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Journal of African Cultural Studies Volume 32, 2020 - Issue 4: Túndé Kèlání, Global Cinema and Philosophical Engagements
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Túndé Kèlání, Global Cinema and Philosophical Engagements

TK at 70: An interview with Túndé Kèlání

Alessandro Jedlowskia Social Sciences, University of Liege, Liege, BelgiumCorrespondence[email protected]
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,
Senayon Olaoluwab Institute of African Studies, University of Ibadan, Ibadan, NigeriaView further author information
&
Erlend Paaschec Peace Research Institute, University of Oslo, Oslo, NorwayView further author information
Pages 429-441 | Published online: 05 Feb 2020

References

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  • Ekwensi, Cyprian. 1980. