4,512
Views
1
CrossRef citations to date
0
Altmetric
Original Articles

Drama integration across subjects, grades, and learners: insights from new teachers as inquiring reflective practitioners

ORCID Icon, ORCID Icon, ORCID Icon & ORCID Icon

References

  • Andrews, B. W. (2010). Seeking harmony: Teachers’ perspectives on learning to teach in and through the arts. Encounters in Theory and History of Education, 11, 81–98. https://doi.org/10.24908/eoe-ese-rse.v11i0.2411
  • Anthony, G., Hunter, J., & Hunter, R. (2015). Prospective teachers development of adaptive expertise. Teaching and Teacher Education, 49, 108–111. https://doi.org/10.1016/j.tate.2015.03.010
  • Arts Education Partnership. (2017). The arts leading the way to student success: A 2020 action agenda for advancing the arts in education (pp. 1–10). Education Commission of the States. http://aeparts.wpengine.com/wp-content/uploads/2017_AEP_2020_Action_Agenda.pdf
  • Arts Education Partnership. (2021). ArtScan at a glance (pp. 1–2). Education Commission of the States. https://www.ecs.org/wp-content/uploads/2021-ArtScan-at-a-Glance.pdf
  • Athanases, S. Z. (2005). Performing the drama of the poem: Workshop, rehearsal, and reflection. English Journal, 95(1), 88–96. https://doi.org/10.2307/30047404
  • Athanases, S. Z. (2011). Research as praxis: Documenting the dialectical relationship between theory and practice. In D. Lapp & D. Fisher (Eds.), Handbook of research on teaching the English language arts (3rd ed., pp. 358–363). International Reading Association and the National Council of Teachers of English. Erlbaum/Taylor Francis.
  • Athanases, S. Z., &Sanchez, S. L. (2020a). ‘A Caesar for our time’: toward empathy and perspective-taking in new teachers’ drama practices in diverse classrooms. Research in Drama Education: The Journal of Applied Theatre and Performance, 25(2), 236–255. https://doi.org/10.1080/13569783.2020.1730170
  • Athanases, S. Z., & Sanchez, S. L. (2020b). Seeding Shakespeare and drama in diverse 21st-century classrooms through a cross-national partnership: New teachers’ challenges and early practices. International Journal of Education & the Arts, 21(23), 1–27. http://www.ijea.org/v21n23/
  • Athanases, S. Z.,Bennett, L. H., &Wahleithner, J. M. (2013). Fostering Data Literacy Through Preservice Teacher Inquiry in English Language Arts. The Teacher Educator, 48(1), 8–28. https://doi.org/10.1080/08878730.2012.740151
  • Athanases, S. Z., Wahleithner, J. M., & Bennett, L. H. (2012). Learning to attend to culturally and linguistically diverse learners through teacher inquiry in teacher education. Teachers College Record, 114, 1–50.
  • Barnes, M. E., & Smagorinsky, P. (2016). What English/language arts teacher candidates learn during coursework and practica: A study of three teacher education programs. Journal of Teacher Education, 67(4), 338–355. https://doi.org/10.1177/0022487116653661
  • Batchelor, K. (2019). Meaningful, embodied literacies: Dramatic play and revision with middle school writers in Warsaw, Poland. Journal of Language & Literacy Education, 15(2), 1–24.
  • Batdi, V., & Batdi, H. (2015). Effect of creative drama on academic achievement: A meta-analytic and thematic analysis. Educational Sciences: Theory & Practice, 15(6), 1459–1470.
  • Bazalgette, C., & Buckingham, D. (2013). Literacy, media and multimodality: A critical response. Literacy, 47(2), 95–102. https://doi.org/10.1111/j.1741-4369.2012.00666.x
  • Beach, R., & Pearson, D. (1998). Changes in preservice teachers’ perceptions of conflicts and tensions. Teaching and Teacher Education, 14(3), 337–351. https://doi.org/10.1016/S0742-051X(97)00041-3
  • Beadle-Brown, J., Wilkinson, D., Richardson, L., Shaughnessy, N., Trimingham, M., Leigh, J., Whelton, B., & Himmerich, J. (2018). Imagining Autism: Feasibility of a drama-based intervention on the social, communicative and imaginative behaviour of children with autism. Autism: The International Journal of Research and Practice, 22(8), 915–927. https://doi.org/10.1177/1362361317710797
  • Belliveau, G., & Kim, W. (2013). Drama in L2 learning: A research synthesis. Scenario: A Journal of Performative Teaching, Learning, Research, VII(2), 7–27. https://doi.org/10.33178/scenario.7.2.2
  • Berger, P., & Luckmann, T. (1966). The social construction of reality. Doubleday.
