References
- Abdenour, J. (2014). Documenting fair use: Has the statement of best practices loosened the fair use reins for documentary filmmakers? Communication Law and Policy, 19, 367–398.
- Aufderheide, P., & Jaszi, P. (2011). Reclaiming fair use: How to put balance back in copyright. Chicago, IL: University of Chicago Press.
- Baldwin, P. (2014). The copyright wars: Three centuries of trans-Atlantic battle. Princeton, NJ: Princeton University Press.
- Boyle, J. (2008). The public domain: Enclosing the commons of the mind. New Haven, CT: Yale University Press.
- Donaldson, M. (2012). Refuge from the storm: A fair use safe harbor for non-fiction works. Journal of the Copyright Society of the USA, 59(3), 477–626.
- Falzone, A., & Urban, J. (2010). Demystifying fair use: The gift of the Center for Social Media statements of best practices. Journal of the Copyright Society of the USA, 57(3), 337–350.
- Fisher, W. W. (2004). Promises to keep: Technology, law, and the future of entertainment. Stanford, CA: Stanford Law and Politics.
- Hyde, L. (2010). Common as air: Revolution, art, and ownership (1st ed.). New York, NY: Farrar, Straus and Giroux.
- Kaplan, B. (2005). An unhurried view of copyright, republished (and with contributions from friends). Newark, NJ: LexisNexis Matthew Bender.
- Katz, A. (2013). Fair Use 2.0: The rebirth of fair dealing in Canada. In M. A. Geist (Ed.), The copyright pentalogy: How the Supreme Court of Canada shook the foundations of Canadian Copyright Law (pp. 93–156). Ottawa, ON: Ottawa University Press.
- Lange, D., & Powell, J. (2009). No law: Intellectual property in the image of an absolute first amendment. Stanford, CA: Stanford Law Books.
- Lessig, L. (2001). The future of ideas: The fate of the commons in a connected world (1st ed.). New York, NY: Random House.
- Lessig, L. (2004). Free culture: How big media uses technology and the law to lock down culture and control creativity. New York, NY: Penguin Press.
- Litman, J. (2001). Digital copyright: Protecting intellectual property on the internet. Amherst, NY: Prometheus Books.
- Madison, M. J. (2004). A pattern-oriented approach to fair use. William and Mary Law Review, 45(4), 1525–1690.
- Mazzone, J. (2011). Copyfraud and other abuses of intellectual property law. Stanford, CA: Stanford Law Books, an imprint of Stanford University Press.
- McLeod, K. (2005). Freedom of expression: Overzealous copyright bozos and other enemies of creativity (1st ed.). New York, NY: Doubleday.
- Netanel, N. (2008). Copyright's paradox. Oxford: Oxford University Press.
- Netanel, N. (2011). Making sense of fair use. Lewis & Clark Law Review, 15(3), 715–772.
- Saint-Amour, P. K. (2011). Modernism and copyright. Oxford: Oxford University Press.
- Samuelson, P. (1996, January). The copyright grab. Wired. Retrieved from http://www.wired.com/wired/archive/4.01/white.paper
- Vaidhyanathan, S. (2001). Copyrights and copywrongs: The rise of intellectual property and how it threatens creativity. New York, NY: New York University Press.
- Vaidhyanathan, S. (2004). The anarchist in the library: How the clash between freedom and control is hacking the real world and crashing the system. New York, NY: Basic Books.