Notes
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- Kozloff . Invisible Storytellers , 39
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- Bonitzer , Pascal . 1975 . “Les Silences de la voix,” . Cahiers du Cinéma , February/March
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- Mitchell , W. J. T. 1986 . Iconology: Image, Text, Ideology , Chicago : University of Chicago Press .
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- Waugh . "Show Us Life” , xxv
- Edwards , Steve . 1990 . “The Machine's Dialogue,” . The Oxford Art Journal , 13 ( 1 ) : 74
- Waugh . "Show Us Life” , 441
- MacCabe . 1980 . Godard: Images, Sounds, Politics , 18 Bloomington : British Film Institute and Indiana University Press .
- Waugh . "Show Us Life” , 436
- Michelson , Annette and O'Brien , Kevin , eds. 1984 . “To the Editors of the newspaper Kino front,” . In Kino‐Eye: The Writings of Dziga Vertov , 105 Berkeley : University of California Press .
- Kozloff . Invisible Storytellers , 50
- Geertz . 1973 . The Interpretation of Cultures , New York : Basic Books .
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- Foucault and Jellinek , Frank , eds. 1975 . I, Pierre Rivière, having slaughtered my mother, my sister, and my brother . . .; A Case of Parricide in the 19th Century , New York : Pantheon .
- Foucault , Michel . 1972 . “The Enunciative Function,” . In The Archaeology of Knowledge , Edited by: Smith , A. M. Sheridan . 95 – 96 . New York : Pantheon Books .
- Baudry , Jean‐Louis . 1980 . “Author and Analyzable Subject.” . In Apparatus: Cinematographic Apparatus: Selected Writings , Edited by: Cha , Theresa Hak Kyung . 67 – 83 . New York : Tanam Press .
- Salt , Barry . 1983 . Film Style and Technology: History and Analysis , 161 London : Starword .
- Salt . Film Style , 161
- 1989 . “The Still Photograph: Its Contemporary Potential for Examining Social Issues: Part One: Is Objectivity the Objective?” . Images Ink , 4 ( 2 ) : 29 – 30 .
- Kozloff . Invisible Storytellers , 50
- Romberg , Bertil . 1962 . Studies in the Narrative Technique of the First‐Person Novel , 33 Stockholm : Almqvist and Wiksell .
- Cha , Theresa Hak Kyung , ed. 1980 . Apparatus , New York : Tanam Press .
- Barthes , Roland , Baudry , Jean‐Louis and Baudry . “Ideological Effects of the Basic Cinematographic Apparatus,” . Film Quarterly , 29 ( 1 ) 22 – 31 .
- Horkheimer , Max . 1974 . Critique of Instrumental Reason , New York : Seabury Press .
- Bergstrom , Janet . 1982 . “Violence and Enunciation,” . Camera Obscura , Fall : 21 – 30 .
- Geertz . Local Knowledge , 93
- Guzzetti , Alfred . 1981 . Two or Three Things I Know about Her: Analysis of a Film by Godard , 147 149 Cambridge : Harvard University Press .
- Mitchell , W. J. T. 1986 . Iconology: Image, Text, Ideology , Chicago : University of Chicago Press .
- Levin , David Michael , ed. 1993 . Modernity and the Hegemony of Vision , Berkeley : University of California Press .
- James , David . 1989 . Allegories of Cinema: American Film in the Sixties , 231 – 36 . Princeton : Princeton University Press .
- Rosen . 1981 . “The Politics of the Sign and Film Theory,” . October , Summer : 19
- Mulvey , Laura . 1975 . “Visual Pleasure and Narrative Cinema,” . Screen , 16 ( 3 ) Autumn
- Woolen , Peter . 1975 . “The Two Avant‐Gardes,” . Studio International , December
- Deleuze , Gilles . 1986 . Cinema 1: The Movement‐Image , Edited by: Tomlinson , Hugh and Habberjam , Barbara . Minneapolis : University of Minnesota Press .
- Pfaff , William . 1991 . “Islam and the West,” . The New Yorker , January 28 : 86
- Tuchman , Mitch . 1983 . ‘American Pictures,” . Film Comment , January‐February : 22 – 25 .
- Iacono , Lydia . 1984 . “Poor America,” . Afterimage , November : 16 – 17 .
- Holdt , Jacob . 1984 . Film Forum,” . Artforum , November : 103 – 4 .
- Green , J. Ronald . 1988 . “After Agee,” . Aperture , Fall : 72 – 76 .
- Poggioli . 1968 . The Theory of the Avant‐Garde , 24 Cambridge : Harvard University Press .