694
Views
0
CrossRef citations to date
0
Altmetric
Original Articles

A war of words: the cultural meanings of the First World War in Britain and Germany

Pages 746-777 | Received 04 Aug 2017, Accepted 04 May 2018, Published online: 01 Nov 2018

Bibliography

  • Badsey, Stephen. “Battle of the Somme: British War-Propaganda.” Historical Journal of Film, Radio and Television 3 (1983): 99–115.10.1080/01439688300260081
  • Beaupré, Nicolas. “New Writers, New Literary Genres (1914–1918): the Contribution of Historical Comparatism (France, Germany).” In Warfare and Belligerence: Perspectives in First World War Studies, edited by P. Purseigle, 323–346. Leiden: Brill, 2005.
  • Beaupré, Nicolas. “Soldier-Writers and Poets.” In The Cambridge History of the First World War, edited by J. Winter,445–474. 3 vols. Cambridge: Cambridge University Press, 2014.10.1017/CHO9780511675683
  • Becker, Frank. “Der ‘vorgeschobene Posten’ als ‘verlorener Posten’? William Howard Russell und die britische Berichterstattung vom Krimkrieg.” In Der Krimkrieg als erster europäischer Medienkrieg, edited by G. Maag, W. Pyta, and M. Windisch, 221–234. Berlin: Lit Verlag, 2010.
  • Beckett, Ian F. W. The Great War, 1914–1918. London: Routledge, 2001.
  • Belgum, K. Popularizing the Nation: Audience, Representation and the Production of Identity in “Die Gartenlaube”, 1853–1900. Lincoln, NE: University of Nebraska Press, 1998.
  • Bessel, Richard. Germany after the First World War. Oxford: Oxford University Press, 1993.
  • Blunden, Edmund. Undertones of War. London: Richard Cobden-Sanderson, 1928.
  • Bogacz, Ted. “‘A Tyranny of Words’: Language, Poetry and Antimodernism in England in the First World War.” Journal of Modern History 58 (1986): 643–668.10.1086/243043
  • Böhme, Margarete, ed. Kriegsbriefe der Familie Wimmel. Dresden: C. Reissner, 1915.
  • Bond, Brian. The Unquiet Western Front: Britain’s Role in Literature and History. Cambridge: Cambridge University Press, 2002.10.1017/CBO9780511496158
  • Bourke, Joanna. Dismembering the Male: Men’s Bodies, Britain and the Great War. Chicago: Chicago University Press, 1996.
  • Bourne, John M. Britain and the Great War. London: Arnold, 1989.
  • Bracco, Rosa Maria. Merchants of Hope: Middlebrow Writers of the First World War. Oxford: Berg, 1993.
  • Breuer, Stefan. Anatomie der Konservativen Revolution. 2nd ed. Darmstadt: Wissenschaftliche Buchgesellschaft, 1995.
  • Brophy, James. M. Popular Culture and the Public Sphere in the Rhineland, 1800–1850. Cambridge: Cambridge University Press, 2007.
  • Cecil, Hugh. The Flower of Battle. South Royalton, VT: Steerforth Press, 1996.
  • Chickering, Roger. The Great War and Urban Life in Germany: Freiburg, 1914–1918. Cambridge: Cambridge University Press, 2007.
  • Clark, Christopher. The Sleepwalkers: How Europe Went to War in 1914. London: Penguin, 2012.
  • Cobley, Evelyn. “History and Ideology in Autobiographical Literature of the First World War.” Mosaic: A Journal for the Interdisciplinary Study of Literature 23 (1990): 37–54.
  • Cohen, Deborah. The War Come Home: Disabled Veterans in Britain and Germany. Berkeley: University of California Press, 2001.
  • Crompton, Louis. Shaw the Dramatist. Lincoln, NE: University of Nebraska Press, 1969.
  • Cullen, Stephen. “The Land of My Dreams: The Gendered Utopian Dreams and Disenchantment of British Literary Ex-Combatants of the Great War.” Cultural and Social History 8 (2011): 195–211.10.2752/147800411X12949180694344
  • Devitt, Amy J. Writing Genres. Carbondale: Southern Illinois University Press, 2004.
  • Didczuneit, Veit, Jens Ebert, and Thomas Jander, eds. Schreiben im Krieg – Schreiben vom Krieg. Feldpost im Zeitalter der Weltkriege. Essen: Klartext, 2011.
  • Dugdale, Geoffrey. Langemarck and Cambrai: A War Narrative, 1914–1918. Shrewsbury: Wilding and Son, 1932.
