Side effects: an analysis of Mind the Gap's Boo and the reception of theatre involving learning disabled actors

References

• Charlton , J.I. 2000 . Nothing about us without us , Berkeley : University of California Press .
   Google Scholar
• Dyer , G. 1996 . But beautiful: A book about jazz , London : Vintage .
   Google Scholar
• Goulish , M. 2000 . 39 microlectures: In proximity of performance , London : Routledge .
   Google Scholar
• Hargrave , M. Forthcoming . Tear marks: Transitions in the making of Mind the Gap's On the Verge In Moments of transformation , R. Paterson . Newcastle upon Tyne : Northumbria University Press .
   Google Scholar
• Heddon , D. and Milling , J. 2006 . Devising performance: A critical history , Basingstoke , , UK : Palgrave Macmillan .
   Google Scholar
• Kenny , M. 2009 . Boo . Unpublished playscript .
   Google Scholar
• McCannell , D. 1989 . The tourist: A new theory of the leisure class , New York : Schocken Books .
   Google Scholar
• Phillips , A. 2006 . Side effects , London : Penguin .
   Google Scholar
• Ridout , N. 2006 . Stage fright, animals and other theatrical problems , Cambridge : Cambridge University Press .
   Google Scholar
• Schechner , R. 1985 . Between theatre and anthropology , Philadelphia : University of Pennsylvania Press .
   Google Scholar
• Siebers , T. 2008 . Disability theory , Ann Arbor : University of Michigan Press .
   Google Scholar
• Turner , C. and Behrndt , S. 2008 . Dramaturgy and performance , Basingstoke , , UK : Palgrave .
   Google Scholar
• Verrent , J. 2009 . Review of Boo. http://www.disabilityartsonline.org.uk/mind-the-gap-boo (accessed March 31, 2010) .
   Google Scholar