References
- About GDC. (2015). Retrieved from http://www.gdconf.com/aboutgdc/
- Anthropy, A., & Clark, N. (2014). A game design vocabulary: Exploring the foundational principles behind good game design. New York, NY: Pearson Education.
- Bogost, I. (2008). The rhetoric of video games. In K. Salen (Ed.), The Ecology of Games: Connecting Youth, Games, and Learning (pp. 117–140). Cambridge, MA: The MIT Press. doi:10.1162/dmal.9780262693646.117
- Brathwaite, B., & Schreiber, I. (2008). Challenges for game designers: Non-digital exercises for video game designers. Boston, MA: Charles River Media, a part of Course Technology.
- Burke, K. (1996). Language as symbolic action: Essays on life, literature and method. Berkeley, CA: University of California Press.
- Condis, M. (2014). No homosexuals in star wars? BioWare, ‘gamer’ identity, and the politics of privilege in a convergence culture. Convergence: The International Journal of Research into New Media Technologies, 21(2), 198–212. doi:10.1177/1354856514527205
- Crawford, C. (1984). The art of computer game design: Reflections of a master game designer. Berkeley, CA: Osborne/McGraw-Hill.
- deWinter, J. (2014). Just playing around: From procedural manuals to in-game training. In J. deWinter & R. M. Moeller (Eds.), Computer games and technical communication: Critical methods and applications at the intersection (pp. 69–86). Farnham, England: Ashgate Publishing.
- deWinter, J., & Kocurek, C. (2012). Rescuing Anita: Games, gamers, and the battle of the sexes. Flow: A Critical Forum on Television and Media Culture, 17(3). Retrieved from http://flowtv.org/2012/12/rescuing-anita/
- Flanagan, M. (2009). Critical play: Radical game design. Cambridge, MA: MIT Press.
- Fullerton, T. (2014). Game design workshop: A playcentric approach for creating innovative games. Amsterdam, Netherlands: Elsevier Morgan Kaufmann.
- Greene, J., & Palmer, L. (2014). It’s all fun and games until someone pulls out a manual: Finding a role for technical communicators in the game industry. In J. deWinter & R. M. Moeller (Eds.), Computer games and technical communication: Critical methods and applications at the intersection (pp. 17–34). Farnham, England: Ashgate Publishing.
- Hoffman, E. (2007). Living the dream: Let’s get together. Escapist Magazine. Retrieved from http://www.escapistmagazine.com/articles/view/video-games/issues/is-sue_117/2292-Let-s-Get-Together
- Koster, R. (2014). A theory of fun for game design. Sebastopol, CA: O’Reilly Media, Inc.
- Romero, B. (2015, July 8). Also, for the love of holy compilers, do not wait until college to learn to code. Start now. It is fun [tweet]. Retrieved from https://twitter.com/br/status/618802982172381184
- Sansone, A. T. (2014). Game design documents: Changing production models, changing demands. In J. deWinter & R. M. Moeller (Eds.), Computer games and technical communication: Critical methods and applications at the intersection (pp. 109–124). Farnham, England: Ashgate Publishing.
- Schell, J. (2014). The art of game design: A book of lenses. Amsterdam, The Netherlands: Elsevier/Morgan Kaufmann.
- Shaw, A. (2013). On not becoming gamers: Moving beyond the constructed audience. Ada: A Journal of Gender, New Media, and Technology, 2. doi:10.7264/N33N21B3
- Top schools for game design. (2015). Retrieved from http://www.princetonreview.com/collegerankings/game-design
- Wark, M. (2007). Gamer theory. Cambridge, MA: Harvard University Press.
![Supercharge Your Next Research Paper: Research and write your next paper with Jenni AI.]({"type":"image" , "src" : "/sda/112444/Skyscraper-humanities.png"})