References
- Adamson, J. (1990). Bugs Bunny: 50 years and only one grey hare. New York, NY: Donald Hutter.
- Baudrillard, J. ([1983] 2006). The precession of simulacra. In J. Storey (Ed.), Cultural theory and popular culture: A reader (pp. 389–397). London: Perason.
- Beane, A. (2012). 3D animation essentials. London: John Wiley.
- Brownlow, K. (2009). Preface. In M. C. Vaz & C. Barron (Eds.), The invisible art: The legends of matte painting (pp. ii–ix). San Franciso, CA: Chronicle Books.
- Cavalier, S. (2011). The world history of animation. London: Aurum.
- Cohl, É. (Director). (1908). Fantasmagorie. Société des Etablissements L. Gaumont. [short film].
- Crafton, D. (1993). Before Mickey. London: University of Chicago Press.
- Darlington, J. (2016). Capitalist mysticism and the historicising of 9/11 in thomas pynchon’s bleeding edge. Critique: Studies in Contemporary Fiction, 57(3), 242–253.
- Disney, W. (Producer). (1937). The old mill. Wilfred Jackson (Director). Silly Symphonies. Walt Disney Productions. [Short film].
- Disney, W. (Producer). (1939). How walt disney cartoons are made. Walt Disney Productions. [short film].
- Fleischer, M. (Producer). (1918–1929). Out of the inkwell. Dave Fleischer (Director). Fleischer Studios. [Series].
- Gabler, N. (2006). Walt Disney: The biography. London: Aurum.
- Graça, M. E. (2006, June). Cinematic motion by hand. Animation Studies Online Journal, 1. Web. Retrieved from https://journal.animationstudies.org/marina-estela-graca-cinematic-motion-by-hand/
- Jones, C. (Director). (1953). Duck amuck. Looney Tunes. Edward Selzer (Producer). Warner Bros Cartoons. [short film].
- King, R. (2015). 3D animation for the raw beginner using maya. London: CRC.
- Kirby, A. (2009). Digimodernism. London: Continuum.
- Knowlton, K. (1976). From an article in Filmmaker’s newsletter, Vol 3, No 2, 1970. In R. Russett & C. Starr (Eds.), Experimental animation (pp. 178–193). New York, NY: Van Nostrand Reinhold.
- Krasniewics, L. (2010). Walt Disney: A biography. Santa Barbera: Greenwood.
- Leeper, S. (2011). DM370 animation studio. [Image].
- Linvall, T., & Malton, M. ([1994] 2009). Toward a postmodern animated discourse: Bakhtin, intertextuality and the cartoon carnival. In M. Furniss (Ed.), Animation: Art and industry (pp. 63–78). London: John Libbey.
- Lord, P., & Sibley, B. (1998). Cracking animation. London: Thames and Hudson.
- Marx, K. (2006). The Grundrisse. In D. McLellan (Ed.), Selected writings (pp. 379–423, D. McLellan, Trans.). Oxford: Oxford University Press.
- Marx, K. (2008). Capital (Vol. 1, D. McLellan, Trans.). Oxford: Oxford World’s Classics.
- McCay, W. (Director). (1914). Gertie the dinosaur. Hearst Newspapers. [short film].
- Morris, W. (2008). Useful work v. useless toil. London: Penguin.
- Noys, B. (2014). Malign velocities: Accelerationism and capitalism. Winchester: Zero Books.
- Paik, K. (2007). To infinity and beyond: The story of Pixar animation studios. London: Virgin Books.
- Pierce, T. J. (n.d.). The penthouse club at the disney studio. Disney History Institute. Web. Retrieved from http://www.disneyhistoryinstitute.com/2014/03/the-penthouse-club-at-disney-studio.html
- Ross, J. (2010). Who are the crowdworkers?: Shifting demographics in mechanical Turk. In E. Mynatt (Ed.), Chi2010: Imagine all the people, Atlanta, GA. Retrieved from http://www.chi2010.org/index.html
- Sarrat, SÁ, & Lorenzo Hernández, M. (2013, January). How computers re-animated hand-made processes and aesthetics for artistic animation. Animation Studies Online Journal, 7. Retrieved from https://journal.animationstudies.org/sara-alvarez-sarrat-and-maria-lorenzo-hernandez-how-computers-re-animated-hand-made-processes-and-aesthetics-for-artistic-animation-2/
- Scholz, T. (2016). Uberworked and underpaid. New York, NY: Polity.
- Sito, T. (2006). Drawing the line. Lexington: University Press of Kentucky.
- TheChriddofArchive. (2012, February 2). Sossed talad and egambled screggs. YouTube. Retrieved from https://www.youtube.com/watch?v=BPPfbm77HKc
- Thomas, F., & Johnston, O. (1981). The illusion of life: Disney animation. New York, NY: Walt Disney Productions.
- Wells, P. (1998). Understanding animation. London: Routledge.
- White, G., & Mundy, J. (2012). Laughing matters. Manchester: Manchester University Press.
- Williams, R. (2009). The animator’s survival Kit: Expanded edition. London: Faber and Faber.