References
- Baker, S., A. Bennett, and S. Homan. 2009. “Cultural precincts, creative spaces: giving the local a musical spin.” Space and Culture 12(2): 148–165.
- Bennett, A. 2009. “Heritage rock: rock music, representation and heritage discourse.” Poetics 37(5–6): 474–489.
- Bourdieu, P. 1991. Language and symbolic power. Cambridge, MA: Harvard University Press.
- Burgoyne, R. 2003. “From contested to consensual memory: the rock and roll hall of fame and museum.” In Frontiers of memory, edited by S. Radstone and K. Hodgekins, 208–220. London: Routledge.
- Chaney, D. 2002. Cultural change and everyday life. Basingstoke: Palgrave.
- Cohen, S. 1991. Rock culture in Liverpool: popular music in the making. Oxford: Claredon.
- Janssen, S., M. Verboord, and G. Kuipers. 2011. “Comparing cultural classification. High and popular arts in European and US elite newspapers, 1955–2005.” Kölner Zeitschrift für Soziologie und Sozialpsychologie 63(51): 139–168.
- Schmutz, V. 2005. “Retrospective cultural consecration in popular music.” American Behavioral Scientist 48: 1510–1523.
- Smith, L. 2006. Uses of heritage. London: Taylor & Francis.
- Van Dijck, J. 2007. Mediated memories in the digital age. Stanford: Stanford University Press.