522
Views
0
CrossRef citations to date
0
Altmetric
Editorial

Haunted by Godard

Welcome Revenants and Lively Ghosts

Works Cited

  • Brown, Alifeleti. 2008. “Histoire(s) du cinema.” Senses of Cinema, 46, March. Accessed 2 April 2023. https://www.sensesofcinema.com/2008/cteq/histoires-cinema/.
  • Davis, Colin. 2005. “Hauntology, Specters and Phantoms.” French Studies 59 (3): 373–379. doi:10.1093/fs/kni143
  • Deleuze, Gilles. 1989. Cinema 2: The Time-Image. Translated by Hugh Tomlinson and Robert Galeta. Minneapolis: University of Minnesota Press.
  • Derrida, Jacques. 2006. Spectres of Marx: The State of the Debt, the Work of Mourning and the New International. Translated by Peggy Kamuf. New York: Routledge Classics.
  • Dixon, Wheeler Winston. 1997. The Films of Jean-Luc Godard. Albany: State University of New York Press.
  • Fielke, Giles, and Ivan Cerecina. 2022. “Metahistory on Video: Hollis Frampton in the Histoire(s).” Senses of Cinema, 100, January. Accessed 6 May 2023. https://www.sensesofcinema.com/2022/forms-that-think-jean-luc-godard/metahistory-on-video-hollis-frampton-in-the-histoires/.
  • Godard, Jean-Luc. 2012. Introduction to a True History of Cinema and Television. Translated by Timothy Barnard. Montreal: Caboose.
  • Godard, Jean-Luc. 1984–1985. “Jean-Luc Godard: La Curiosité du sujet: Entretien avec Domonique Païni et Guy Scarpetta.” Art Press 14 (special issue 4): 4–10.
  • Goddard, Michael. 2001. “The Scattering of Time Crystals: Deleuze, Mysticism and Cinema.” In Deleuze and Religion, edited by Mary Bryden, 53–64. London: Routledge.
  • Hoberman, J. 2015. “Brother from Another Planet.” The Nation, February 25. Accessed 11 May 2023. https://www.thenation.com/article/culture/brother-another-planet-2/.
  • Jameson, Frederic. 1993. “Marx’s Purloined Letter.” In Ghostly Demarcations: A Symposium on Jacques Derrida’s “Spectres de Marx, edited by Michael Sprinker, 26–67. Paris: Galilée.
  • Marin, Giuseppina. Interview with Godard in Corriere della Sera (April 25, 1985).
  • Moravia, Alberto. 1954. Il risprezzo. Milan, Italy: Bompiani.
  • Morgan, Daniel. 2013. Late Godard and the Possibilities of Cinema. Berkeley: University of California Press.
  • Scemama, Céline. 2006. Histoire(s) du cinéma de Jean-Luc Godard: La force faible d’un art. Paris: L’Harmattan.
  • Shafto, Sally. 2001. “Program Note for Religion and Cinema: A Conference, Princeton University.” n.p. Accessed 18 September 2009. http://www.princeton.edu/∼csrelig/cinema/Scenario.htm.
  • Shakespeare, William. 2012. The Tragedy of Hamlet, Prince of Denmark. New York: Simon & Schuster.
  • Sprod, Liam. 2012. “Against all Ends: Hauntology, Aesthetics, Ontology.” 3: AM Magazine, May 11. Accessed 9 May 2023. https://www.3ammagazine.com/3am/against-all-ends-hauntology-aesthetics-ontology/.
  • Sterritt, David. 1998. “Ideas, Not Plots, Inspire Jean-Luc Godard.” In Jean-Luc Godard: Interviews, edited by David Sterritt, 174–178. Jackson: University Press of Mississippi (cited at p. 177. Originally in The Christian Science Monitor (3 August 1994), p. 12).
  • Sterritt, David. 1993. “Miéville and Godard: From Psychology to Spirit.” In Jean-Luc Godard’s Hail Mary: Women and the Sacred in Film, edited by Maryel Locke and Charles Warren, 54–60. Carbondale: Southern Illinois University Press.
  • Sterritt, David. 2014. “Schizoanalyzing Souls: Godard, Deleuze, and the Mystical Line of Flight.” In A Companion to Jean-Luc Godard, edited by Tom Conley and T. Jefferson Kline, 383–402. Malden, MA: Wiley Blackwell.
  • Sterritt, David. 2005. “Thanatos ex Machina: Godard Caresses the Dead.” In Guiltless Pleasures: A David Sterritt Film Reader, edited by David Sterritt, 175–182. Jackson: University Press of Mississippi. (Reprinted in Mikita Brottman, ed., Car Crash Culture (New York: Palgrave Macmillan, 2002), pp. 225-232. Also in Senses of Cinema 14 (June 2001)).
  • Tynan, Kenneth. 1966. “Verdict on Cannes.” The Observer, 22 May, 24.
  • Witt, Michael. 2013. Jean-Luc Godard, Cinema Historian. Bloomington: Indiana University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.