750
Views
2
CrossRef citations to date
0
Altmetric
Research Article

From theatre to performance studies: collaborating on curriculum change with secondary level dramatic arts teachers

&

References

  • Alexander, B. K., G. L. Anderson, and B. P. Gallegos. 2005. Performance Theories in Education: Power, Pedagogy, and the Politics of Identity. Mahwah, NJ: Erlbaum.
  • Ball, S. J. 2001. “Performativities and Fabrications in the Education Economy: Towards the Performative Society.” Australian Educational Researcher 17 (3): 1–24.
  • Barad, K. 2003. “Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter.” Signs: Journal of Women in Culture and Society 28: 801–831.
  • Barton, G. 2013. “The Arts and Literacy: What Does It Mean to be Arts Literate?” International Journal of Education & the Arts 14 (18): 1–21.
  • Bell, E. 2008. Theories of Performance. Thousand Oaks, CA: Sage.
  • Belliveau, G., and G. Lea. 2016. Research-based Theatre: An Artistic Methodology. Bristol: Intellect.
  • Bennett, S. 2012. “(No) Performance Studies in Canada.” Canadian Theatre Review 149: 79–81.
  • Burton, B., P. Bundy, and R. Ewing. 2014. “Theatre Literacy.” In Young Audiences, Theatre and the Cultural Conversation, edited by J. O’Toole, R.-J. Adams, M. Anderson, B. Burton, and R. Ewing, 145–158. Dordrecht: Springer.
  • Cahnmann-Taylor, M., and M. Soutou-Manning. 2010. Teachers Act Up!: Creating Multicultural Learning Communities Through Theatre. New York: Teachers College Press.
  • Carlson, M. 2004. Performance: A Critical Introduction. 2nd ed. London: Routledge.
  • Cervetti, G., J. Damico, and P. D. Pearson. 2006. “Multiple Literacies, New Literacies, and Teacher Education.” Theory Into Practice 45 (4): 378–386.
  • Conquergood, D. 1989. “Poetics, Play, Process and Power: The Performative Turn in Anthropology.” Text and Performance Quarterly 9 (1): 82–88.
  • Counsell, C., and L. Wolf. 2005. Performance Analysis: An Introductory Coursebook. London: Routledge.
  • Dillingham, B. 2005. “Performance Literacy.” The Reading Teacher 59 (1): 72–75.
  • Fischer-Lichte, E. 2014. The Routledge Introduction to Theatre and Performance Studies. Trans. by A. Armomand. New York: Routledge.
  • Fortier, M. 2005. Theory/Theatre: An Introduction. 2nd ed. London: Routledge.
  • Gallego, M. A., and S. Hollingsworth. 2000. What Counts as Literacy: Challenging the School Standard. New York: Teachers College Press.
  • Hasebe-Ludt, E., C. Chambers, and C. Leggo. 2009. Life Writing and Literary Métissage as an Ethos for our Time. New York: Peter Lang.
  • Kempe, A. 2013. “Drama and History: A Kind of Integrity.” In How Drama Activates Learning: Contemporary Research and Practice, edited by M. Anderson and J. Dunn, 195–207. London: Bloomsbury.
  • Kershaw, B. 2001. “Dramas of the Performative Society: Theatre at the End of Its Tether.” New Theatre Quarterly 17 (3): 203–211.
  • Kincheloe, J. 2001. “Describing the Bricolage: Conceptualizing a new Rigor in Qualitative Research.” Qualitative Inquiry 7 (6): 679–692.
  • Kincheloe, J. 2005. “On to the Next Level: Continuing the Conceptualization of the Bricolage.” Qualitative Inquiry 11 (3): 323–350.
  • Knowles, J. G., and A. Cole. 2008. The SAGE Handbook of the Arts in Qualitative Research. Thousand Oaks, CA: SAGE.
