Pure products go crazy

References

• Barthes , R. 2000 . Camera lucida , London : Vintage .
   Google Scholar
• Counsell , C. and Wolf , L. 2001 . Performance analysis , London : Routledge .
   Google Scholar
• Darke , P. 2003 . “ Now I know why disability art is drowning in the River Lethe ” . In Disability, culture and identity , Edited by: Riddell , S. and Watson , N. 131 – 42 . Harlow, , UK : Pearson Prentice Hall .
   Google Scholar
• Delillo , D. 2007 . Falling man , London : Picador .
   Google Scholar
• Ferris , J. 2005 . “ Aesthetic distance and the fiction of Disability ” . In Bodies in commotion , Edited by: Auslander , P. and Sandhal , C. 56 – 68 . Ann Arbor : University of Michigan Press .
   Google Scholar
• Hutcheon , L. 2006 . A theory of adaptation , London : Routledge .
   Google Scholar
• Kenny , M. 2006 . On the verge . Unpublished play script .
   Google Scholar
• Kirby , M. 2002 . “ On acting and not acting ” . In Acting re:considered , Edited by: Zarilli , P. 40 – 53 . London : Routledge .
   Google Scholar
• Schinina , G. 2004 . Social theatre and some open questions about its development . The Drama Review , 48 ( 3 ) : 17 – 31 .
   Google Scholar
• Schjeldahl , P. 1998 . “ Notes on beauty ” . In Uncontrollable beauty: Toward a new aesthetic , Edited by: Beckley , B. and Shapiro , D. 53 – 61 . New York : Allworth .
   Google Scholar
• Sontag , S. 1999 . “ Notes on ‘Camp’ ” . In Camp: Queer aesthetics and the performing subject , Edited by: Cleto , F. 53 – 66 . Edinburgh : Edinburgh University Press .
   Google Scholar
• States , B. 1985 . Great reckonings in small rooms: On the phenomenology of theatre , London : University of California Press .
   Google Scholar