Who and What Connects the Dots? Emma Kunz’s Method as Infographics and the Politics of Probability

Bibliography

• Amoore, Louise. “Introduction: Thinking with Algorithms: Cognition and Computation in the Work of N. Katherine Hayles.” Theory, Culture & Society 36, no. 2 (2019): 3–16.
   Web of Science ®Google Scholar
• Althaus, Karin, and Sebastian Schneider. World Receivers: Georgiana Houghton, Hilma Af Klint, Emma Kunz, and John Whitney, James Whitney, Harry Smith:[exhibition, Lenbachhaus, Munich, November 6, 2018-March 10, 2019]. Lenbachhaus, 2018.
   Google Scholar
• Berardi, Franco. After the Future. AK press, 2011.
   Google Scholar
• Bradfield, Ron, George Wright, George Burt, George Cairns, and Kees Van Der Heijden. “The origins and evolution of scenario techniques in long range business planning.” Futures 37, no. 8 (2005): 795–812.
   Web of Science ®Google Scholar
• Cage John, Joe Biel, and Richard Kraft. Diary: How to Improve the World; (You Will Only Make Matters Worse). Los Angeles: Siglio, 2015.
   Google Scholar
• Cavallo, Francesca Laura. “Sensing it Coming. The Aesthetics of Risk.” PhD diss., University of Kent 2020.
   Google Scholar
• De Zegher, Catherine (ed.). 3 X Abstraction: New Methods of Drawing: Hilma Af Klint, Emma Kunz, and Agnes Martin. New York: Yale University Press, 2005.
   Google Scholar
• D’Ignazio, Catherine and Lauren F. Klein. “Feminist Data Visualization.” Workshop on Visualization for the Digital Humanities (VIS4DH), Baltimore, IEEE, 2016.
   Google Scholar
• Duchamp, Marcel and Arturo Schwarz. Marcel Duchamp, New York: H. N. Abrams, 1975
   Google Scholar
• Duchamp, Marcel, Michel Sanouillet, and Elmer Peterson. The Writings of Marcel Duchamp. New York: Da Capo Press, 1989.
   Google Scholar
• Fisher, Mark. Ghosts of My Life: Writings on Depression, Hauntology and Lost Futures. Lanham: John Hunt Publishing, 2014.
   Google Scholar
• Foulkes, R. A. “Dowsing Experiments.” Nature 229, no. 5281 (1971): 163–168.
   PubMed Web of Science ®Google Scholar
• Gabrys, Jennifer. “Sensors and Sensing Practices: Reworking Experience across Entities, Environments, and Technologies”. Science, Technology, & Human Values, (2019) 723–736.
   Web of Science ®Google Scholar
• Gardiner, Crispin. Stochastic Methods: A Handbook for the Natural and Social Sciences. 4th ed. Berlin: Springer, 2009.
   Google Scholar
• Goodman, Steve. Sonic Warfare: Sound Affect and the Ecology of Fear. Cambridge Massachusetts: MIT Press, 2010.
   Google Scholar
• Hacking, Ian. The Emergence of Probability: A Philosophical Study of Early Ideas About Probability. Cambridge: Cambridge University Press, 2006.
   Google Scholar
• Halpern, Orit. Beautiful Data: A History of Vision and Reason since 1945, (Durham, NC: Duke University Press, 2014), 21.
   Google Scholar
• Hamming, Richard W. The Art of Probability, CRC Press, 2018.
   Google Scholar
• Hayles N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics Literature and Informatics. Chicago IL: University of Chicago Press, 1999.
   Google Scholar
• Karim, Ibrahim. “Biogeometry: Physical Radiesthesia.” Accessed August 20, 2022. www.biogeometry.ca/radiesthesia.
   Google Scholar
• Oxley, Nathan. “Unsettling the Apocalypse: Uncertainty in Spirituality and Religion.” In The Politics of Uncertainty, edited by Ian Scoones and Andy Stirling, 164–173. Abingdon: Routledge, 2020.
   Google Scholar
• Iversen, Margaret ed., Chance: Documents of Contemporary Art. London: Whitechapel Gallery and MIT Press, 2010.
   Google Scholar
• Jardini, David R. “Out of the blue yonder: The RAND Corporation's diversification into social welfare research, 1946–1968.” PhD diss., Carnegie-Mellon University, 1996.
   Google Scholar
• Jeffrey, Richard. Probability and the Art of Judgment, Cambridge: Cambridge University Press, 1992.
   Google Scholar
• Keynes, John Maynard. A Treatise on Probability. London, England: Dover Publications, 1921.