  • Eckart, Wolfgang. “The Most Extensive Experiment That the Imagination Can Conceive’: War, Emotional Stress and German Medicine, 1914–1918.” In Great War, Total War, edited by R. Chickering and S. Förster, 133–150. Cambridge: Cambridge University Press, 2000.10.1017/CBO9781139052528
  • Eckart, Wolfgang. “Aesculap in the Trenches: Aspects of German Medicine in the First World War.” In War, Violence and the Modern Condition, edited by B. Hüppauf, 177–193. Berlin: Walter de Gruyter, 1997.
  • Eckart, Wolfgang. Medizin und Kolonialimperialismus. Deutschland 1884–1945. Paderborn: Schöningh, 1997.
  • Eckart, Wolfgang. Man, Medicine, and the State: The Human Body as an Object of Government Sponsored Medical Research in the 20th Century. Stuttgart: Franz Steiner, 2006.
  • Eckart, Wolfgang. “Eiskalt mit Würgen und Schlucken.’ Körperliches und seelisches Trauma in der deutschen Kriegsliteratur, 1914–1939.” Trauma Und Gewalt 1 (2007): 186–199.
  • Eksteins, Modris. “All Quiet on the Western Front and the Fate of a War.” Journal of Contemporary History 15 (1980): 345–366.10.1177/002200948001500207
  • Eksteins, Modris. “War, Memory, and Politics: The Fate of the Film All Quiet on the Western Front.” Central European History 13 (1980): 60–82.10.1017/S0008938900009006
  • Eksteins, Modris. Rites of Spring: The Great War and the Birth of the Modern Age. London: Black Swan, 1990.
  • Englander, D. “Soldiering and Identity: Reflections on the Great War.” War in History 1 (1994): 300–318.10.1177/096834459400100304
  • Endres, Franz Carl. Die Tragödie Deutschlands. Im Banne des Machtgedankens bis zum Zusammenbruch des Reiches. 3rd ed. Stuttgart: E. H. Moritz, 1924.
  • Englander, David. “Soldiering and Identity: Reflections on the Great War.” War in History 1 (1994): 300–318.10.1177/096834459400100304
  • Falls, Cyril. War Books: A Critical Guide. London: Peter Davies, 1930.
  • Figes, Orlando. Crimea: The Last Crusade. London: Penguin, 2010.
  • Firda, Richard Arthur. All Quiet on the Western Front: Literary Analysis and Cultural Context. New York: Twayne, 1993.
  • Fischer, Fritz. Griff nach der Weltmacht. Die Kriegszielpolitik des kaiserlichen Deutschlands 1914–1918. Düsseldorf: Droste, 1961.
  • Förster, Wolfgang, ed. Wir Kämpfer im Weltkrieg. Feldzugsbriefe und Kriegstagebücher aus dem Material des Reichsarchivs. Berlin: Neufeld und Henius, 1929.
  • Fraser, Alastair, Andrew Robertshaw, and Steve Roberts. Ghosts on the Somme: Filming the Battle, June–July 1916. Barnsley: Pen and Sword, 2009.
  • Frayn, Andrew. Writing Disenchantment: British First World War, 1914–30. Manchester, NH: Manchester University Press, 2014.10.7228/manchester/9780719089220.001.0001
  • Fulbrook, Mary, and Ulinka Rublack, eds. “In Relation: The ‘Social Self’ and Ego Documents.” German History 28 (2010): 263–272.
  • Fuller, J. G. Troop Morale and Popular Culture in the British and Dominion Armies, 1914–1918. Oxford: Oxford University Press, 1990.
  • Fussell, Paul. The Great War and Modern Memory. Oxford: Oxford University Press, 1982.
  • Gerwarth, Robert. The Vanquished: Why the First World War Failed to End, 1917–1923. London: Penguin, 2016.
  • Givoni, M. “Witnesses in Public: The Authority of Experience and the Critique of Testimonies Following the Great War.” In The Care of the Witness: A Contemporary History of Testimony in Crises, edited by idem, 99–135. Cambridge: Cambridge University Press, 2016.
  • Graves, Robert. Goodbye to All That. London: Penguin, 1960.
  • Gregory, Adrian. The Last Great War: British Society and the First World War. Cambridge: Cambridge University Press, 2008.
  • Groot, Gerard de. Blighty: British Society in the Era of the Great War. London: Longman, 1996.
  • Groot, Gerard de. Back in Blighty: The British at Home in World War One. London: Vintage, 2014.
