a Five-Year-Old Boy. London: The Hogarth Press.
- Freud, S. 1918. The Taboo of Virginity. London: The Hogarth Press.
- Freud, S. 1919. “The Uncanny.” https://web.mit.edu/allanmc/www/freud1.pdf.
- Freud, S. 1922. “Medusa’s Head.” In Sexuality and the Psychology of Love, edited by P. Rieff, 202–203. New York: Simon & Schuster Inc.
- Freud, S. 1927. “Fetishism.” https://criticism.english.illinois.edu/sites/criticism.english.illinois.edu/files/Freud%20-%20Fetishism_0.pdf.
- Freud, S. 1950. Totem and Taboo: Some Points of Agreement between the Mental Lives of Savages and Neurotics. London: Routledge & Kegan Paul.
- Fromm, E., N. M. Fernando, and N. Fernando. 1968. “The Oedipus Complex: Comments on “the Case of Little Hans.” Contemporary Psychoanalysis 4 (2): 178–188. doi:10.1080/00107530.1968.10745137
- Gillen, J., and A. Peterson. 2005. “Discourse Analysis.” In Research Methods in the Social Sciences, edited by B. Somekh and C. Lewin, 146–153. London: Sage.
- Gopalan, L. 1997. “Avenging Women in Indian Cinema.” Screen 38 (1): 42–59. doi:10.1093/screen/38.1.42
- Grosz, E. 1990. Jacques Lacan: A Feminist Introduction. London: Routledge.
- Hook, D. K. 2006. “Lacan, the Meaning of the Phallus and the ‘Sexed’ Subject.” In The Gender of Psychology, edited by T. Shefer, F. Boonzaier, and P. Kiguwa, 60–84. Cape Town: Juta Academic Publishing.
- Horney, K. 1973. “The Dread of Woman.” In Feminine Psychology, edited by H. Kelman, 133–146. New York: W. W. Norton and Company. Inc.
- Kazmi, F. 2010. Sex in Cinema: A History of Female Sexuality in Indian Films. New Delhi: Rupa Publications India Pvt Ltd.
- Kumar, S. H. M. 2013. “Constructing the Nation’s Enemy: Hindutva, Popular Culture and the Muslim ‘Other’ in Bollywood Cinema.” Third World Quarterly 4 (3): 458–469. doi:10.1080/01436597.2013.785340
- Lukacher, N. 1979. “K(Ch)Ronosology.” SubStance 8 (4): 55–73. https://www.jstor.org/stable/i287853
- Lurie, S. 1981. “The Construction of the “Castrated Woman” in Psychoanalysis and Cinema.” Discourse 4: 52–74. https://www.jstor.org/stable/44000262?seq=1.
- McGowan, T. 2019. “The Signification of the Phallus.” In Reading Lacan’s Écrits: From ‘Signification’ of the Phallus’ to ‘Metaphor of the Subject, edited by D. Hook, C. Neill, and S. Vanheule, 1–20. London: Routledge.
- Mills, S. 2003. Michel Foucault. London: Routledge.
- Moffic, H. S. 2013. “The Psychology of Guns: 12 Steps Toward More Safety.” Psychiatric Times. https://www.psychiatrictimes.com/view/psychology-guns-12-steps-toward-more-safety
- Mulvey, L. 1975. “Visual Pleasure and Narrative Cinema.” Screen 16 (3): 6–18. doi:10.1093/screen/16.3.6
- Myrttinen, H. 2003. “Disarming Masculinities.” Disarmament Forum: Women, Men, Peace and Security 4: 37–46. https://genderandsecurity.org/projects-resources/research/disarming-masculinities.
- Raitt, J. 1980. “The “Vagina Dentata” and the “Immaculatus Uterus Divini Fontis.” Journal of the American Academy of Religion 48 (3): 415–431. https://www.jstor.org/stable/1462869?seq=1
- Singh, N. 2015. NH10. Directed by Navdeep Singh. Produced by Anushka Sharma.
- Udyawar, R. 2017. Mom. Directed by Ravi Udyawar. Produced by Sunil Manchanda.
- Van Dijk, T. A. 1995. “Aims of Critical Discourse Analysis.” Japanese Discourse 1 (1): 17–27. http://discourses.org/OldArticles/Aims%20of%20Critical%20Discourse%20Analysis.pdf