Publication Cover
Identities
Global Studies in Culture and Power
Volume 26, 2019 - Issue 2
2,169
Views
2
CrossRef citations to date
0
Altmetric
Articles

Depoliticising literature, politicising diversity: ethno-racial boundaries in Dutch literary professionals’ aesthetic repertoires

ORCID Icon & ORCID Icon
Pages 184-202 | Received 07 Nov 2016, Accepted 09 Oct 2017, Published online: 07 Nov 2017

References

  • Ahmed, S. 2012. On Being Included: Racism and Diversity in Institutional Life. Durham: Duke University Press.
  • Amatmoekrim, K. 2015. “Een monoculturele uitwas.” De Groene Amsterdammer, August 19. https://www.groene.nl/artikel/een-monoculturele-uitwas
  • Berkers, P. 2009. “Classification into the Literary Mainstream? Ethnic Boundaries in the Literary Fields of the United States, the Netherlands and Germany 1955 – 2000.” Doctoral Dissertation, Erasmus University Rotterdam.
  • Bouazza, H. 2001. Een Beer in Bontjas. Amsterdam: Prometheus.
  • Bourdieu, P. 1984. Distinction: A Social Critique on the Judgment of Taste. London: Routledge.
  • Bourdieu, P. 1996. The Rules of Art: Genesis and Structure of the Literary Field. Cambridge: Polity Press.
  • Bourdieu, P. 2008. “A Conservative Revolution in Publishing.” Translation Studies 1 (2): 123–153. doi:10.1080/14781700802113465.
  • Breure, M., and L. Brouwer. 2004. “Een reconstructie van het debat rond migrantenliteratuur in Nederland.” In Kunsten in beweging 1980 – 2000. Cultuur en migratie in Nederland, edited by R. L. Buikema, and M. J. H. Meijer, 381–396. Den Haag: Sdu.
  • Brouilette, S. 2016. “Impersonality and Institutional Critique.” In The Contemporaneity of Modernism. Literature, Media, Culture, edited by M. D’Arcy, and M. Nilges, 80–90. New York: Routledge.
  • D’Arcy, M., and M. Nilges. 2016. “Introduction: The Contemporaneity of Modernism.” In The Contemporaneity of Modernism. Literature, Media, Culture, edited by M. D’Arcy, and M. Nilges, 1–16. New York: Routledge.
  • De Glas, F. 1998. “Authors’ Oeuvres as the Backbone of Publishers’ Lists: Studying the Literary Publishing House after Bourdieu.” Poetics 25 (6): 379–397. doi:10.1016/S0304-422X(98)90009-2.
  • Deinema, M. 2011. “The Culture Business Caught in Place: Spatial Trajectories of Dutch Cultural Industries, 1899–2005.” Doctoral Dissertation, University of Amsterdam.
  • Delhaye, C. 2008. “Immigrants’ Artistic Practices in Amsterdam, 1970–2007: A Political Issue of Inclusion and Exclusion.” Journal of Ethnic and Migration Studies 34 (8): 1301–1321. doi:10.1080/13691830802364874.
  • Delhaye, C., and V. van de Ven. 2014. “‘A Commitment to Cultural Pluralism’. Diversity Practices in Two Amsterdam Venues: Paradiso and De Meervaart.” Identities 21 (1): 75–91. doi:10.1080/1070289X.2013.828621.
  • DiMaggio, P., and P. Fernández-Kelly. 2015. “Immigration and the Arts: A Theoretical Inquiry.” Ethnic and Racial Studies 38 (8): 1236–1244. doi:10.1080/01419870.2015.1016081.
  • Elliot, B., and J. A. Wallace. 1994. Women Artists and Writers. Modernist (Im)Positionings. London: Routledge.
  • Elliot, E. 2002. “Introduction: Cultural Diversity and the Problem of Aesthetics.” In Aesthetics in a Multicultural Age, edited by E. Elliot, L. Freitas Caton, and J. Rhyne. Oxford: Oxford University Press.
  • Franssen, T. 2015. “How Books Travel: Translation Flows and Practices of Dutch Acquiring Editors and New York Literary Scouts, 1980–2009.” Doctoral Dissertation, University of Amsterdam.
  • Franssen, T., and G. Kuipers. 2013. “Coping with Uncertainty, Abundance and Strife: Decision-Making Processes of Dutch Acquisition Editors in the Global Market for Translations.” Poetics 41 (1): 48–74. doi:10.1016/j.poetic.2012.11.001.
  • Franssen, T., and D. Stoffelsen 2015. “De Witte Motor.” De Groene Amsterdammer, August 19. https://www.groene.nl/artikel/de-witte-motor
  • Groenendijk, C. A. 2007. “Allochtonen of burgers. Definitiemacht in debat en wetgeving over migranten.” In Macht en verantwoordelijkheid. Essays voor Kees Schuyt, edited by J. W. Duyvendak, G. Engbersen, G. Teeuwen, and I. Verhoeven, 101–112. Amsterdam: Amsterdam University Press.
  • Hoving, I. 2010. “The Postcolonial Turn in Dutch Literary Criticism.” Journal of Dutch Literature Studies 1 (1): 114–122.
  • Huyssen, A. 1986. “Mass Culture as Women: Modernism’s Other.” In After the Great Divide: Modernism, Mass Culture, Postmodernism, edited by A. Huyssen, 44–64. Houndmills: Macmillan Press.
  • Huyssen, A. 2006. “Introduction: Modernism after Postmodernity.” New German Critique 99 (4): 1–5. doi:10.1215/0094033X-2006-008.
