89
Views
0
CrossRef citations to date
0
Altmetric
Articles

Tracing the Apparatus: The Technological Mediation of Experience in Los autonautas de la cosmopista, o un viaje atemporal París-Marsella By Julio Cortázar and Carol Dunlop

Pages 363-377 | Received 19 Oct 2018, Accepted 26 Apr 2019, Published online: 30 Oct 2020

References

  • Alazraki, Jaime. 1994. Hacia Cortázar: Aproximaciones a su obra. Barcelona: Anthropos.
  • Alazraki, Jaime. 2014. “Los autonautas de la cosmopista o jugar como la forma más alta de vivir.” In Materiales de la revista Casa de las Américas de/sobre Julio Cortázar, 376–390. La Habana, Cuba: Fondo Editorial Casa de las Américas.
  • Barthes, Roland. 1982. Camera Lucida: Reflections on Photography. Translated by Richard Howard. New York: Hill and Wang.
  • Benjamin, Walter. 2008. “The Work of Art in the Age of Its Technological Reproducibility.” In The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media, edited by Michael W. Jennings, Brigid Doherty, and Thomas Y. Levin, translated by Edmund Jephcott, 19–51. Cambridge, MA: Belknap Press.
  • Castro-Klarén, Sara. 1978. “Ontological Fabulation: Toward Cortázar’s Theory of Literature.” In The Final Island: The Fiction of Julio Cortázar, edited by Jaime Alazraki and Ivar Ivask, 140–150. Oklahoma: U Oklahoma P.
  • Cohen, Keith. 1984. “Cortázar and the Apparatus of Writing.” Contemporary Literature 25 (1): 15–27.
  • Cortázar, Julio. 1967. “Blow-Up.” In Blow-Up and Other Stories, translated by Paul Blackburn, 114–131. New York: Pantheon Books.
  • Cortázar, Julio. 1977. “La autopista del sur.” In Todos los fuegos el fuego, 9–35. Buenos Aires: Edhasa.
  • Cortázar, Julio. 1996. “Las babas del diablo.” In La autopista del sur y otros cuentos, 86–99. New York: Penguin Books.
  • Dávila, María de Lourdes. 2001. Desembarcos en el papel: La imagen en la literatura de Julio Cortázar. Rosario, Beatriz Viterbo.
  • Dunlop, Carol, and Julio Cortázar. 1983. Les autonautes de la cosmoroute, ou Un voyage Intemporel Paris – Marseille. Translated by Laure Guille-Bataillon and Françoise Campo. Paris: Gallimard.
  • Dunlop, Carol, and Julio Cortázar. 1983. Los autonautas de la cosmopista, o, Un viaje atemporal París-Marsella. Barcelona: Muchnik Editores.
  • Dunlop, Carol, and Julio Cortázar. 2007. Autonauts of the Cosmoroute. Translated by Anne McLean. New York: Archipelago Books.
  • Flusser, Vilém. 2000. Towards a Philosophy of Photography. Translated by Anthony Mathews. London: Reaktion.
  • Fraser, Max. 2013. “Hands off the Machine: Workers’ Hands and Revolutionary Symbolism in the Visual Culture of 1930s America.” American Art 27 (2): 94–117.
  • Jain, Sarah S. 1999. “The Prosthetic Imagination: Enabling and Disabling the Prosthesis Trope.” Science, Technology, & Human Values 24 (1): 31–54.
  • Lindsay, Claire. 2009. “Road to Nowhere? Los autonautas de la cosmopista by Julio Cortázar and Carol Dunlop.” Travel Writing, Form, and Empire: The Poetics and Politics of Mobility, edited by Julia Kuehn and Paul Smethurst, 213–228. New York: Routledge.
  • Mann, Sally. 2015. Hold Still: A Memoir with Photographs. New York: Little, Brown and Company.
  • Mitchell, W. J. T. 1994. Picture Theory: Essays on Verbal and Visual Representation. Chicago: U Chicago P.
  • Nouzeilles, Gabriela. 2017. “Arquitectura del fotolibro: escritura e imagen.” outra travessia 1 (21): 127–144.
  • Pellicer, Rosa. 2004. “Parodia y paradero: ‘Los autonautos de la cosmopista’ de Julio Cortázar y Carol Dunlop.” Revista de Humanidades: Tecnológico de Monterrey, no. 17: 33–47.
  • Pinney, Christopher. 2012. “Seven Theses on Photography.” Thesis Eleven 113 (1): 141–156.
  • Pratt, Mary Louise. 1992. Imperial Eyes: Travel Writing and Transculturation. London and New York: Routledge.
  • Russek, Dan. 2004. “Verbal/Visual Braids: The Photographic Medium in the Works of Julio Cortázar.” Mosaic 37 (4): 71–86.
  • Russek, Dan. 2015. Textual Exposures: Photography in Twentieth-Century Spanish American Narrative Fiction. Calgary: U Calgary P.
  • Schwartz, Marcy E. 2001. “Cortázar under Exposure: Photography and Fiction in the City.” Latin American Literature and Mass Media, edited by Edmundo Paz Soldán and Debra A. Castillo, 117–138. New York: Garland Publishing.
  • Schwartz, Marcy E. 2006. “Writing against the City: Julio Cortázar’s Photographic Take on India.” Photography and Writing in Latin America: Double Exposures, edited by Marcy E. Schwartz and Mary Beth Tierney-Tello, 117–138. Albuquerque: U New Mexico P.
  • Sontag, Susan. 1977. On Photography. London: Penguin Books.
  • Sugano, Marian Zwerling. 1993. “Beyond What Meets the Eye: The Photographic Analogy in Cortázar’s Short Stories.” Style 27 (3): 332–351.
  • Yurkiévich, Saúl. 1980. “Borges/Cortázar: Mundos y modos de la ficción fantástica.” Revista Iberoamericana 46 (110): 153–160.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.