The realist gesture in the films of Wim Wenders: Hollywood and the New German cinema

Notes

• Dawson , Jan . 1976 . Wim Wenders , 7 Toronto : Festival of Festivals .
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• Elsaesser , Thomas . 1976 . “The Postwar German Cinema,” . In Fass‐binder , Edited by: Rayns , Tony . 1 – 16 . London : British Film Institute .
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• Eisenschitz , Bernard . 1976 . “Le Cinema allemand aujourd'hui,” . Documents: Revue des questions allemands , 31 ( 4/5 ) : 81 – 168 .
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• Pflaum , Hans Günther and Prinzler , Hans Helmut . 1979 . Film in der Bundesrepublik Deutschland , Munich : Hanser .
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• 1977 . “Le Cinéaste Wim Wenders,” . Libération , Dec. : 88
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• Dawson , Jan . 1977 . “German Weasels,” . Film Comment , 13 ( 3 ) May‐June : 33 – 34 .
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• Adler , Walter . 1978 . “Interview mit Wim Wenders,” . Filmkritik , 22 ( 12 ) December : 673 – 686 .
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• 1979 . “Wenders en Californie,” . Cahiers du Cinema , June : 54 – 64 .
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• Narboni , Jean . 1977 . “Traquenards,” . Cahiers du Cinema , November : 28
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• Covino , Michael . 1977‐78 . “Wim Wenders: A Worldwide Homesickness,” . Film Quarterly , 31 ( 2 ) Winter : 9 – 19 .
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• Jaehne , Karen . 1978 . “The American Fiend,” . Sight and Sound , 47 ( 2 ) Spring : 101 – 103 .
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• Dawson , Jan . 1977‐78 . “Filming Highsmith,” . Sight and Sound , 47 ( 1 ) Winter : 36
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• Metz , Christian . 1975 . “Le dire et le dit au cinema: vers le declin d'un Vraisemblable?” . In Essais sur la signification au cinema , Vol. I , 235 Paris : Klincksieck .
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• Dawson , Jan , ed. 1975 . Alexander Kluge and the Female Slave , 37 Perth : Perth Film Festival .
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