91
Views
16
CrossRef citations to date
0
Altmetric
Original Articles

MP3: The Beat Bytes Back

&
Pages 35-58 | Published online: 21 Jul 2010

References

  • Thomas . 'MP3--devil or angel' , 203
  • Ross . 'The future of EU copyright law' . 130
  • Rennie . 'EU copyright directive' . 126
  • Ross . 'The future of EU copyright law' . 132
  • Ibid.
  • Ibid.
  • N Bortloff 'Internet piracy--notice and take-down' .
  • Lorraine Comstock, a spokesperson for Diamond Rio Multimedia, see Lemos 'Music industry takes shots at MP3'.
  • Ibid.
  • Veravanich 'Rio Grande: the MP3 showdown'.
  • Thomas . 'MP3--devil or angel' . 204
  • 1999 . 'Secure digital music initiative agrees portable device standard' . Music and Copyright, News Section , 1 July : 2
  • It should be noted that the SDMI will not reject all pirate files, meaning that back catalogue material already in circulation will be tolerated. This is because the screening technology would detect encrypted files and it is too large a job to encrypt the millions of CDs already available, ibid.
  • Many fear that it could push out independent artists who have benefited so much from the MP3 format, because the filter could be used against MP3 files from groups that are outside an organized chain of distribution even though they are authorized by the copyright owner. This has been denied by the SDMI but critics remain sceptical, see Thomas 'MP3--devil or angel' p 204.
  • This is possible as the files have to pass through the computers 'sound card' the program pretends to be the sound card and can therefore capture and store the music intended for the card which then can be converted into a MP3 file. This makes it possible to render any secure music format insecure and copyable. However, such programs will fall under Articles 6 and 7 of the Directive and by provisions in the DMCA protecting against anti-circumvention measures. See DE Weekly 'Why SDMI will fail' (2000), .
  • 2000 . 'Napster closure threat' . 13 June
  • 'Bertelsmann and Napster Form Strategic Alliance' (2000), .
  • 'Napster in Bertelsmann Deal' (2000), .
  • The standard WAV file took a long time to download (a whole album could take up to seven hours) and would occupy 30MB of memory (a whole album would take up most of the memory of an average PC), the same recording in near CD quality from a MP3 file would be about 2MB in size, 'MP3: what a racket!' net.magazine p 41, February 1999.
  • Miller , N . 1999 . 'Pop goes the business: the rise of digital delivery systems' . Entertainment Law Review , : 247
  • Bedell 'Record giants battle it'.
  • Miller . 'Pop goes the business' . 247
  • Miller . 'Pop goes the business' . 247
  • Ward , M . 2000 . 'Smashing the music business' . 18 September
  • 2000 . 'Radiohead take Aimster' . 2 October
  • 2000 . 'Chumbawamba's MP3 blast' . 25 October
  • Ross , A . 1999 . 'The future of EU copyright law: the amended proposal for a directive on copyright and related rights in the information society' . Communications Law , 4 ( 4 ) : 128 These can be summarized as: the reproduction right; the distribution right; the rental and lending right; the public performance right; the broadcast right; the cable programme service inclusion right and the adaptation right. See
  • Espinel , V . 1998 . 'Harmony on the internet: the WIPO Performances and Phonograms Treaty' . Entertainment Law Review , : 23
  • Ibid, p 24.
  • Ross . 'The future of EU copyright law' . 131
  • Rennie , M . 1999 . 'EU copyright directive: May 1999 amendments to appease some industry sectors' . C.T.L.R. , : 123
  • Espinel . 'Harmony on the internet' . 25
  • Espinel . 'Harmony on the internet' . 26
  • Ross . 'The future of EU copyright law' . 132
  • Ibid.
  • Ibid.
  • Thomas 'MP3-devil or angel'.
  • Miller . 'Pop goes the business' . 247
  • 1999 . 'Crackdown on web music pirates' . The Scotsman , 1 November
  • 'UK music must tackle internet' (2000) .
