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Articles

(Re)Writing With the Feet: The Flâneur as Urban Cartographer in Alicia Scherson’s Film Play (Chile, 2005)

Filmography

  • Aquí se construye (o Ya no existe el lugar donde nací). 2000. Directed by Ignacio Agüero (Chile: Ignacio Agüero & Asociados), 35mm/colour, 77 mins.
  • Manos libres. 2009.Directed by Alicia Scherson (Chile: CNCA), 35mm/colour, 1 min.
  • Play. 2005. Directed by Alicia Scherson (Chile-Argentina-France: Macondo), 35mm/colour, 105 mins.
  • Turistas. 2009. Directed by Alicia Scherson (Chile: La Ventura), 35mm/colour, 104 mins.
  • No. 2012. Directed by Pablo Larraín (France/USA/Chile: Golem Distribución), 35mm/colour, 118 mins.

References

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  • 1967. Amereida. Volumen Primero . Santiago de Chile: Editorial Cooperative Lambda.
  • Barraza Toledo, Vania . 2012. Play, de Alicia Scherson: la flâneuse, la ciudad y los otros. In Fronteras de la memoria: cartografías de género en artes visuales, cine y literatura en las Américas y España , edited by Bernardita Llanos and Ana María Goetschel , 117–137. Santiago: Editorial Cuarto Propio.
  • Barraza Toledo, Vania . 2015. From Sanhattan to Nashvegas: The Aesthetics of Detachment in Alberto Fuguet’s Filmmaking. Hispania 98(3): 442–451.
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  • Hollevoet, Christel . 1992. Wandering in the City, Flânerie to Dérive and After: the Cognitive Mapping of Urban Space. In The Power of the City: The City of Power , 25–55. New York, NY : Whitney Museum of American Art. http://trove.nla.gov.au/work/11521196?selectedversion=NBD10742046
  • Huizinga, Johan . 1949 [ 1944]. Homo Ludens: A Study of the Play-Element in Culture . Translated by. unnamed. London: Routledge and Kegan Paul. accessed 2 January 2016. http://art.yale.edu/file_columns/0000/1474/homo_ludens_johan_huizinga_routledge_1949_.pdf
  • Kramer, Kathryn , and John Rennie Short . 2011. Flânerie and the globalizing city. In City: analysis of urban trends, culture, theory, policy, action 15(3–4): 322–342.
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  • Mazlish, Bruce . 1994. The flâneur: From Spectator to Representation. In The Flâneur , edited by Keith Tester , 43–60. London: Routledge.
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  • Wright, Sarah . 2013. Everything to Play for: Renegotiating Chilean Identity in Alicia Scherson’s Play (2005). In Hispanic and Lusophone Women Filmmakers: Theory, practice and difference , edited by Parvati Nair and Julián Daniel Gutiérrez-Albilla , 229–240. Manchester and New York: Manchester University Press.

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