The films of Fassbinder: Form and formula

Notes

• Lubow , Arthur . 1975 . “Cinema's New Wunderkinder,” . New Times , 14 November : 56
   Google Scholar
• Canby , Vincent . 1977 . “Rainer Fassbinder—The Most Original Talent Since Godard,” . The New York Times , 6 March
   Google Scholar
• Wiegand , Wilfried Iden , Peter . 1975 . Rainer Werner Fassbinder, , 2nd ed. , 68 – 69 . Munich : Hanser .
   Google Scholar
• Pflaum , Hans Günther and Fassbinder , Rainer Werner . 1976 . Das bisschen Realität, das ich brauche—Wie Filme entstehen , 97 Munich : Hanser . Author's translation
   Google Scholar
• Sparrow , Norbert . 1977 . Cineaste , 8 ( 2 ) Fall : 21
   Web of Science ®Google Scholar
• Wiegand , Wilfried . “Die Puppe in der Puppe: Beobachtungen zu Fassbinders Filmen,” . Edited by: Iden . 42 – 46 .
   Google Scholar
• Roud , Richard . 1968 . “Minimal Cinema: Chronicle of Anna Magdalena Bach,” . Sight and Sound , 37 ( 3 ) Summer : 134 – 35 .
   Google Scholar
• 1979 . “Forms of Communication in Fassbinder's Angst Essen See/e Auf,” . literature/Film Quarterly , 7 ( 3 )
   Web of Science ®Google Scholar
• Hughes , John and Riley , Brooks . 1975 . Film Comment , 11 ( 6 ) Nov.‐Dec. : 14
   Google Scholar
• Greenspun , Roger . 1975 . “Phantom of Liberty: Thoughts on Fassbinder's Fist‐Right of of Freedom,” . Film Comment , 11 ( 6 ) Nov‐Dec. : 10
   Google Scholar
• Rayns , Tony . 1974/5 . “Forms of Address: Interviews with Three German Filmmakers,” . Sight and Sound , 44 ( 1 ) Winter
   Web of Science ®Google Scholar