  • James, D. 2012a. Modernist Futures: Innovation and Inheritance in the Contemporary Novel. New Yok: Cambridge Univeristy Press.
  • James, D. 2012b. The Legacies of Modernism: Historicising Postwar and Contemporary Fiction. Cambridge: Cambridge University Press.
  • Kuitert, L. 1999. “Niet zielig, maar leuk: Nederlandse uitgevers van multiculturele literatuur.” Literatuur 16 (6): 355–364.
  • Laan, N. 2010. “De uitgever als poortwachter?” Nederlandse letterkunde 15 (2): 146–191. doi:10.5117/NEDLET2010.2.DE_U316.
  • Lamont, M. 1992. Money, Morals and Manners. The Culture of the French and the American Upper-Middle Class. Chicago: University of Chicago Press.
  • Lamont, M., and V. Molnár. 2002. “The Study of Boundaries in the Social Sciences.” Annual Review of Sociology 28: 167–195. doi:10.1146/annurev.soc.28.110601.141107.
  • Mao, D., and R. L. Walkowitz. 2008. “The New Modernist Studies.” PMLA: Publications of the Modern Language Association of America 123 (3): 737–748. doi:10.1632/pmla.2008.123.issue-3.
  • Martiniello, M., and J. M. Lafleur. 2008. “Ethnic Minorities’ Cultural and Artistic Practices as Forms of Political Expression: A Review of the Literature and a Theoretical Discussion on Music.” Journal of Ethnic and Migration Studies 34 (8): 1191–1215. doi:10.1080/13691830802364809.
  • Minnaard, L. 2008. New Germans, New Dutch: Literary Interventions. Amsterdam: Amsterdam University Press.
  • Minnaard, L. 2017. “Oscillating between Margin and Centre: Dutch Literature of Migration.” In Emergence and Recognition of Immigrant and Ethnic Minority Writers since 1945: Thirteen National Contexts in Europe and Beyond, edited by W. Sievers, and S. Vlasta. Leiden: Brill.
  • Morrison, T. 1988. Unspeakable Things Unspoken: The Afro-American Presence in American Literature. Tanner Lectures on Human Values (October 7). University of Michigan, Ann Arbor.
  • Müller, F., and R. Frissen. 2014. “De diversiteitsparadox: Over de veranderende relatie tussen journalistiek en etnisch-culturele diversiteit.” Tijdschrift voor Communicatiewetenschap 42 (3): 265–285.
  • Nijborg, M., and F. Laroui. 2013. “The Emergence of a Dutch-Moroccan Literature: An Institutional and Linguistic Explanation.” In Literature, Language, and Multiculturalism in Scandinavia and the Low Countries, edited by W. Behschnitt, S. De Mul, and L. Minnaard, 225–242. Amsterdam: Rodopi.
  • NRC Handelsblad. 2000. “Kritiek op Keuze voor Rushdie.” April 21. http://retro.nrc.nl/W2/Tegenspraak/Boekenweekgeschenk/000421.html
  • Pollock, G. 1988. Vision and Difference: Femininity, Feminism and Histories of Art. London: Routledge.
  • Saraber, L. 2001. “Kiezen of delen: de toepasbaarheid van inhoudelijke subsidiecriteria op niet-westerse dans en fusievormen.” In De Kunst van het Kiezen, edited by H. Beerekamp, and P. Verbist, 55–89. Amsterdam: Boekmanstichting.
  • Schinkel, W. 2013. “The Imagination of ‘Society’ in Measurements of Immigrant Integration.” Ethnic and Racial Studies 36 (7): 1–20. doi:10.1080/01419870.2013.783709.
  • Sievers, W. 2008. “Writing Politics: The Emergence of Immigrant Writing in West Germany and Austria.” Journal of Ethnic and Migration Studies 34 (8): 1217–1235. doi:10.1080/13691830802364817.
  • Tomek, H. 2015. “Une litérature moyenne. La littérature allemande contemporaine entre production restreinte en grande production.” Actes de la Recherche en Sciences Sociales 30 (1): 100–107. doi:10.3917/arss.206.0100.
  • Uitermark, J. 2010. “Dynamics of Power in Dutch Integration Politics.” Doctoral Dissertation, University of Amsterdam.
  • Vaessens, T. 2009. De Revanche van de Roman. Literatuur, autoriteit, engagement. Nijmegen: Vantilt.
  • Van der Deijl, L., S. Pieterse, M. Prinse, and R. Smeets. 2016. “Mapping the Demographic Landscape of Characters in Recent Dutch Prose: A Quantitative Approach to Literary Representation.” Journal of Dutch Literature 7 (1): 20–42.
  • Velthuis, O. 2013. “Globalization of Markets for Contemporary Art: Why Local Ties Remain Dominant in Amsterdam and Berlin.” European Societies 15 (2): 290–308. doi:10.1080/14616696.2013.767929.
  • Walkowitz, R. L. 2006. Cosmopolitan Style. Modernism beyond the Nation. New York: Columbia University Press.
  • Weber, D. 2000. “Culture or Commerce? Symbolic Boundaries in French and American Book Publishing.” In Rethinking Comparative Cultural Sociology. Repertoires of Evaluation in France and the United States, edited by M. Lamont, and L. Thevenot, 127–147. Cambridge: Cambridge University Press.
  • Wolff, J. 2006. “Groundless Beauty: Feminism and the Aesthetics of Uncertainty.” Feminist Theory 7 (2): 143–158. doi:10.1177/1464700106064407.