  • Leavy, P. 2015. Method Meets Art: Arts-based Research Practice. 2nd ed. New York: Guilford.
  • Leavy, P. 2018. Handbook of Arts-based Research. New York: Guilford.
  • Marcus, G. E., and E. Saka. 2006. “Assemblage.” Theory, Culture and Society 23 (2–3): 101–106.
  • McConachie, B. 2008. Engaging Audiences: A Cognitive Approach to Spectating in the Theatre. New York: Palgrave Macmillan.
  • McKenzie, J. 2001. Perform or Else: From Discipline to Performance. London: Routledge.
  • Neelands, J., and T. Goode. 2015. Structuring Drama Work. 3rd ed. Cambridge: Cambridge UP.
  • Norris, J. 2009. Playbuilding as Qualitative Research. Walnut Creek, CA: Left Coast.
  • Piazza, C. L. 1999. Multiple Forms of Literacy: Teaching Literacy and the Arts. Upper Saddle River, NJ: Prentice-Hall.
  • Prendergast, M. 2015. “Sharing the Wealth: Performance Studies in the Lives of Young People.” In Drama, Theatre and Performance Education in Canada: Classroom and Community Contexts, edited by M. R. Carter, M. Prendergast, and G. Belliveau, 108–116. [E-Book]. https://sites.google.com/site/cssecate/polygraph-book-series.
  • Prendergast, M., and W. Weigler. 2018. Web of Performance: An Ensemble Workbook. Victoria, BC: University of Victoria. https://dspace.library.uvic.ca/handle/1828/9426.
  • Province of British Columbia. 2018. Area of learning: Arts education – Drama: Theatre company grade 11. https://curriculum.gov.bc.ca/sites/curriculum.gov.bc.ca/files/curriculum/arts-education/en_arts-education_11_theatre-company_elab.pdf.
  • Province of British Columbia. 2018. Curriculum overview. https://curriculum.gov.bc.ca/curriculum/overview.
  • Province of Ontario. 2010. The Ontario curriculum, grades 11 and 12: The arts, 2010. http://www.edu.gov.on.ca/eng/curriculum/secondary/arts1112curr2010.pdf.
  • Reinelt, J. 2007. “Is Performance Studies Imperialist? Part 2.” TDR/The Drama Review 51 (3): 7–16.
  • Richards, J. C., and M. C. McKenna. 2003. Integrating Multiple Literacies in K-8 Classroom: Cases, Commentaries, and Practical Applications. Mahwah, NJ: Lawrence Erlbaum.
  • Rozik, E. 2010. Generating Theatre Meaning: A Theory and Methodology of Performance Analysis. Eastbourne: Sussex.
  • Saldaña, J. 2005. Ethnodrama: An Anthology of Reality Theatre. Walnut Creek, CA: AltaMira.
  • Saldaña, J. 2011. Ethnotheatre: Research from Page to Stage. Walnut Creek, CA: Left Coast.
  • Schechner, R. 1993. The Future of Ritual: Writings on Culture and Performance. London: Routledge.
  • Schechner, R. 2003. Performance Theory. 2nd ed. London: Routledge.
  • Schechner, R. 2013. Performance Studies: An Introduction. 3rd ed. London: Routledge.
  • Schneider, J. J., T. P. Crumpler, and T. Rogers. 2006. Process Drama and Multiple Literacies: Addressing Social, Cultural, and Ethical Issues. Portsmouth, NH: Heinemann.
  • Stanley, N., and B. Dillingham. 2009. Performance Literacy Through Storytelling. Gainesville, FL: Maupin.
  • States, B. O. 1996. “Performance as Metaphor.” Theatre Journal 48 (1): 2–26.
  • Verma, N. 2012. Theater of the Mind: Imagination, Aesthetics and American Radio Drama. Chicago, IL: University of Chicago.
  • Williams, R. 1975. Drama in a Dramatised Society: An Inaugural Lecture. Cambridge: Cambridge University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.