Notes
- Hitchcock , Alfred . 1966 . “Direction” . In Film: A Montage of Theories , Edited by: MacCann , Richard Dyer . 56 New York : Dutton .
- Hitchcock , Alfred . 1948 . “My Most Exciting Picture” . Popular Photography , November : 48
- Behlmer , Rudy . 1973 . Memo From: David O. Selznick , 306 – 12 . New York : Avon .
- Taylor , John Russell . 1980 . Hitch: The Life & Times of Alfred Hitchcock , 209 – 10 . New York : Berkley Books .
- Bazin , André . 1967 . What Is Cinema? , Edited by: Gray , Hugh . vol. 1 , 50 Berkeley : University of California Press .
- Bazin , André . 1975 . Le Cinéma de la Cruauté , 131 – 34 . Paris : Flammarion .
- Burch , Noël . 1973 . Theory of Film Practice , 3 – 4 . New York : Praeger .
- Bazin , André . 1978 . Orson Welles: A Critical View , Edited by: Rosenbaum , Jonathan . 80 New York : Harper and Row .
- Rohmer , Eric and Chabrol , Claude . 1979 . Hitchcock: The First Forty‐Four Films , Edited by: Hochman , Stanley . 95 New York : Ungar .
- Hochberg , Julian E. 1964 . Perception , 25 Englewood Cliffs, New Jersey : Prentice‐Hall .
- Henderson , Brian . 1971 . “Two Types of Film Theory” . Film Quarterly , 24 ( 3 ) Spring : 33 – 42 .
- Bazin . What is Cinema? , 1 50
- Rohmer and Chabrol . Hitchcock , 115 – 16 .
- Camper , Fred . 1969 . “Under Capricorn” . MIT Film Society , March 3
- Rohmer and Chabrol . Hitchcock , 96 – 97 .
- Salt , Barry . 1977 . “Film Style and Technology in the Forties” . Film Quarterly , 31 ( 1 ) Fall : 47
- Hunter , Tim . 1968 . “Alfred Hitchcock: The Mechanics of Clarity” . The Harvard Crimson , June 12