1,452
Views
7
CrossRef citations to date
0
Altmetric
Nation

Disability theatre in Australia: a survey and a sector ecology

ORCID Icon

References

  • Arts Access Australia. 2012. “Disability Leadership: If You're Gonna Talk the Talk … .” Arts Access Australia. http://www.artsaccessaustralia.org/news/45-talk-the-talk.
  • Austin, Sarah, Chris Brophy, Lachlan MacDowell, Edward Paterson, and Winsome Roberts. 2015. Beyond Access: The Creative Case for Inclusive Arts. Melbourne: Arts Victoria. http://www.artsaccess.com.au/beyond-access/.
  • Australia Council for the Arts. 2014a. “ A Million Dollar Commitment to Artists with Disability.” Australia Council for the Arts. Accessed October 28, 2014. http://australiacouncil.gov.au/news/media-centre/media-releases/a-million-dollar-committment-to-artists-with-disability.
  • Australia Council for the Arts. 2014b. “ Australia Council Promotes Disability Leadership in the Arts.” Australia Council for the Arts. Accessed June 25, 2014. http://australiacouncil.gov.au/news/media-centre/media-releases/australia-council-promotes-disability-leadership-in-the-arts/.
  • Australia Council for the Arts. 2014c. Disability Action Plan, 2014–2016. Sydney: Australia Council for the Arts. http://www.australiacouncil.gov.au/workspace/uploads/files/disability-action-plan-2014-16-544ece56b5e92.pdf.
  • Barnes, Colin, Michael Oliver, and Len Barton, eds. 2002. Disability Studies Today. Cambridge: Polity Press.
  • Bragg, Melvyn. 2007. “The Last Remaining Avant-Garde Movement.” The Guardian, December 11, 2007. https://www.theguardian.com/society/2007/dec/11/disability.arts.
  • Caust, Jo. 2005. “Does It Matter Who Is in Charge? The Influence of the Business Paradigm on Arts Leadership and Management.” Asia Pacific Journal of Arts and Cultural Management 3 (1): 153–165.
  • Caust, Jo. 2010. “Does the Art End When the Management Begins? The Challenges of Making “Art” for Both Artists and Managers.” Asia Pacific Journal of Arts and Cultural Management 7 (2): 570–584.
  • Caust, Jo. 2015. “Cultural Wars in an Australian Context: Challenges in Developing a National Cultural Policy.” International Journal of Cultural Policy 21 (2): 168–182. doi: 10.1080/10286632.2014.890607
  • Cherbo, Joni M., Harold Vogel, Margaret Jane Wyszomirski, Joni M. Cherbo, Ruth A. Stewart, and Margaret J. Wyszomirski. 2008. “Towards an Arts and Creative Sector.” In Understanding the Arts and Creative Sector in the United States, edited by Joni Maya Cherbo, Ruth Ann Stewart, and Margaret Jane Wyszomirski, 32–60. New Brunswick: Rutgers University Press.
  • Commonwealth of Australia. 1994. Creative Nation. Cultural Policy. Canberra: Dept. of Communications and the Arts.
  • Commonwealth of Australia. 2011. National Cultural Policy Discussion Paper. Canberra: Australian Government – Department of Prime Minster and Cabinet, Office for the Arts. http://culture.arts.gov.au/discussion-paper.
  • Commonwealth of Australia. 2016a. National Disability Insurance Scheme (NDIS). Canberra: Australian Government – Department of Human Services. https://myplace.ndis.gov.au/ndisstorefront/index.html.
  • Commonwealth of Australia. 2016b. Catalyst: Australian Arts & Culture Fund. Canberra: Australian Government – Department of Communication and the Arts. http://arts.gov.au/catalyst.
  • Cormack, Bridget. 2012. “The Disabled have Roles to Play.” The Australian, October 30. http://www.theaustralian.com.au/arts/the-disabled-have-roles-to-play/story-e6frg8n6-1226505584253.
  • Costanza, Robert. 1999. “Toward an Operational Definition of Ecosystem Health.” In Ecosystem Health: New Goals for Environmental Management, edited by Robert Costanza, Bryan G. Norton, and Benjamin D. Haskell, 239–256. Washington, DC: Island Press.
