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Journal of Latin American Cultural Studies
Travesia
Volume 28, 2019 - Issue 4
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Dossier: Digital Cinemas in Latin America

Physical Cinema in the Parque de la Memoria: Albertina Carri’s Operación fracaso y el sonido recobrado

Gonzalo AguilarCorrespondence[email protected]
Pages 565-575 | Received 16 Nov 2017, Accepted 07 Aug 2018, Published online: 10 Sep 2019

References

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  • Amado, A. 2004. “Ordenes de la memoria y desórdenes de la ficción.” In Lazos de Familia. Herencias, cuerpos, ficciones, edited be A. Amado y N. Dominguez, 45–84. Buenos Aires: Paidós.
  • Andrés, di Tella. 1995. Montoneros, una historia. Argentina.
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  • García, F. 2016. “Claudia Fontes: una costurera épica del arte.” La Nación, Suplemento “Ideas,” 23 October, http://www.lanacion.com.ar/1948858-claudia-fontes-una-costurera-epica-del-arte
  • Kohan, M. 2004. “La apariencia celebrada.” Punto de Vista 27 (78): 24–30.
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  • Roqué, María Inés. 2004. Papá Iván. México.
  • Nouzeilles, G. 2005. “Postmemory Cinema and the Future of the Past in Albertina Carri’s Los Rubios.” Journal of Latin American Cultural Studies 14 (3): 263–278.
  • Nicolás Prividera. 2007. M. Argentina.
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Films

  • Parnet, C., and G. Deleuze. 1996. “Z comme Zigzag.” In L'Abécédaire de Gilles Deleuze. París, Femis-La-Sodeperaga Productions.

Internet Database

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