2,328
Views
2
CrossRef citations to date
0
Altmetric
Research Articles

Performing Te Whare Tapa Whā: building on cultural rights to decolonise prison theatre practice

ORCID Icon, ORCID Icon & ORCID Icon

References

  • Ahu, T., R. Hoare, and M. Stephens. 2011. “Utu: Finding a Balance for the Legal Maori Dictionary.” Victoria University of Wellington Law Review 42 (2): 201–219.
  • Baim, Clark, Jayne Allam, Ted Eames, Sue Dunford, and Sue Hunt. 1999. “The Use of Psychodrama to Enhance Victim Empathy in Sex Offenders: An Evaluation.” Journal of Sexual Aggression 4 (1): 4–14. doi:10.1080/13552609908413278.
  • Baim, Clark, Sally Brookes, and Alun Mountford. 2002. The Geese Theatre Handbook: Drama with Offenders and People at Risk. Winchester: Waterside Press.
  • Bergman, John, and Saul Hewish. 2003. Challenging Experience: An Experiential Approach to the Treatment of Serious Offenders. Oklahoma City: Wood ‘N Barnes Publishing.
  • Bottoms, Stephen. 2006. “Putting the Document Into Documentary: An Unwelcome Corrective?” TDR/The Drama Review 50 (3): 56–68. doi:10.1162/dram.2006.50.3.56.
  • Brook, Peter. 1968. The Empty Space. New York: Touchstone Books.
  • Cassaidy, Maree, and Linda Lim. 2016. “The Rights of Transgender People in Prisons.” Paper prepared for the Equal Justice Project Symposium, Auckland, May 11. https://cdn.auckland.ac.nz/assets/auckland/on-campus/student-support/personal-support/lgbti-students/transgender-people-in-prisons-research-paper-ejp.pdf.
  • Cunneen, Chris, and Juan Tauri. 2016. Indigenous Criminology. Bristol: Policy Press.
  • Department of Corrections NZ. 2018. “Prison Facts and Statistics – March 2018.” Ara Poputama Department of Corrections. New Zealand Government. Accessed December 5, 2019. https://www.corrections.govt.nz/resources/research_and_statistics/quarterly_prison_statistics/prison_stats_march_2018.html.
  • Department of Corrections NZ. 2019. “Prison Facts and Statistics – June 2019.” Ara Poutama Department of Corrections. New Zealand Government. Accessed December 5, 2019. https://www.corrections.govt.nz/resources/research_and_statistics/quarterly_prison_statistics/prison_stats_june_2019.
  • Durie, Mason. 1994. Whaiora: Māori Health Development. Auckland: Oxford University Press.
  • Evans, Mark. 2006. Jacques Copeau. London: Routledge.
  • Farrimond, William. 2007. “Mask, Moko and Memory: Identity Through Solo Performance in a Post-colonial World.” In Performing Aotearoa: New Zealand Theatre and Drama in a State of Transition, edited by Marc Maufort and David O’Donnell, 407–429. Brussells: P.I.E. Peter Lang.
  • Favorini, Attilio. 1994. “Representation and Reality: The Case of Documentary Theatre.” Theatre Survey 35 (2): 31–42. doi:10.1017/S0040557400002775.
  • Felner, Mira. 1985. Apostles of Silence: The Modern French Mimes. London: Fairleigh Dickinson University Press.
  • Fludernik, Monika. 2019. Metaphors of Confinement: The Prison In Fact, Fiction, and Fantasy. Oxford: Oxford University Press.
  • Fogarty, William, Melissa Lovell, Juleigh Langenberg, and Mary-Jane Heron. 2018. Deficit Discourse and Strengths-based Approaches: Changing the Narrative of Aboriginal and Torres Strait Islander Health and Wellbeing. Canberra: Lowitja Institute and National Centre for Indigenous Studies, Australian National University. https://apo.org.au/sites/default/files/resource-files/2018/05/apo-nid172676-1248371.pdf.
  • Gallagher, Kathleen, Ann Wessels, and Burcu W. Ntelioglou. 2012. “Verbatim Theatre and Social Research: Turning Towards the Stories of Others.” Theatre Research in Canada 33 (1): 24–43. https://journals.lib.unb.ca/index.php/TRIC/article/view/20306.
  • Glover, Marewa. 2005. “Analysing Smoking Using Te Whare Tapa Whā.” New Zealand Journal of Psychology 34 (1): 13–19. https://www.researchgate.net/profile/Marewa_Glover/publication/288201357_Analyzing_Smoking_Using_Te_Whare_Tapa_Wha/links/59daad06a6fdcc2aad12a910/Analyzing-Smoking-Using-Te-Whare-Tapa-Wha.pdf.
  • Hazou, Rand. 2020. “Repairing the Evil: Staging Puppet Antigone (2017) at Auckland Prison.” In The Routledge Companion to Applied Performance: Volume One – Mainland Europe, North and Latin America, Southern Africa, and Australia and New Zealand (1st ed.), edited by Tim Prentki and Ananda Breed, 32–42. New York: Routledge.
  • Higgins, Joanna, and Suskya Goodall. 2021. “Transforming the Wellbeing Focus in Education: A Document Analysis of Policy in Aotearoa New Zealand.” International Journal of Qualitative Studies on Health and Well-being 16 (1): 1–14.
  • Hokowhitu, B. 2009. “Māori Rugby and Subversion: Creativity, Domestication, Oppression and Decolonization.” International Journal of the History of Sport 26 (16): 2314–2334.