   Google Scholar
• Kunz, Emma. Neuartige Zeichnungsmethode: Gestaltung Und Form Als Mass Rhythmus Symbol Und Wandlung Von Zahl Und Prinzip. (Design and form as measure, rhythm, symbol and transformation of number and principle, 1953).
   Google Scholar
• Lippard, Lucy. “Introduction to 557,087,” Conceptual Art: A Critical Anthology, edited by Alexander Alberro and Blake Stimson, Cambridge: MIT Press, 2005.
   Google Scholar
• Lohner, Henning, D. W. Bernstein, and C. Hatch. “The Making of Cage’s One.” In Writings through John Cage’s music, poetry, & art, eds., DW Bernstein, and C. Hatch (2001): 260–298.
   Google Scholar
• Marks, David F. “Investigating the paranormal.” Nature 329, no. 6134 (1987): 1–10.
   Web of Science ®Google Scholar
• Meier, Anton C. “Emma Kunz. Life and Work.” VV. AA.: Emma Kunz: Artist, Researcher, Natural Healer. Würenlos, Emma Kunz Zentrum (1998): 19–54.
   Google Scholar
• Mermet Alexis. Comment J’opère Pour Découvrir Les Sources Et Tous Autres Corps Cachés De Près Ou De Loin. 2E éd, Poitiers: Texier, 1932.
   Google Scholar
• Massumi, Brian. “The Political Ontology of Threat.” The Affect Theory Reader (2010): 52–70.
   Google Scholar
• Mitchell, William JT. “Translator translated. (interview with cultural theorist Homi Bhabha)”, Artforum 33, no. 7 (March, 1995):80–84.
   Google Scholar
• Mitterhofer, Hermann and Silvia Jordan, “Imagining Risk – The visual dimension in risk analysis” in Routledge Handbook of Risk Studies, edited by Adam Burgess, Alberto Alemanno, and Jens O Zinn. London: Routledge, 2016.
   Google Scholar
• Molderings, Herbert. Duchamp and the Aesthetics of Chance: Art as Experiment. New York: Columbia University Press, 2010.
   Google Scholar
• Moreno, J and H. H. Jennings. ‘Who Shall Survive. Vol. 58.’ Nervous and Mental Disease Publishing Company, Washington DC, 1934.
   Google Scholar
• O'Neil, Cathy. Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy. London: Penguin, 2016.
   Google Scholar
• Parisi, Luciana. Contagious Architecture: Computation Aesthetics and Space. Cambridge MA: MIT Press, 2013.
   Google Scholar
• Poincaré, Henri. “Chance” in The Monist 22, no.1 (1912): 31–52.
   Google Scholar
• Poincaré, Henri. “The Measure of Time” in The Foundations of Science, 222–234. New York: Science Press, 1913.
   Google Scholar
• Rosamond, Emily. “The Future-Oracular: Prediction, Divination and the Politics of Certainty.” Schemas of Uncertainty, Amsterdam: Sandberg Instituut, (2019): 141–158.
   Google Scholar
• Spiegelhalter, David, Mike Pearson, and Ian Short. “Visualizing Uncertainty About the Future.” Science 333, no. 6048 (2011): 1393–1400.
   PubMed Web of Science ®Google Scholar
• Szeemann, Harald. “More than Art: Tiend into Primal Mud and Mystic Light.” VV. AA.: Emma Kunz: Artist, Researcher, Natural Healer. Würenlos, Emma Kunz Zentrum (1998): 55–90.
   Google Scholar
• Teicher, Hendel. “Kaleidoscopic Visions.” De Zegher, Catherine (ed.). 3 X Abstraction: New Methods of Drawing: Hilma Af Klint, Emma Kunz, and Agnes Martin. New York: Yale University Press (2005).127–137.
   Google Scholar
• Tufte, Edward. The Visual Display of Quantitative Information, Vol. 2, Cheshire, CT: Graphics Press, 2001.
   Google Scholar
• Wallace, Aurora. “Mapping City Crime and the New Aesthetic of Danger.” Journal of Visual Culture 8.1 (2009): 5–24.
   Web of Science ®Google Scholar
• Whitehead, Alfred. Science and the Modern World by Alfred North Whitehead. New York: Macmillan, 1929.
   Google Scholar
• Whyte, Kyle. “Indigenous Climate Change Studies: Indigenizing Futures, Decolonizing the Anthropocene.” English Language Notes 55, no. 1 (2017): 153–162.
   Web of Science ®Google Scholar
• Zwez, Annelise. “… Provided They Know How to Handle Numbers.” VV. AA.: Emma Kunz: Artist, Researcher, Natural Healer, Würenlos, Emma Kunz Zentrum (1998): 91–118.
   Google Scholar