References
- Arocena, J. M., K. Hall, and I. Meiklejohn. 2008. “Minerals Provide Tints and Possible Binder/Extender in Pigments in the San Rock Painting (South Africa).” Geoarchaeology: An International Journal 23 (2): 293–304. doi:10.1002/gea.20215.
- Bonneau, A., D. G. Pearce, and A. M. Pollard. 2012. “A Multi-technique Characterization and Provenance Study of the Pigments Used in San Rock Art, South Africa.” Journal of Archaeological Science 39: 287–294. doi:10.1016/j.jas.2011.09.011.
- Bonyongwa, R. 2011. “Rock Art Tourism in Zimbabwe: Possibilities and Challenges.” Unpublished masters of arts diss., University of Zimbabwe.
- Chipunza, K. T. 2005. “Protection of the Immovable Cultural Heritage in Zimbabwe: An Evaluation.” In Legal Frameworks for the Protection of Immovable Cultural Heritage in Africa, edited by W. Ndoro and F. Pwiti, 42–45. Rome: ICCROM.
- Cooke, C. 1971. “The Exfoliating of Granite in Domboshava Cave.” Arnoldia 5 (5): 1–4.
- Cripps, L. 1934–37. “Albums, Volume 1-11.” Unpublished albums of copies, Archaeology Survey Room, Harare: Museum of Human Sciences.
- Darvill, T., and A. P. B. Fernandes. 2014. “Open-air Rock-art Preservation and Conservation: A Current State of Affairs.” In Open-air Rock-art Conservation and Management, edited by T. Darvill and A. P. B. Fernandes, 1–16. London: Routledge.
- Deacon, J. 1997. “A Regional Management Strategy for Rock Art in Southern Africa.” Conservation and Management of Archaeological Sites 2: 29–32. doi:10.1179/135050397793138880.
- Deacon, J. 2006. “Sharing Resources: Issues in Regional Archaeological Conservation Strategies in Southern Africa.” In Of the Past for the Future: Integrating Archaeology and Conservation, edited by N. Agnew and J. Bridgland, 306–311. Los Angeles, CA: Getty Conservation Institute.
- Fernandes, A. P. B. 2006. “Understanding a Unique Conservation Work Environment: The Case of the Côa Valley Rock Art Outcrops.” In Theory and Practice in Conservation: A Tribute to Cesare Brandi (Procedings of the Internatinoal Seminar), edited by J. D. Rodrigues and J. M. Mimoso, 323–332. Lisboa: Laboratório Nacional de Engenharia Civil.
- Garlake, P. S. 1995. The Hunter’s Vision. London: British Museum Press.
- Garlake, P. S. 1997. “The First Eighty Years of Rock Art Studies, 1890–1970.” In Caves, Monuments and Texts: Zimbabwe Archaeology Today, edited by G. Pwiti, 33–52. Uppsala: Department of Archaeology and Ancient History.
- Goodall, E. 1959. “The Rock Art of Mashonaland.” In Prehistoric Rock Art of the Federation of Rhodesia and Nyasaland, edited by R. Summers, 3–11. Salisbury: National Publications.
- Hall, K., I. Meiklejohn, and J. Arocena. 2007. “The Thermal Responses of Rock Art Pigments: Implications for Rock Art Weathering in Southern Africa.” Geomorphology 91: 132–145. doi:10.1016/j.geomorph.2007.02.002.
- Hoerle, S. 2005. “A Preliminary Study of the Weathering Activity at the Rock Art Site of Game Pass Shelter (KwaZulu-Natal, South Africa) in Relation to its Conservation.” South African Journal of Geology 108 (2): 297–308. doi:10.2113/108.2.297.
- Hoerle, S. 2006. “Rock Temperatures as Indicator of Weathering Processes Affecting Rock Art.” Earth Surface Processes and Landforms 31: 383–389. doi:10.1002/esp.1329.
- Hoerle, S., and A. Salomon. 2004. “Microclimatic Data and Rock Art Conservation at Game Pass Shelter in the Kamberg Nature Reserve, KwaZulu-Natal.” South African Journal of Science 100: 340–341.