  • Sullivan , J . 1999 . 'RIAA suing upstart start-up' .
  • The IFPI's procedure is: the site is firstly checked in order to identify illegally posted sound files: the Service Provider (SP) is identified, then where possible (this is rarely the case) the site operator is identified: a cease and desist notification is sent to the SP with the inquiry to disclose the site operator's contact details and, where possible, also sent to that site operator, if the SP does not comply they are contacted again demanding action and announcing legal steps against the SP should he not comply within 24 hours. Bortloff 'Internet piracy--notice and take-down'.
  • Thomas 'MP3--devil or angel'.
  • News Section Entertainment Law Review n 120, 1999.
  • News Section, Entertainment Law Review n 21, 1999.
  • Veravanich , P . 1999 . 'Rio Grande: the MP3 showdown at high noon in Cyberspace' . UCLA Online Institute for Cyberspace Law and Policy ,
  • Thomas . 'MP3-devil or angel' . 203
  • There has been another interesting postscript to this case; as was noted, one of the main defences was that the Rio player was not itself capable of making copies. However shortly after the release of the player a 'hack program' was created which allowed users to do just that, it allowed users to 'port' out of the device. News Section Entertainment Law Review n 121, 1999.
  • Bebawi , A . February 1999 . “ 'Pandora's digital jukebox--the dematerialisation of an art form' ” . February , House Lawyer .
  • Bebawi 'Pandora's digital jukebox'.
  • Menta , R . 2000 . 'RIAA strikes again! Sues MP3.com' .
  • P. Veravanich 'Rio Grande: the MP3 showdown'.
  • RIAA annual report; Thomas 'MP3--devil or angel' p 203.
  • Adermann , J and Paez , M . 1999 . 'Down and dirty with the DMCA' .
  • Lemos , R . 1999 . 'Music industry takes shots at MP3' .
  • Morris , T . 1999 . 'Music boxes in Cyberspace' . The Times , April
  • IFPI statement, Lemos 'Music industry takes shots at MP3'.
  • Thomas . 'MP3-devil or angel' . 203
  • Bedell , D . 1999 . 'Record giants battle it, aspiring artists embrace it, millions can use it. Love it or loath it, MP3 is a hot issue' . South China Morning Post , 19 August
  • Thomas , A . 1999 . 'MP3--devil or angel: an analysis of compression' . Entertainment Law Review , : 202
  • Ibid.
  • Lemos 'Music industry takes shots at MP3'.
  • Adermann and Paez 'Down and dirty with the DMCA'.
  • Learmonth , M . 2000 . 'Analysis: why the RIAA sued MP3.com' . 26 January Where CDs that the customer has purchased online through several of MP3.com's partners, can be instantly transferred, as soon as the credit card is authorized, to their 'My MP3' account, even before the CD is delivered
  • Which allows the customer to put an already-owned CD into a computer's CD-ROM drive that recognizes the CD, and its songs are then transferred to the customer's account, ibid.
  • JC Dvorak at Forbes.com 'Piracy, bootlegging and theft' .
  • A letter sent to Mr Robertson, MP3.com's chief executive, by Hilary Rosen the Chief executive of the RIAA. See S Robinson '3 Copyright lawsuits test limits of new digital media' 24 January 2000, .
  • Dvorak 'Piracy, bootlegging and theft'.
  • 'FAQ about RIAA's lawsuit against Napster' (2000), .
  • 2000 . 'Court blow for Napster' . 9 May
  • 2000 . 'MP3 sites accused of music hijack' . 12 July
  • Hammersley , B . 2000 . 'Music for a song' . 14 July
  • Learmonth , M . 2000 . 'Napster leaps to its own defence' . 3 July
  • Ward , M . 2000 . 'Doing the rights thing' . 30 June
  • Comment 3, para 2 on Article 5: Ross 'The future of EU copyright law' p 130.
  • Comment 1, para 2 on Article 5: Ibid.
  • Comment 3, para 2 on Article 5: Ibid.
  • Ibid.