  • Jackson, Moana. 1995. “Justice and Political Power: Reasserting Māori Legal Processes.” In Legal Pluralism and the Colonial Legacy, edited by Kayleen M. Hazlehurst, 243–263. Aldershot: Avebury.
  • Jackson, Moana. 2017. “Prison Should Never be the Only Answer.” E-Tangata, October 14. https://e-tangata.co.nz/comment-and-analysis/moana-jackson-prison-should-never-be-the-only-answer/.
  • Martin, Carol. 2006. “Bodies of Evidence.” TDR/The Drama Review 50 (3): 8–15. doi:10.1162/dram.2006.50.3.8.
  • McIntosh, Tracey, and Kim Workman. 2017. “Māori and Prison.” In Australian and New Zealand Handbook of Criminology, Crime and Justice, edited by Antje Deckert and Rick Sarre, 725–735. Melbourne: Palgrave Macmillan.
  • McKegney, Sam. 2016. “ 'Pain, Pleasure, Shame. Shame’: Masculine Embodiment, Kinship, and Indigenous Reterritorialization.” In Arts of Engagement: Taking Aesthetic Action in and Beyond the Truth and Reconciliation Commission of Canada, edited by Dylan Robinson and Keavy Martin, 193–214. Waterloo: Wilfrid Laurier University Press.
  • McNeill, Hinematau. 2009. “Maori Models of Mental Wellness.” Te Kaharoa 2 (1): 96–115..
  • Metge, Joan. 2010. Tuamaka: The Challenge of Difference in Aotearoa New Zealand. Auckland: Auckland University Press.
  • Nathan, L., N. Wilson, and D. Hillman. 2003. “Te Whakakotahitanga: An Evaluation of the Te Piriti Special Treatment Programme for Child Sex Offenders in New Zealand.” Accessed 11 June 2021. https://www.corrections.govt.nz/__data/assets/pdf_file/0018/10674/tewhaka.pdf.
  • Royal, Charles. 2003. The Woven Universe: Selected Writings of Rev. Māori Marsden. Otaki: Estate of Rev. Māori Marsden.
  • Salverson, Julie. 1996. “Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal.” Theatre Topics 6 (2): 181–191. doi:10.1353/tt.1997.0012.
  • Sherwood, Sam, and Hamish McNeilly. 2019. “Transgender Prisoner Investigated for Sexual Assault Behind Bars.” Stuff NZ, May 10. https://www.stuff.co.nz/national/crime/112432880/transgender-prisoner-investigated-for-sexual-assault-behind-bars.
  • Simic, Olivera. 2016. “‘They Say That Justice Takes Time’: Taking Stock of Truth Seeking in Peru, Argentina and Serbia.” Australian Feminist Law Journal 42 (1): 137–161. doi:10.1080/13200968.2016.1185813.
  • Smith, Linda Tuhiwai. 2008. “On Tricky Ground: Researching the Native in the Age of Uncertainty.” In The Landscape of Qualitative Research, edited by Norman K. Denzin and Yvonna S. Lincoln, 133–143. Thousand Oaks: Sage.
  • Stats NZ. 2015. How is our Māori population changing? Accessed 11 June 2021. https://www.stats.govt.nz/reports/how-is-our-maori-population-changing.
  • Thakker, Jo. 2013. “The Role of Cultural Factors in Treatment.” In What Works in Offender Rehabilitation: An Evidence-based Approach to Assessment and Treatment (Part V), edited by Leam A. Craig, L. A. Louise Dixon, and Theresa A. Gannon, 389–407. Chichester: John Wiley and Sons, Ltd.
  • Toki, Valmaine. 2018. Indigenous Courts, Self-determination and Criminal Justice. London: Routledge.
  • Tomlins-Jahnke, Huia, and Malcolm Mulholland. 2011. Mana Tangata: Politics of Empowerment. Wellington: Huia.
  • United Nations General Assembly. 1948. Universal Declaration of Human Rights. Paris: United Nations. http://www.un.org/en/universal-declaration-humanrights/.
  • United Nations General Assembly. 2007. United Nations Declaration on the Rights of Indigenous Peoples. New York: United Nations. https://www.un.org/development/desa/indigenouspeoples/declaration-onthe-rights-of-indigenous-peoples.html.
  • Vachon, Wolfgang, and Sarah Woodland. 2021. “Finding Resonance: Applied Audio Drama, Inquiry and Fictionalising the Real.” Research in Drama Education: The Journal of Applied Theatre and Performance. Accessed 11 June 2021. doi:10.1080/13569783.2021.1891038.
  • Watson, Andrew. 2013. “‘Lift Your Mask’: Geese Theatre Company in Performance.” In The Applied Theatre Reader, edited by Tim Prentki and Sheila Preston, 63–70. London: Routledge.
  • Webb, Robert. 2017. “Māori Experiences of Colonisation and Māori Criminology.” In The Palgrave Handbook of Australian and New Zealand Criminology, Crime and Justice, edited by Antje Deckert and Rick Sarre, 683–696. Cham: Palgrave Macmillan/Springer.
  • Webb, Mate, and David T. Jones. 2008. “Can the Mana of Māori Men Who Sexually Abuse Children be Restored?” In Claiming Spaces: Proceedings of the 2007 National Maori and Pacific Psychologies Symposium 23rd-24th November 2007, edited by Michelle P. Levy, M. Linda, W. Nikora, Bridgette Masters-Awatere, Mohi Rua, and Waikaramoana Waitoki, 48–50. Hamilton: Māori and Psychology Research Unit, University of Waikato.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.