  • Hamilton, Richard, and Holger Herwig, eds. The Origins of World War I. Cambridge: Cambridge University Press, 2003.
  • Häring, Oskar, ed. Ein Held der Garde. Altenburg: Geibel, 1917.
  • Harari, Yuval Noah. The Ultimate Experience: Battlefield Revelations and the Making of Modern War Culture, 1450–2000. Basingstoke: Palgrave, 2008.
  • Hawkes, Rob. Ford Madox Ford and the Misfit Moderns: Edwardian Fiction and the First World War. Basingstoke: Palgrave, 2012.
  • Hewitson, Mark. “I Witnesses: Soldiers, Selfhood and Testimony in Modern Wars.” German History 28 (2010): 310–325.
  • Hewitson, Mark. “German Soldiers and the Horror of War: Fear of Death and the Joy of Killing in 1870 and 1914.” History 101 (2016): 396–424.
  • Hewitson, Mark. Absolute War: Violence and Mass Warfare in the German States, 1792–1820. Oxford: Oxford University Press, 2017.
  • Hewitson, Mark. The People’s Wars: Histories of Violence in the German Lands, 1820–1888. Oxford: Oxford University Press, 2017.
  • Hinsley, F. H. Power and the Pursuit of Peace. Cambridge: Cambridge University Press, 1967.
  • Hirschfeld, Gerhard, Gerd Krumeich, and Irina Renz, eds. Enzyklopädie Erster Weltkrieg. Paderborn: Schöningh, 2003.
  • Hochschild, Adam. To End All Wars: How the First World War Divided Britain. London: Pan, 2011.
  • Horne, John N., and Alan Kramer. German Atrocities, 1914: A History of Denial. New Haven, CT: Yale University Press, 2001.
  • Housman, Laurence, ed. War Letters of Fallen Englishmen. London: E. P. Dutton, 1930.
  • Hüppauf, Bernd. “War Literature.” In Brill's Encyclopedia of the First World War, edited by G. Hirschfeld, Gerd Krumeich, and I. Renz, 135–145. Leiden: Brill, 2012.
  • Hüppauf, Bernd. Was ist Krieg? Zur Grundlegung einer Kulturgeschichte des Kriegs. Bielefeld: Transcript, 2013.
  • Hynes, Samuel. A War Imagined: The First World War and English Culture. London: Pimlico, 1990.
  • Isherwood, Ian. “The British Publishing Industry and Commercial Memories of the First World War.” War in History 23 (2016): 323–340.
  • Johnson, John H. “Realism and Satire: Siegfried Sassoon.” In English Poetry of the First World War, edited by John H. Johnson, 71–112. Princeton, NJ: Princeton University Press, 1964.
  • Jünger, Ernst. In Stahlgewittern. Leisnig: Robert Meier, 1920.
  • Kaufmann, Doris. “Science as Cultural Practice: Psychiatry in the First World War and Weimar Germany.” Journal of Contemporary History 34 (1999): 125–144.
  • Kazin, Alfred. Bright Book of Life. Boston, MA: Little, Brown, 1973.
  • Keller, Ulrich. Schuldfragen. Belgischer Untergrundkrieg und deutsche Vergeltung im August 1914. Paderborn: Schöningh, 2017.
  • Kiesel, Helmuth. Ernst Jünger. Die Biographie. Munich: Siedler, 2009.
  • Kiesel, Helmuth, ed. Ernst Jünger. Kriegstagebuch 1914–1918. Stuttgart: Klett-Cotta, 2010.
  • Kramer, Alan. Dynamic of Destruction: Culture and Mass Killing in the First World War. Oxford: Oxford University Press, 2007.
  • Krimmer, Elizabeth. The Representation of War in German Literature from 1800 to the Present. Cambridge: Cambridge University Press, 2010.
  • Kropp, Peter. Endlich Klarheit über Remarque und sein Buch ‘Im Westen nichts Neues’. Hamm: Eigen-Verlag, 1930.
  • Kühlich, Frank. Die deutschen Soldaten im Krieg von 1870/71. Frankfurt: Lang, 1995.
  • Laffin, John, ed. Letters from the Front, 1914–1918. London: Littlehampton, 1973.
  • Lambert, A., and S. Badsey, eds. The War Correspondents: The Crimean War. Stroud: Sutton, 1994.
  • Latzel, Klaus. “Kriegsbriefe und Kriegserfahrung. Wie können Feldpostbriefe zur erfahrungsgeschlichtlichen Quelle warden?” Werkstatt Geschichte 22 (1999): 7–24.