  • Betts, J. D. (2005). Theatre arts integration at a middle school: Teacher professional development and drama experience. Youth Theatre Journal, 19(1), 17–33. https://doi.org/10.1080/08929092.2005.10012574
  • Bransford, J., Dery, S., Berliner, D., Hammerness, K., & With Beckett, K. L. (2005). Theories of learning and their roles in teaching. In L. Darling-Hammond, & J. Bransford (Eds.), Preparing teachers for a changing world: What teachers should learn and be able to do (pp. 40–87). Jossey-Bass.
  • Brouillette, L. (2009). How the arts help children to create healthy social scripts: Exploring the perceptions of elementary teachers. Arts Education Policy Review, 111(1), 16–24. https://doi.org/10.1080/10632910903228116
  • Brouillette, L., & Jennings, L. (2010). Helping children cross cultural boundaries in the borderlands: Arts program at Freese elementary in San Diego creates cultural bridge. Journal for Learning through the Arts, 6(1), 1–17. https://doi.org/10.21977/D96110020
  • Brown, A. L., Ash, D., Rutherford, M., Nakagawa, K., Gordon, A., & Campione, J. C. (1993). Distributed expertise in the classroom. In G. Salomon (Ed.), Distributed cognitions: Psychological and educational considerations (p. 188–228). Cambridge University Press.
  • Brown, G. T. L. (2004). Teachers’ conceptions of assessment: Implications for policy and professional development. Assessment in Education: Principles, Policy & Practice, 11(3), 301–318.
  • Carney, C. L., Weltsek, G. J., Hall, M. L., & Brinn, G. (2016). Arts infusion and literacy achievement within underserved communities: A matter of equity. Arts Education Policy Review, 117(4), 230–243. https://doi.org/10.1080/10632913.2016.1213123
  • Cawthon, S. W., & Dawson, K. (2009). Drama for schools: Impact of a drama-based professional development program on teacher self-efficacy and authentic instruction. Youth Theatre Journal, 23(2), 144–161. https://doi.org/10.1080/08929090903281451
  • Cochran-Smith, M., & Lytle, S. L. (2009). Inquiry as stance: Practitioner research for the next generation. Teachers College Press.
  • Corbett, B. A., Ioannou, S., Key, A. P., Coke, C., Muscatello, R., Vandekar, S., & Muse, I. (2019). Treatment effects in social cognition and behavior following a theater-based intervention for youth with autism. Developmental Neuropsychology, 44(7), 481–494.
  • Dall’Alba, G., & Sandberg, J. (2006). Unveiling professional development: A critical review of stage models. Review of Educational Research, 76(3), 383–412. https://doi.org/10.3102/00346543076003383
  • Dawson, K., & Lee, B. K. (2018). Drama-based pedagogy: Activating learning across the curriculum. Intellect Ltd.
  • Duma, A. (2018). Reflecting on your practice: Characteristics of arts integration. Arts in Education: Quarterly Newsletter, 4(2), 1–11.
  • Edmiston, B. (2011). Teaching for transformation: Drama and language arts education. In D. Lapp & D. Fisher (Eds.), Handbook of research on teaching and the English language arts (3rd ed., pp. 224–230). Routledge.
  • Edmiston, B. (2014). Transforming teaching and learning with active and dramatic approaches: Engaging students across the curriculum. Routledge.
  • Eisner, E. W. (1998). The kind of schools we need: Personal essays. Heinemann/Elsevier.
  • Elpus, K. (2020). Access to arts education in America: The availability of visual art, music, dance, and theater courses in U.S. high schools. Arts Education Policy Review, 123(2), 50–69. https://doi.org/10.1080/10632913.2020.1773365
  • Enciso, P., Edmiston, B., Volz, A., Lee, B., & Sivashankar, N. (2016). I’m trying to save some lives here!”: Critical dramatic inquiry in the aftermath of. Hurricane Katrina. English Teaching: Practice & Critique, 15(3), 333–354.
  • Freeman, D. (1993). Renaming experience/reconstructing practice: Developing new understanding of teaching. Teaching and Teacher Education, 9(5-6), 485–497. https://doi.org/10.1016/0742-051X(93)90032-C
  • Grossman, P. L., Smagorinsky, P., & Valencia, S. (1999). Appropriating tools for teaching English: A theoretical framework for research on learning to teach. American Journal of Education, 108(1), 1–29. https://doi.org/10.1086/444230
  • Guerrettaz, A. M., Zahler, T., Sotirovska, V., & Boyd, A. S. (2020). We acted like ELLs’: A pedagogy of embodiment in preservice teacher education. Language Teaching Research, 1–25. https://doi.org/10.1177/1362168820909980
  • Hammerness, K., Darling-Hammond, L., Bransford, J., Berliner, D., Cochran-Smith, M., McDonald, M., & Zeichner, K. (2005). How teachers learn and develop. In L. Darling-Hammond & J. Bransford (Eds.), Preparing teachers for a changing world: What teachers should learn and be able to do. (pp. 358–389). Jossey-Bass.