- Jolly, P. 2012. “Two Related Rock Art Conservation/Education Project in Lesotho.” In Working with Rock Art: Recording, Presenting and Understanding Rock Art Using Indigenous Knowledge, edited by B. Smith, K. Helskog, and D. Morris, 257–272. Johannesburg: Wits University Press.
- Jopela, A. 2010. “Towards a Condition Monitoring of Rock Art Sites: The Case of BNE 1 in Free State Province.” South Africa. South African Archaeological Bulletin 65 (191): 58–66 http://www.jstor.org/stable/40985511.
- Laiz, L., J. M. Gonzalez, and C. Saiz-Jimenez. 2003. “Microbial Communities in Caves: Ecology, Physiology, and Effects on Palaeolithic Paintings.” In Art, Biology, and Conservation: Biodeterioration of Works of Art, edited by R. J. Koestler, V. R. Koestler, A. E. Carola, and F. E. Nieto-Fernández, 210‒225. New York: The Metropolitan Museum of Art.
- National Museums and Monuments of Zimbabwe Act chapter 25/11. 1972. Accessed http://www.parlzim.gov.zw/acts-list/download/1011_3ed136348f837eede18c3608fb3e95d8.
- Nhamo, A. 2007. Immortalizing the Past. Harare: Weaver Press.
- Nhamo, A. 2013. “Archaeology and Tourism: Lessons from Zimbabwean Experience.” In Tourism and Archaeology: Sustainable Meeting Grounds, edited by C. Walker and N. Carr, 211–222. Walnut Creek, CA: Left Coast Press.
- Nhunzvi, J. 2015. “A Comparative Study of Prehistoric Rock Art from Gamble’s Cave and Chiwore, Mtoko, Zimbabwe.” Unpublished Honours diss., Archaeology Unit, University of Zimbabwe.
- Prinsloo, L. C., W. Barnard, I. Meiklejohn, and K. Hall. 2008. “The First Raman Spectroscopic Study of San Rock Art in the Ukhahlamba Drakensberg Park, South Africa.” Journal of Raman Spectroscopy 39: 646–654. doi:10.1002/jrs.1901.
- Smith, W. 2006. “Rock Art Tourism in Southern Africa: Problems, Possibilities and Poverty Relief.” In Of the Past for the Future: Integrating Archaeology and Conservation, edited by N. Agnew and J. Bridgland, 322–330. Los Angeles, CA: Getty Conservation Institute.
- Solomon, A. 1994. “‘Mythic Women’: A Study in Variability in San Rock Art and Narrative.” In Contested Images: Variation in Southern African Rock Art Research, edited by J. D. Lewis-Williams and T. A. Dowson, 331–374. Johannesburg: Witwatersrand University Press.
- Summers, R., ed. 1959. Prehistoric Rock Art of the Federation of Rhodesia and Nyasaland. Salisbury: National Publications Trust.
- Taruvinga, P. 2003. “Salvaging Vandalized Rock Art at Domboshava National Monument in North-Eastern Zimbabwe.” In Heritage at Risk: ICOMOS World Report 2001–2002 on Monuments and Sites in Danger, edited by K. G. Saur, 217–219. Paris: ICOMOS.
- Taruvinga, P. 2007. “Community Participation and Rock Art Management in Zimbabwe.” In The Future of Africa’s past: Proceedings of the TARA conference, November 2004, edited by J. Deacon, 135–145. Nairobi: Trust for African Rock Art.
- Taruvinga, P., and L. Mutema. 1998. Field report, Nharira Hills, Nharira Hills file, Museum of Human Sciences. Harare.
- Taruvinga, P., and W. Ndoro. 2003. “The Vandalism of the Domboshava Rock Painting Site, Zimbabwe: Some Reflections on Approaches to Heritage Management.” Conservation and Management of Archaeological Sites 6 (1): 3–10. doi:10.1179/135050303793137983.
- Zoppi, A., G. F. Signorini, F. Lucarelli, and L. Bachechi. 2002. “Characterisation of Painting Materials from Eritrea Rock Art Sites with Non-destructive Spectroscopic Techniques.” Journal of Cultural Heritage 3: 299–308. doi:10.1016/S1296-2074(02)01234-7.