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Original Articles

The phenomenology of Japanese cinema: A Husserlian intervention in the theory of cinematic representation

Pages 9-19 | Published online: 05 Jun 2009

Notes

  • Burch , Noël . 1979 . To the Distant Observer: Form and Meaning in the Japanese Cinema , Berkeley : University of California Press . Chapter 24
  • Husserl , Edmund . 1982 . Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy , Edited by: Kersten , F. The Hague : Nijhoff . section 111
  • Willard , Dallas . 1984 . Logic and the Objectivity of Knowledge: A Study in Husserl's Early Philosophy , 35 Athens : Ohio University Press .
  • Burch . Distant Observer , 18
  • Willard . Logic and Objectivity , 80 note #43
  • Husserl . 1970 . Logical Investigations , Edited by: Finlay , J. N. 738 – 39 . New York : Humanities Press .
  • Burch . Distant Observer , 19
  • 1987 . “Representation of Reality and Reality of Representation in Contemporary Film Theory/’ . Persistence of Vision , Spring : 36 – 43 .
  • Renov , Michael . 1986 . “Re‐Thinking Documentary: Toward a Taxonomy of Mediation” . Wide Angle , 8 : 75
  • Moore , Charles . 1967 . “The Enigmatic Japanese Mind” . In The Japanese Mind: Essentials of Japanese Philosophy and Culture , 290ff Tokyo : Tuttle Co. .
  • Anesaki , Masaharu . 1973 . Art, Life, and Nature in Japan , 32ff Tokyo : Tuttle Co. .
  • Andrew , Dudley . 1984 . Concepts in Film Theory , 91ff Oxford : Oxford University Press . Chapter 5

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