A Sonic Theory Unsuitable for Human Consumption

Bibliography

• Ccru, Writings 1997–2003. Time Spiral Press.
   Google Scholar
• Birke, Dorothee, Michael Butter, and Tilmann Köppe, eds. Counterfactual Thinking/ Counterfactual Writing. Berlin: de Gruyter, 2011.
   Google Scholar
• Bull, Michael, and Les Back, eds. Auditory Culture Reader. (2nd edition). London: Bloomsbury, 2016.
   Google Scholar
• Cogburn, John and Mark Allan Ohm. “Actual Qualities of Imaginative Things, Notes towards an Object-Oriented Literary Theory.” In Speculations V: Aesthetics in the 21st Century. Edited by Ridvan Askin, Paul J. Ennis, Andreas Hagler and Philipp Schweighauser. New York: Punctum Books, 2014.
   Google Scholar
• de Courtenay, Nadine. “The Epistemological Virtues of Assumptions: Towards a Coming of Age of Boltzmann and Meinong’s Objections to ‘the Prejudice in Favour of the Actual’?” Studies in History and Philosophy of Science 41 (2010): 41–57.
   Web of Science ®Google Scholar
• Deleuze, Gilles. Foucault. Translated by Sean Hand. London: Continuum, 2006.
   Google Scholar
• Drobnick, Jim. “Introduction.” In Aural Cultures. Edited by Jim Drobnick. Banff: YYZ, 2004.
   Google Scholar
• Erlmann, Veit. Reason and Resonance: a History of Modern Orality. Cambridge, MA: MIT Press, 2014.
   Google Scholar
• Eshun, Kodwo. More Brilliant Than The Sun. London: Quartet, 1998.
   Google Scholar
• Eshun, Kodwo. “Drexciya as Spectre.” In Aquatopia: The Imaginary of the Ocean Deep. Edited by Martin Clark and Alex Farquarson. London: Tate, 2013.
   Google Scholar
• Foucault, Michel. Foucault Live: Collected Interviews, 1961–1984. Edited by Sylvere Lotringer. New York: Semiotext(e), 1996.
   Google Scholar
• Foucault, Michel. “The Thought of the Outside.” In Aesthetics, Method, and Epistemology: Essential Works of Foucault, 1954–1984; Volume II. Edited by James D Faubion and Paul Rabinow. New York: The New Press, 1998.
   Google Scholar
• Foucault, Michel. The Archaeology of Knowledge. Translated by A.M. Sheridan Smith. London: Routledge, 2002.
   Google Scholar
• Gibson, Prudence. “Art Theory/ Fiction as Hyper Fly.” In Aesthetics After Finitude. Edited by Baylee Brits, Prudence Gibson and Amy Ireland. Melbourne: re.press, forthcoming.
   Google Scholar
• Goodman, Steve. Sonic Warfare: Sound, Affect, and the Ecology of Fear. Cambridge MA: The MIT Press, 2009.
   Google Scholar
• Guattari, Félix. The Three Ecologies. Translated by Ian Pindar and Paul Sutton. London and New Brunswick: Athlone, 2000.
   Google Scholar
• Harman, Graham. “On the Undermining of Objects: Grant, Bruno, and Radical Philosophy.” In The Speculative Turn: Continental Materialism and Realism. Edited by Levi Bryant and Nick Srnicek. Melbourne: re.press, 2011.
   Google Scholar
• Haraway, Donna. “Tentacular Thinking: Anthropocene, Capitalocene, Chthulucene.” e-flux 75 (September 2016). http://www.eflux.com/journal/75/67125/tentacular-thinking-anthropocene-capitalocene-chthulucene/
   Google Scholar
• Hilmes, Michele. “Is There a Field Called Sound Culture Studies? And Does It Matter?” American Quarterly 57, 1 (2005): 249–259.
   Google Scholar
• Hoban, Russell. “Orpheus Underground.” Presented by Neil Gaiman, BBC Radio 4. http://www.bbc.co.uk/programmes/b06cw171
   Google Scholar
• Kahn, Douglas. Noise, Water, Meat, A History of Voice, Sound, and Aurality in the Arts. Cambridge, MA: The MIT Press, 1999.
   Google Scholar
• Kieffer, John. “Sound Art: Artists of the new wave.” The Independent, Monday 10 2010. http://www.independent.co.uk/arts-entertainment/art/features/sound-art-artists-of-the-new-wave-1970453.html
   Google Scholar
• Lem, Stanislaw. Solaris. Translated by Joanna Kilmartin and Steve Cox. New York: Walker, 1970.
   Google Scholar
• Lewis, David. “Postscript to ‘Truth in Fiction.’” In Philosophical Papers I. Oxford: Oxford University Press, 1983.
   Google Scholar
• Ligotti, Thomas. Songs of a Dead Dreamer. Albuquerque: Silver Scarab, 1985.
   Google Scholar
• McLuhan, Marshall. Letters of Marshall McLuhan. Edited by Matie Molinaro, Corinne McLuhan and William Toye. Oxford: Oxford University Press, 1987.
   Google Scholar
• Nevitt, Barringston. ABC of Prophecy: Understanding the Environment. Toronto: Canadian Futures, 1980.
   Google Scholar
• Nietzsche, Friedrich. Daybreak: Thoughts on the Prejudices of Morality. Edited by Maudemarie Clark and Brian Leiter. Translated by R.J. Hollingdale. Cambridge: Cambridge University Press, 1997.
   Google Scholar
• Parisi, Luciana. Contagious Architecture. Cambridge MA: The MIT Press, 2013.
   Google Scholar
• Pinch, Trevor and Karin Bijsterveld, eds. The Oxford Handbook of Sound Studies. Oxford: Oxford University Press, 2012.
   Google Scholar
• Priest, Eldritch. Boring, Formless, Nonsense. London and New York: Bloomsbury, 2013.
   Google Scholar
• Rancière, Jacques. Dissensus: On Politics and Aesthetics. Translated by Steven Corcoran. London and New York: Continuum, 2010.
   Google Scholar
• Sokal, Alan and Jean Bricmont. Fashionable Nonsense, Postmodern Intellectual Abuse of Science. New York: Picador, 1999.
   Google Scholar
• Thiele, Kathrin, Iris van der Tuin and Cecilia Asberg. “Speculative Before the Turn.” Cultural Studies Review 21, 2 (2015): 145–172.
   Web of Science ®Google Scholar