  • Cross, Merry. 2013. “Demonised, Impoverished and Now Forced into Isolation: The Fate of Disabled People Under Austerity.” Disability & Society 28 (3): 719–723. doi: 10.1080/09687599.2013.808087
  • Cultural Ministers Council. 2009. “ National Arts & Disability Strategy.” http://mcm.arts.gov.au/sites/default/files/arts-disability-0110.pdf.
  • Cuneo, Michelle. 2015. “Cripping Up Is the New Black Face.” ArtsHub, May 8. http://performing.artshub.com.au/news-article/opinions-and-analysis/performing-arts/michelle-cuneo/cripping-up-is-the-new-black-face-247975.
  • Deeming, Christopher. 2014. “Social Democracy and Social Policy in Neoliberal Times.” Journal of Sociology 50 (4): 577–600. doi: 10.1177/1440783313492240
  • Fensham, Rachel, and Peter Eckersall. 1999. “Introduction.” In Dis/Orientations: Cultural Praxis in Theatre: Asia, Pacific, Australia, edited by Rachel Fensham and Peter Eckersall, 3–13. Melbourne: Monash Theatre Papers 1.
  • Fensham, Rachel, and Denise Varney. 2005. The Dolls’ Revolution: Australian Theatre and Cultural Imagination. Sydney: Australian Scholarly Publishing.
  • Fotheringham, Richard. 1992. Community Theatre in Australia. Sydney: Currency Press.
  • Galloway, Kathrine. 2013. A Sense of Entitlement? The (Gender) Subtext of ‘Lifters Not Leaners’. Curl: Property Law, Women and Law, Contemporary Legal Issues, September 15.
  • Garthwaite, Kayleigh. 2011. “‘The Language of Shirkers and Scroungers?’ Talking About Illness, Disability and Coalition Welfare Reform.” Disability & Society 26 (3): 369–372. doi: 10.1080/09687599.2011.560420
  • Glow, Hilary. 2010. “Taking a Critical Approach to Arts Management.” Asia Pacific Journal of Arts and Cultural Management, 7 (2): 585–594.
  • Goodley, Dan. 2014. Dis/ability Studies: Theorising Disablism and Ableism. London: Routledge.
  • Goodley, Dan, Rebecca Lawthom, and Katherine Runswick-Cole. 2014. “Dis/ability and Austerity: Beyond Work and Slow Death.” Disability & Society 29 (6): 980–984. doi: 10.1080/09687599.2014.920125
  • Grehan, Helena, and Peter Eckersall. 2013. ‘We’re People Who Do Shows’: Back to Back Theatre – Performance Politics Visibility. Wales: Performance Research Books.
  • Hadley, Bree. 2011. “Re-Constructing Asianness in Australia: Yumi Umiumare, Owen Leong, and the Remobilisation of Monstrosity.” Liminalities: A Journal of Performance Studies 7 (3). http://liminalities.net/7-3/hadley.pdf.
  • Hadley, Bree. 2014. Disability, Public Space Performance, and Spectatorship: Unconscious Performers. London: Palgrave Macmillan.
  • Hadley, Bree. 2015. “Participation, Politics and Provocations: People with Disabilities as Non-Conciliatory Audiences.” Participations: Journal of Audience and Reception Studies 12 (1): 154–174.
  • Hadley, Bree. 2017. “Disability, Sustainability, Austerity: The Bolshy Divas Arts-Based Protests Against Policy Paradoxes.” CSPA Quarterly: Centre for Sustainable Practice in the Arts Journal 18 Spring. http://www.sustainablepractice.org.
  • Hadley, Bree, and Sandra Gattenhof. 2012. “Brokering Evaluations of Partnerships in Australian Community Arts: Responding to Entrepreneurial Tendencies.” Journal of Arts & Communities 4 (3): 231–249. doi: 10.1386/jaac.4.3.231_1
  • Hickey Moody, Anna. 2009. Unimaginable Bodies: Intellectual Disability, Performance and Becomings. Rotterdam: Sense.
  • Hunt, Cathy, and Phyllida Shaw. 2007. A Sustainable Arts Sector: What Will It Take? Strawberry Hills: Currency House.
  • Hutchison, Mary. 2005. Making the Journey: Arts & Disability in Australia. Sydney: Arts Access Australia.
