REFERENCES
- Wilhelm, H. and Brower, C. The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Negatives, Slides, and Motion Pictures, 1993, 744 pp. (Preservation Publishing Company).
- http://www.filmpreservation.org/about_why_created.html. Films made after 1950 on acetate film stock face deterioration from ‘colour fading’, ‘vinegar syndrome’ (an irreversible film base decay), and other factors, http://orson4.filmtv.ucla.edu/FIAF/Journal/html50/national.html. The 1988 National Film Preservation act was an attempt to pacify a lobby, ably led by Martin Scorsese, which objected to film colorization and the release of edited, cut or materially altered versions of films. The Act called upon the Librarian of Congress, with advice from the specially constituted National Film Preservation Board, to select 25 films each year for inclusion in a National Film Registry. This was intended to increase the public's awareness of the diversity of American cinema and the importance of film preservation. If a title was chosen for the Registry which had been colorized or materially altered, the Registry version and any copies made from it were required to carry a notice indicating this.
- Francis, D. The National Film Preservation Act: the Library of Congress's experience in mixing politics and film preservation. J. Film. Preserv., March 1995, 24(50).
- Story, D. JPEG 2000-more than a new Millenium buzz. htttp://webreview.com/pub/1999/feature/index3.html, 13 August 1999.
- Baker, N. Deadline. New Yorker, 24 July 2000 pp. 42–61.