Publication Cover
Javnost - The Public
Journal of the European Institute for Communication and Culture
Volume 26, 2019 - Issue 1
1,646
Views
18
CrossRef citations to date
0
Altmetric
Articles

Aligning Adolescents to the Public Sphere: The Teen Serial Skam and Democratic Aesthetic

REFERENCES

  • Ang, Ien. 1985. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Methuen.
  • Aslaksen, Kamilla. 1998. “Ibsen and Melodrama: Observations on an Uneasy Relationship.” Nordic Theatre Studies 10: 36–50.
  • Bourdon, Jérôme. 2000. “Live Television is Still Alive: On Television as an Unfulfilled Promise.” Media, Culture & Society 22 (5): 531–556. doi: 10.1177/016344300022005001
  • Brooks, Peter. 1995. The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess: With a New Preface. New Haven, CT: Yale University Press.
  • Buckingham, David. 2000. The Making of Citizens: Young People, News and Politics. London: Routledge.
  • Couldry, Nick, Sonia Livingstone, and Tim Markham. 2010. Media Consumption and Public Engagement: Beyond the Presumption of Attention. Basingstoke: Palgrave.
  • Evans, Michael. 2006. Innføring i dramaturgi: Teater, film, fjernsyn. [Introduction to Dramaturgy: Theatre, Film, Television]. Oslo: Cappelen akademisk forlag.
  • Feuer, Jane. 1984. “Melodrama, Serial Form and Television Today.” Screen 25 (1): 4–17. doi: 10.1093/screen/25.1.4
  • Goodin, Robert E. 2000. “Democratic Deliberation Within.” Philosophy & Public Affairs 29 (1): 81–109. doi: 10.1111/j.1088-4963.2000.00081.x
  • Gripsrud, Jostein. 1995. The Dynasty Years: Hollywood Television and Critical Media Studies. London: Routledge.
  • Gripsrud, Jostein. 2009. “The Cultural Dimension of Democracy.” In Media, Democracy and European Culture, edited by Ib Bondebjerg, and Peter Madsen, 197–215. Bristol: Intellect.
  • Gripsrud, Jostein, Hallvard Moe, Anders Molander, and Graham Murdock. 2011. The Public Sphere, Volume Three: The Cultural Public Sphere. London: SAGE Publications.
  • Habermas, Jürgen. 1987. The Theory of Communicative Action. Vol. Two: Lifeworld and System. A Critique of Functionalist Reason. Boston, MA: Beacon Press.
  • Habermas, Jürgen. 1989. The Structural Transformation of the Public Sphere: An Inquiry Into a Category of Bourgeois Society. Cambridge, MA: M.I.T. Press.
  • Hermes, Joke. 2005. Re-reading Popular Culture. Malden, MA: Blackwell.
  • Jerslev, Anne. 2016. “SKAM III – en verden af følelser.” [SKAM III – a World of Emotions]. Kommunikationsforum. http://www.kommunikationsforum.dk/artikler/Anmeldelse-af-SKAM-III.
  • Larsen, Peter. 2010. “The Grey Area: A Rough Guide: Television Fans, Internet Forums, and the Cultural Public Sphere.” In Relocating Television: Television in the Digital Context, edited by Jostein Gripsrud, 156–168. London: Routledge.
  • Livingstone, Sonia, ed. 2006. Audiences and Publics. When Cultural Engagement Matters for the Public Sphere. Changing Media, Changing Europe. Vol. 2, Cultural Studies. Bristol: Intellect.
  • Modleski, Tania. 1979. “The Search for Tomorrow in Today’s Soap Operas.” Film Quarterly 33 (1): 12–21. doi: 10.2307/1212060
  • Nærland, Torgeir Uberg. 2015. “Music and the Public Sphere: Exploring the Political Significance of Norwegian Hip Hop Music Through the Lens of Public Sphere Theory.” PhD Diss., University of Bergen.
  • Nussbaum, Martha. 1995. Poetic Justice: The Literary Imagination and Public Life (The Alexander Rosenthal Lectures). Boston: Beacon Press.
  • Opheim, Arne Andreas. 2016. “Det er ingen SKAM at have en holdning” [There is no Shame in Having an Opinion]. https://www.retorikforlaget.dk/det-er-ingen-skam-at-have-en-holdning/.
  • Pasquier, Dominique. 1996. “Teen Series’ Reception: Television, Adolescence and Culture of Feelings.” Childhood: A Global Journal of Child Research 3 (3): 351–373. doi: 10.1177/0907568296003003004
  • Rustad, Gry, and Steffen Krüger. 2017. “Coping with Shame in a Media-Saturated Society: Norwegian Web-Series Skam as Transitional Object.” Television & New Media, 1–24. doi: 10.1177/1527476417741379
  • Skarstein, Dag. 2017. “Skam – eit ibsensk melodrama med didaktiske moglegheiter.” [Skam – an Ibsenian Melodrama with Didactic Opportunities]. Norsklæreren 41 (1): 86–100.
  • Sundet, Vilde Schanke. 2017. “Det er bare du som kan føle det du føler» – emosjonell investering og engasjement i nettdramaet SKAM.” [It is only you who can feel what you feel – emotional investment and engagement in the web drama SKAM.] 16:9 Filmtidsskrift. http://www.16-9.dk/2017/06/det-er-bare-du-som-kan-foele/#.
  • Sundet, Vilde Schanke. Forthcoming. “From ‘Secret’ Online Teen Drama to International Cult Phenomenon: TheGlobal Expansion of SKAM and its Public Service Mission.” In The Scandinavian Invasion: The Nordic Noir Phenomenon and Beyond, edited by Richard McCulloch, and William Proctor. New York: Peter Lang.
  • Tjønneland, Eivind. 2014. “Akademisk samfunnsansvar som universitær beredskap. En kritikk av nymachiavellismen i humaniora.” [Academic Societal Responsibility as Universitarian Emergency Respons: A Critique of Neomachiavellism in the Humanities.”] Arr 3/4: 166–175.
  • van Zoonen, Liesbet. 2005. Entertaining the Citizen: When Politics and Popular Culture Converge (Critical Media Studies: Institutions, Politics, and Culture). Lanham: Rowman & Littlefield.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.