  • Johnston, Kirsty. 2012. Stage Turns. Canadian Disability Theater. Montréal: McGill University Press.
  • Johnston, Kirsty. 2016. Disability Theatre and Modern Drama: Recasting Modernism. London: Bloomsbury Methuen.
  • Khoury, Peter. 2015. “Neoliberalism, Auditing, Austerity and the Demise of Social Justice.” Social Alternatives 34 (3): 25–33.
  • Kochhar-Lindgren, Kanta. 2006. Hearing Difference: The Third Ear in Experimental, Deaf, and Multicultural Theater. Washington: Gallaudet University Press.
  • Kuppers, Petra. 2003. Disability and Contemporary Performance. Bodies on Edge. New York: Routledge.
  • Kuppers, Petra. 2011. Disability Culture and Community Performance. Find a Strange and Twisted Shape. London: Palgrave Macmillan.
  • Lewis, Victoria. 2006. Beyond Victims and Villains: Contemporary Plays by Disabled Playwrights. New York: Theatre Communications Group.
  • Lo, Jacqueline. 2000. “Beyond Happy Hybridity: Performing Asian-Australian Identities.” In Alter/Asians: Asian? Australian Identities in Art, Media and Popular Culture, edited by Ien Ang and Mandy Thomas, 152–68. Sydney: Pluto Press.
  • Maguire-Rossier, Kate. 2016. “Moving Misfits.” Australasian Drama Studies 69: 29–55.
  • Makeham, Paul, Bree Hadley, and Joon-Yee Kwok. 2012. “A ‘Value Ecology’ Approach to the Performing Arts.” M/C Journal 15 (3). http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/490.
  • Miller, Pavla, and David Hayward. 2017. “Social Policy ‘Generosity’ at a Time of Fiscal Austerity: The Strange Case of Australia’s National Disability Insurance Scheme.” Critical Social Policy 37 (1): 128–147. doi: 10.1177/0261018316664463
  • Milne, Geoffrey. 2004. Theatre Australia Unlimited: Australian Theatre Since the 1950s. Amsterdam: Rodopi.
  • Mladenov, Teodor. 2015. “Neoliberalism Postsocialism, Disability.” Disability & Society 30 (3): 445–459. doi: 10.1080/09687599.2015.1021758
  • Ortiz, Isabel, and Mathew Cummins. 2013. “ The Age of Austerity: A Review of Public Expenditures and Adjustment Measures in 181 Countries.” SSRN. https://ssrn.com/abstract=2260771 or http://dx.doi.org/10.2139/ssrn.2260771.
  • Perring, Giles, 2005. “The Facilitation of Learning-Disabled Arts: A Cultural Perspective.” In Bodies in Commotion. Disability & Performance, edited by Carrie Sandahl and Phillip Auslander, 175–189. Ann Arbor: University of Michigan Press.
  • Phillips, Arther Angel. 2006. A.A. Philips on the Cultural Cringe. Melbourne: Melbourne University Publishing.
  • Rentschler, Ruth. 2002. The Entrepreneurial Arts Leader: Cultural Policy, Change and Reinvention. St Lucia: University of Queensland Press.
  • Sandahl, Carrie, and Philip Auslander. 2005. Bodies in Commotion: Disability & Performance. Ann Arbor: University of Michigan Press.
  • Scalmer, Sean. 2014. “On the Age of Entitlement.” Overland 215. https://overland.org.au/previous-issues/issue-215/feature-sean-scalmer/
  • Shildrick, Margrit. 2012. Dangerous Discourses of Disability, Subjectivity and Sexuality. London: Palgrave Macmillan.
  • Siebers, Tobin. 2010. Disability Aesthetics. Ann Arbor: University of Michigan Press.
  • Volkerling, Michael. 1996. “Deconstructing the Difference Engine: A Theory of Cultural Policy.” The European Journal of Cultural Policy 2 (2): 189–212. doi: 10.1080/10286639609358014
  • Volkerling, Michael. 2012. “Joining the Dots.” Arts Hub, February 2. http://au.artshub.com/au/news-article/opinions/arts/joining-the-dots-187417.
  • Wreford, Gareth. 2005. “Nothing About Us Without Us: The Australia Council and Disability Arts.” Arts Access Australia. http://www.e-bility.com/articles/artsaccess.php.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.