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Book Reviews

Review of "New Collecting: Exhibiting and Audiences after New Media Art," edited by Beryl Graham

REFERENCES

  • Corcoran, Heather, and Beryl Graham. 2014. “Self-Collection, Self-Exhibition? Rhizome and the New Museum.” In New Collecting: Exhibiting and Audiences After New Media Art, edited by Beryl Graham, 97–109. London: Ashgate.
  • Dietz, Steve. 2014. “Collecting New-Media Art: Just Like Anything Else, Only Different.” In New Collecting: Exhibiting and Audiences After New Media Art, edited by Beryl Graham, 57–71. London: Ashgate.
  • Graham, Beryl. 2014. “Modes of Collection.” In New Collecting: Exhibiting and Audiences After New Media Art, edited by Beryl Graham, 29–55. London: Ashgate.
  • Laurenson, Pip. 2014. “Old Media, New Media? Significant Difference and the Conservation of Software-Based Art.” In New Collecting: Exhibiting and Audiences After New Media Art, edited by Beryl Graham, 73–96. London: Ashgate.
  • Ippolito, Jon. 2001. “Nettime-Bold: Why Art Should be Free 2/3: The Digital Sanctuary.” Available at:http://amsterdam.nettime.org/Lists-Archives/nettime-bold-0204/msg00403.html
  • Jones, Caitlin. 2014. “Objects, Intent, and Authenticity: Producing, Selling, and Conserving Media Art.” In New Collecting: Exhibiting and Audiences After New Media Art, edited by Beryl Graham, 159–170. London: Ashgate.
  • Kwon, Miwon. 2004. One Place after Another: Site-Specific Art and Locational Identify. Cambridge, MA: MIT Press.
  • McClellan, Andrew. 2003. “A Brief History of Art Museum Public.” In Art and its Publics: Museum Studies at the Millennium, edited by Andrew McClellan, 1–50. Oxford: Blackwell Publishing Ltd.
  • Muller, Lizzie. 2014. “Collecting Experience: The Multiple Incarnations of Very Nervous System.” In New Collecting: Exhibiting and Audiences After New Media Art, edited by Beryl Graham, 183–202. London: Ashgate.
  • O’Doherty, Brian. 1986. Inside the White Cube: The Ideology of the Gallery Space. San Francisco, CA: The Lapis Press.

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