  • Hatano, G., & Oura, Y. (2003). Commentary: Reconceptualizing school learning using insight from expertise research. Educational Researcher, 32(8), 26–29. https://doi.org/10.3102/0013189X032008026
  • Heath, S. B., & Wolf, S. A. (2005). Have a think about it: Drama for mental agility. Creative Partnerships.
  • Heathcote, D. (1981). Drama as education. In N. McCaslin (Ed.), Children as drama (2nd ed., pp. 78–90). Longman.
  • Heathcote, D., & Herbert, P. (1985). A drama of learning: Mantle of the expert. Theory into Practice, 24(3), 173–180. https://doi.org/10.1080/00405848509543169
  • Hetland, L., Winner, E., Veenema, S., & Sheridan, K. S. (2007). Studio thinking: The real benefits of visual arts education. Teachers College Press.
  • Hoffman-Kipp, P., Artiles, A. J., & Lopez-Torres, L. (2003). Beyond reflection: Teacher learning as praxis. Theory into Practice, 42(3), 248–254. https://doi.org/10.1207/s15430421tip4203_12
  • Houk, J. G., Athanases, S. Z., Sanchez, S. L., Cahalan, & O. L. (2022). Exploring embodied pedagogies: New teachers’ reports of infusing drama into diverse classrooms and curricula [Manuscript submitted for publication]. Davis: School of Education, University of California.
  • Hunter-Doniger, T., & Fox, M. (2020). Art connections: An investigation of art education courses for preservice generalists. Arts Education Policy Review, 121(2), 55–62. https://doi.org/10.1080/10632913.2018.1530709
  • Jasper, J. J., Dvorak, L. L., Athanases, S. Z., & Sanchez, S. L. (2021). Embodiment, emotion, and reflection: Resources for learning through drama. English Journal, 110(3), 40–47.
  • Kelchtermans, G. (2009). Who I am in how I teach is the message: self-understanding, vulnerability and reflection. Teachers and Teaching, 15(2), 257–272. https://doi.org/10.1080/13540600902875332
  • Kerekes, J., & King, K. P. (2010). The king’s carpet: Drama play in teacher education. International Journal of Instruction, 3(1), 39–60.
  • Korthagen, F. A. J. (2010). Situated learning theory and the pedagogy of teacher education: Towards an integrative view of teacher behavior and teacher learning. Teaching and Teacher Education, 26(1), 98–106. https://doi.org/10.1016/j.tate.2009.05.001
  • Korthagen, F. A. J., Kessels, J., Koster, B., Lagerwerf, B., & Wubbels, T. (2001). Linking practice and theory: The pedagogy of realistic teacher education. Lawrence Erlbaum.
  • Lee, B. K., & Enciso, P. (2017). The big glamorous monster (or Lady Gaga’s adventures at sea): Improving student writing through dramatic approaches in schools. Journal of Literacy Research, 49(2), 157–180. https://doi.org/10.1177/1086296X17699856
  • Lee, B. K., Patall, E. A., Cawthon, S. W., & Steingut, R. R. (2015). The effect of drama-based pedagogy on preK–16 outcomes: A meta-analysis of research from 1985 to 2012. Review of Educational Research, 85(1), 3–49. https://doi.org/10.3102/0034654314540477
  • Loughran, J. (2003). Exploring the nature of teacher research. In A. Clarke & G. Erickson (Eds.), Teacher inquiry: Living the research in everyday practice (pp. 181–189). Routledge.
  • Mages, W. K. (2008). Does creative drama promote language development in early childhood? A review of the methods and measures employed in the empirical literature. Review of Educational Research, 78(1), 124–152. https://doi.org/10.3102/0034654307313401
  • Martin, L., & Schwartz, D. L. (2009). Prospective adaptation in the use of external representations. Cognition and Instruction, 24(7), 1–31.
  • McAvoy, M. (2020). Theater arts, global education, and policy; or, what Chance the Rapper taught us about arts education. Arts Education Policy Review, 121(3), 98–105. https://doi.org/10.1080/10632913.2019.1658248
  • McCarthey, S. J. (2008). The impact of No Child Left Behind on teachers’ writing instruction. Written Communication, 25(4), 462–205. https://doi.org/10.1177/0741088308322554
  • Menken, K. (2006). Teaching to the test: How No Child Left Behind impacts language policy, curriculum, and instruction for English language learners. Bilingual Research Journal, 30(2), 521–546. https://doi.org/10.1080/15235882.2006.10162888
  • Merriam, S. B. (2009). Qualitative research: A guide to design and implementation. Jossey-Bass.
