Bibliography
- Derrida, Jacques. The Truth in Painting. Translated by Geoffrey Bennington and Ian McLeod. Chicago: University of Chicago Press, 1987.
- Jones, Amelia. “Archive, Repertoire, and Embodied Histories in Nao Bustamante’s Performative Practice.” In Artists in the Archive: Engagements with the Remainders of Art and Performance, edited by Joanna Linsley, Simon Jones, Paul Clarke and Nick Kaye. London and New York: Routledge Press, 2018.
- Jones, Amelia. “‘The Artist is Present’: Artistic Re-enactments and the Impossibility of Presence.” TDR: The Drama Review 55, no. 1 (Spring, 2011): 16–45.
- Jones, Amelia, and Adrian Heathfield, eds. Perform, Repeat, Record: Live Art in History. (Bristol: Intellect Press, 2012).
- Jones, Amelia. “‘Presence’ in absentia: Experiencing Performance as Documentation.” Art Journal 56, no. 4 (Winter, 1997): 11–18.