  • Borland , J . 2000 . 'Napster: downloading music for free is legal' . 3rd July
  • Ibid.
  • Learmonth 'Napster leaps to its own defence'.
  • WR Cornish Intellectual Property: Patents, Copyright, Trademarks and Allied Rights 4th edn, Sweet and Maxwell, London, 1999, p 539.
  • Espinel . 'Harmony on the internet' . 21
  • Rennie . 'EU copyright directive' . 123
  • Ross . 'The future of EU copyright law' . 128
  • Ross . 'The future of EU copyright law' . 129
  • 1997 . 'Copyright and related rights in the information society--proposal of directive/background' . 10 December
  • Ross . 'The future of EU copyright law' . 129 For example, to performers for recordings of their performances and to record companies for their record, see
  • Ibid.
  • Ross . 'The future of EU copyright law' . 131
  • Hall , D . 1999 . 'Briefing note--EU draft copyright directive' . February
  • Ross . 'The future of EU copyright law' . 131
  • Ibid.
  • Ibid.
  • Ward , M . 2000 . 'Why Napster could be a tragedy for the net' . October
  • Ibid.
  • 2000 . 'Napster lawsuit continues' . 1 November At the time of writing the pricing was set at $4.95 (£3.40) per month, plus $2 per download, see
  • Heese , B . 1999 . (Senior Executive of People sound.com) 'Crackdown on web music pirates' . The Scotsman , 1 November
  • 'Some of the legal issues involved with the Rio, MP3s and RIAA' (1999), .
  • Miller . 'Pop goes the business' . 248
  • These marks are transparent to the customer and do not effect the functioning of the MP3 player, which will still be able to play back non-marked files. See Veravanich 'Rio Grande: the MP3 showdown'.
  • Yeates , A . 2000 . 'Personal view' . The Daily Telegraph , 8 November : 4E
  • Anderson , L . 2000 . 'Can MP3.com survive the lawsuits?' . 2 February
  • Ibid.
  • Anderson 'Can MP3.com survive the lawsuits?'.
  • N. Rosini, in Anderson 'Can MP3.com survive the lawsuits?'.
  • As suggested by Andrew Bridges the attorney in the Rio Diamond case, Anderson 'Can MP3.com survive the lawsuits?'.
  • 2000 . 'Napster closure threat' . 13 June
  • Reece , D . 1999 . 'RIAA Sues Napster' .
  • Ibid.
  • Dvorak 'Piracy, bootlegging and theft'.
  • Ibid.
  • Sullivan , J . 1999 . 'RIAA suing upstart start-up' . Lynda Pelliccia (RIAA spokesperson). See
  • Sullivan, ibid.
  • Ibid.
  • Green Paper on 'Combating counterfeiting and piracy in the Single Market' (1998), .
  • Morris , T . 1999 . 'Music boxes in Cyberspace' .
  • Veravanich 'Rio Grande: the MP3 showdown'.
  • Ibid.
  • Ibid.
  • Ward , M . 2000 . 'How to produce pirate-proof pop' . 18 October
  • Ibid.
  • Ibid.
  • Veravanich 'Rio Grande: the MP3 showdown'.
  • Ibid.
  • Ibid., and Sony v. Universal City Studios 464 U.S. 417 (1984).
  • These tactics certainly worked especially in relation to the Rio case where stores selling electrical goods, especially in Britain, were reluctant to sell the players for fear of reprisals. Veravanich 'Rio Grande: the MP3 showdown'.
  • Ibid.
  • Morris , T . 1999 . 'Has age of copyright passed?' . The Lawyer , November
  • Bebawi 'Pandora's digital jukebox'.
  • Ibid.
  • Dvorak 'Piracy, bootlegging and theft'.
  • Veravanich 'Rio Grande: the MP3 showdown'.
  • K Anderson. 'Q&A: What next for Napster?' 13/02/01
  • D Post 'Napster ruling: The legal issues' 13/02/01
  • Post 'Napster ruling: The legal issues'.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.