  • Leed, Eric. No Man’s Land: Combat and Identity in World War I. Cambridge: Cambridge University Press, 1979.
  • Lerner, Paul. Hysterical Men: War, Psychiatry and the Politics of Trauma in Germany, 1890–1930. Ithaca. NY: Cornell University Press, 2003.
  • Levsen, S. “Constructing Elite Identities: University Students, Military Masculinity and the Consequences of the Great War in Britain and Germany.” Past and Present 198 (2008): 147–183.
  • Linden, Ari. “Beyond Repetition: Karl Kraus’s ‘Absolute Satire’.” German Studies Review 36 (2013): 515–536.
  • Lipp, Anne. Meinungslenkung im Krieg. Kriegserfahrungen deutscher Soldaten und ihre Deutung 1914–1918. Göttingen: Vandenhoeck and Ruprecht, 2003.
  • Loughran, Tracey. Shell-Shock and Medical Culture in First World War Britain. Cambridge: Cambridge University Press, 2017.
  • McCartney, H. B. Citizen Soldiers: The Liverpool Territorials in the First World War. Cambridge: Cambridge University Press, 2005.
  • McLoughlin, Kate. “War and Words.” In The Cambridge Companion to War Writing, edited by idem, 15–24. Cambridge: Cambridge University Press, 2009.
  • Marquis, Alice. “Words as Weapons: Propaganda in Britain and Germany during the First World War.” Journal of Contemporary History 13 (1978): 467–498.
  • Marwick, Arthur. The Deluge: British Society and the First World War. London: Macmillan, 1965.
  • Messinger, Gary. S. British Propaganda and the State in the First World War. Manchester, NH: Manchester University Press, 1992.
  • Meyer, Jessica. “The Tuition of Manhood: ‘Sapper’s’ War Stories and the Literature of War.” In Publishing in the First World War: Essays in Book History, edited by M. Hammond and S. Towheed, 113–128. Palgrave: Basingstoke, 2007.
  • Mitchell, David. “Goodbye to All That: Robert Graves, Gerald Brenan and the Bloomsbury Set.” London Magazine 32 (1992): 78–88.
  • Mommsen, Wolfgang J. “German Artists, Writers and Intellectuals and the Meaning of War, 1914–1918.” In State, Society and Mobilization in Europe during the First World War, edited by J. Horne, 21–38. Cambridge: Cambridge University Press, 1997.
  • Monger, David. “Soldiers, Propaganda and Ideas of Home and Community in First World War Britain.” Cultural and Social History 8 (2011): 331–354.
  • Moorcroft Wilson, Jean. Siegfried Sassoon: The Journey from the Trenches, 1918–1967. London: Duckworth, 2004.
  • Mosse, George L. Fallen Soldiers: Reshaping the Memory of the World Wars. Oxford: Oxford University Press, 1990.
  • Mulligan, William. The Great War for Peace. New Haven, CT: Yale University Press, 2014.
  • Natter, Wolfgang G. Literature at War, 1914–1940: Representing the Time of Greatness in Germany. New Haven, CT: Yale University Press, 1999.
  • Nelson, Robert L. “Soldier Newspapers: A Useful Source in the Social and Cultural History of the First World War and beyond.” War in History 17 (2010): 167–191;
  • Nelson, Robert L. German Soldier Newspapers of the First World War. Cambridge: Cambridge University Press, 2011.
  • Norris, Margot. “The Novel as War: Lies and Truth in Hemingway’s A Farewell to Arms.” Modern Fiction Studies 40 (1994): 689–710.
  • Oesterle, Günther. “Das Kriegserlebnis im für und wider. ‘Im Westen nichts Neues’ von Erich Maria Remarque.” In Literatur, die Geschichte schrieb, edited by D. van Laak, 213–223. Göttingen: Vandenhoeck und Ruprecht, 2011.
  • Paul, Gerhard. Bilder des Krieges, Krieg der Bilder. Die Visualisierung des modernen Krieges. Paderborn: Schöningh, 2004.
  • Pick, Daniel. War Machine: The Rationalisation of Slaughter in the Modern Age. New Haven, CT: Yale University Press, 1993.
  • Ponsonby, Arthur. Falsehood in War-Time: Containing an Assortment of Lies Circulated throughout the Nations during the Great War. London: George Allen and Unwin, 1928.
  • Reeves, Nicholas. Official British Film Propaganda during the First World War. London: Croom Helm, 1986.