  • Mreiwed, H., Carter, M. R., & Shabtay, A. (2017). Building classroom community through drama education. NJ, 41(1), 44–57. https://doi.org/10.1080/14452294.2017.1329680
  • National Research Council. (2000). Teacher learning. In J. Bransford, A. Brown, & R. Cocking (Eds.), How people learn: Brain, mind, experience, and school. National Academies Press.
  • New London Group. (1996). A pedagogy of multiliteracies: Designing social futures. Harvard Educational Review, 66(1), 60–92.
  • Olderbak, S., Sassenrath, C., Keller, J., & Wilhelm, O. (2014). An emotion-differentiated perspective on empathy with the emotion specific empathy questionnaire. Frontiers in Psychology, 5, 1–14. https://doi.org/10.3389/fpsyg.2014.00653
  • Parsad, B., & Spiegelman, M. (2012). Arts education in public elementary and secondary schools: 1999-2000 and 2009-10. (pp. 1–126). National Center for Education Statistics.
  • Podlozny, A. (2000). Strengthening verbal skills through the use of classroom drama: A clear link. Journal of Aesthetic Education, 34(3/4), 239–275. https://doi.org/10.2307/3333644
  • Robinson, A. H. (2013). Arts integration and the success of disadvantaged students: A research evaluation. Arts Education Policy Review, 114(4), 191–204. https://doi.org/10.1080/10632913.2013.826050
  • Schiller, M. (1992). Teacher education and graduate studies in art education. Arts Education Policy Review, 94(1), 23–26. https://doi.org/10.1080/10632913.1992.9940920
  • Schön, D. (1983). The reflective practitioner: How professionals think in action. Basic.
  • Schulz, R., & Mandzuk, D. (2005). Learning to teach, learning to inquire: A 3-year study of teacher candidates’ experiences. Teaching and Teacher Education, 21(3), 315–331. https://doi.org/10.1016/j.tate.2005.01.004
  • Schwartz, D. L., Bransford, J. D., & Sears, D. (2005). Efficiency and innovation in transfer. In J. Mestre (Ed.), Transfer of learning from a modern multidisciplinary perspective (pp. 1–51). Information Age.
  • Şengün, Y., & İskenderoğlua, T. (2010). A review of creative drama studies in math education: Aim, data collection, data analyses, sample and conclusions of studies. Procedia - Social and Behavioral Sciences, 9, 1214–1219. https://doi.org/10.1016/j.sbspro.2010.12.309
  • Stillman, J. (2011). Teacher learning in an era of high-stakes accountability: Productive tension and critical professional practice. Teachers College Record, 113(1), 133–180.
  • Taylor, P. (2014). Integrating arts learning with the Common Core State Standards (pp. 1–28). [Report]. California County Superintendents Educational Services Association (CCSESA).
  • Thompson, A., & Turchi, L. (2016). Teaching Shakespeare with purpose: A student-centred approach. Bloomsbury.
  • Tinsley, H. E. A., & Weiss, D. J. (2000). Interrater reliability and agreement. In H. E. A. Tinsley & S. D. Brown (Eds.), Handbook of applied multivariate statistics and mathematical modeling (pp. 95–124). Academic Press.
  • Toivanen, T., Komulainen, K., & Ruismäki, H. (2011). Drama education and improvisation as a resource of teacher student’s creativity. Procedia - Social and Behavioral Sciences, 12, 60–69. https://doi.org/10.1016/j.sbspro.2011.02.010
  • US Department of Education. (2020). Digest of education statistics, 2020. National Center for Education Statistics. https://nces.ed.gov/programs/digest/d20/tables/dt20_204.10.asp
  • Valli, L., & Buese, D. (2007). The changing roles of teachers in an era of high stakes accountability. American Educational Research Journal, 44(3), 519–558. https://doi.org/10.3102/0002831207306859
  • View, J. L., & Hanley, M. S. (2020). The playwright within: Fun, freedom, and agency through playwriting for urban elementary students. Urban Education, 55(4), 592–624. https://doi.org/10.1177/0042085916654524
  • Wagner, B. J. (1990). Dramatic improvisation in the classroom. In S. Hynds & D. L. Rubin (Eds.), Perspectives on talk and learning (pp. 195–211). National Council of Teachers of English.
  • Wolf, S. A. (1994). Learning to act/acting to learn: Children as actors, critics, and characters in classroom theatre. Research in the Teaching of English, 28(1), 7–44.
  • Wolf, S. A. (1998). The flight of reading: Shifts in instruction, orchestration, and attitudes through classroom theatre. Reading Research Quarterly, 33(4), 382–415. https://doi.org/10.1598/RRQ.33.4.3