  • Reeves, Nicholas. “Cinema, Spectatorship and Propaganda: ‘Battle of the Somme’ (1916) and Its Contemporary Audience.” Historical Journal of Film, Radio and Television 17 (1997): 5–28.
  • Reimann, Aribert. Der groβe Krieg der Sprachen. Untersuchungen zur historischen Semantik in Deutschland und England zur Zeit des Ersten Weltkriegs. Essen: Klartext, 2000.
  • Reimann, Aribert. “Semantiken der Kriegserfahrung und historische Diskursanalyse. Britische Soldaten an der Westfront des Ersten Weltkrieges.” In Die Erfahrung des Krieges, edited by N. Buschmann and H. Carl, 173–194. Paderborn: Schöningh, 2001.
  • Remarque, Erich Maria. All Quiet on the Western Front. London: Jonathan Cape, 1994.
  • Richter, Hans. Dada: Art and Anti-Art. London: Thames and Hudson, 1965.
  • Roper, Michael. The Secret Battle: Emotional Survival in the Great War. Manchester, NH: Manchester University Press, 2009.
  • Rousseau, Frédéric. La Guerre censurée: une histoire des combattants européens de 14-18. Paris: Seuil, 1999.
  • Rüter, Hubert. Erich Maria Remarque. Im Westen nichts Neues. Ein Bestseller der Kriegsliteratur im Kontext. Paderborn: Schöningh, 1980.
  • Sassoon, Siegfried. The Complete Memoirs of George Sherston. London: Faber and Faber, 1937.
  • Saunders, Max. “Life Writing, Fiction and Modernism in British Narratives of the First World War.” The RUSI Journal 159 (2014): 106–111.
  • Schneider, Thomas F. et al. Die Autoren und Bücher der deutschprachigen Literatur zum Ersten Weltkrieg. Göttingen: Vandenhoeck und Ruprecht, 2008.
  • Schneider, Thomas F. “The Truth about the War Finally.” Journalism Studies 17 (2016): 490–501.
  • Schöttler, Horst, ed. 1914 in Briefen und Feldpostbriefen. Leipzig: L. Staackamm, 1914.
  • Schramm, Martin. Das Deutschlandbild in der britischen Presse 1912–1919. Berlin: Walter de Gruyter, 2007.
  • Schultze, Bruno. “Fiction and Truth: The Politics of the War Novel.” In Intimate Enemies, edited by Franz Karl Stanzel and Martin Löschnigg, 297–311. Heidelberg: C. Winter, 1993.
  • Schupp, Johann, ed. Eines Freiburger Theologen Kreigstagebücher 1914/18. Karlsruhe: Hofbuchhandlung, 1969.
  • Sheffield, Gary. Forgotten Victory: The First World War. London: Headline, 2002.
  • Sombart, Werner. Händler und Helden. Patriotische Besinnungen. Munich: Duncker und Humblot, 1915.
  • Sparr, H., ed. Feldpostbriefe 1914–1915. 2nd ed. Leipzig: Otto Spamer, 1915.
  • Stark, Gary D. “All Quiet on the Home Front: Popular Entertainments, Censorship and Civilian Morale, 1914–1918.” In Authority, Identity and the Social History of the Great War, edited by F. Coetzee and M. Shevin-Coetzee, 57–80. Oxford: Berg, 1995.
  • Stevenson, David. Armaments and the Coming of War: Europe, 1904–1914. Oxford: Oxford University Press, 1996.
  • Stibbe, Matthew. German Anglophobia and the Great War, 1914–1918. Cambridge: Cambridge University Press, 2008.
  • Stromberg, Roland N. Redemption by War: The Intellectuals and 1914. Lawrenc: University Press of Kansas, 1982.
  • Tate, Trudi. “The First World War: British Writing.” In The Cambridge Companion to War Writing, edited by K. McLoughlin, 160–174. Cambridge: Cambridge University Press, 2010.
  • Tharann, Willy, ed. Aus dem Kriegstagebuch eines Gefallenen. Leipzig: Xenien-Verlag, 1918.
  • Todman, Dan. The Great War: Myth and Memory. London: Bloomsbury, 2005.
  • Tooley, T. Hunt. The Great War: Western Front and Home Front. 2nd ed. Basingstoke: Palgrave, 2016.
  • Ulrich, Bernd. “Feldpostbriefe im Ersten Weltkrieg. Bedeutung und Zensur.” In Frontalltag, edited by P. Knoch, 40–83. Stuttgart: Metzler, 1989.
  • Ulrich, Bernd. “Nerven und Krieg: Skizzierung einer Beziehung.” In Geschichte und Psychologie, edited by B. Loewenstein, 163–191. Pfaffenweiler: Centaurus, 1992.
  • Ulrich, Bernd. Die Augenzeugen. Deutsche Feldpostbriefe in Kriegs- und Nachkriegszeit 1914–1933. Essen: Klartext, 1997.
  • Watson, Alexander. Enduring the Great War: Combat, Morale and Collapse in the German and British Armies, 1914–1918. Cambridge: Cambridge University Press, 2008.
  • Watson, Alexander. Ring of Steel: Germany and Austria-Hungary at War. London: Penguin, 2014.
  • Watson, Janet S. K. Fighting Different Wars: Experience, Memory, and the First World War. Cambridge: Cambridge University Press, 2004.
  • Welch, David. Germany: Propaganda and Total War, 1914–1918. New Brunswick, NJ: Rutgers University Press, 2000.
  • Welke, Martin. “Gemeinsame Lektüre und frühe Formen von Gruppenbildungen im 17. und 18. Jahrhundert. Zeitungslesen in Deutschland.” In Lesegesellschaften und bürgerliche Emanzipation, edited by O. Dann, 71–99. Munich: Beck, 1981.
  • Welke, Martin. “Die Presse und ihre Leser. Zur Geschichte des Zeitungslesens in Deutschland von den Anfängen bis zum frühen 19. Jahrhundert.” In Als die Post noch Zeitung machte, edited by K. Beyrer and M. Dallmeier, 140–147. Frankfurt, 1994.
  • Wells, H. G. The War That Will End War. New York: Duffield and Company, 1914.
  • Wells, H. G. Mr Britling Sees It Through. London: Robert Scott, 1916.
  • Wette, Wolfram, ed. Der Krieg des kleinen Mannes. Eine Militärgeschichte von unten. Munich: Piper, 1992.
  • Whalen, Robert W., and Bitter Wounds. German Victims of the Great War, 1914–1939. Ithaca, NY: Cornell University Press, 1984.
  • Williams, J. “The Myth of the Lost Generation: The British War Poets and Their Modern Critics.” Clio 12 (1982): 45–56.
  • Willis Jr, J. W. “The Censored Language of War: Richard Aldington’s Death of a Hero and Three Other War Novels of 1929.” Twentieth Century Literature 45 (1999): 467–487.
  • Wilson, Keith. The Myriad Faces of War: Britain and the Great War, 1914–1918. Cambridge: Cambridge University Press, 1986.
  • Wilson, Trevor. “Lord Bryce's Investigation into Alleged German Atrocities in Belgium, 1914–1915.” Journal of Contemporary History 14 (1979): 369–383.
  • Winter, Jay. The Experience of World War I. Oxford: Oxford University Press, 1989.
  • Winter, Jay. M. The Great War and the British People. London: Macmillan, 1985.
  • Winter, Jay M. Sites of Memory, Sites of Mourning. Cambridge: Cambridge University Press, 1995.
  • Winter, Jay M. “Forms of Kinship and Remembrance in the Aftermath of the Great War.” In War and Remembrance in the Twentieth Century, edited by idem and E. Sivan, 40–60. Cambridge: Cambridge University Press, 1999.
  • Winter, Jay M. “Victimes de la guerre. Morts, blesses et invalides.” In Encylopédie de la Grande Guerre 1914–1918, edited by S. Audoin-Rouzeau and J.-J. Becker, 1075–1085. Paris: Bayard, 2004.
  • Winter, Jay M. Remembering War: The Great War between Memory and History in the Twentieth Century. New Haven, CT: Yale University Press, 2006.
  • Witkop, Philipp, ed. German Students’ War Letters. London: E. P. Dutton, 1929.
  • Wohl, R. The Generation of 1914. Cambridge, MA: Harvard University Press, 1979.
  • Ziemann, Benjamin. Front und Heimat. Ländliche Kriegserfahrungen im südlichen Bayern 1914–1923. Essen: Klartext, 1997.
  • Ziemann, Benjamin. Contested Commemorations: Republican War Veterans and Weimar Political Culture. Cambridge: Cambridge University Press, 2013.
  • Ziemann, Benjamin. Violence and the German Soldier in the Great War: Killing, Dying, Surviving. London: Bloomsbury, 2017.
  • Zuckmayer, Carl. Als wär’s ein Stück von mir. Frankfurt a. M.: Fischer, 1966.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.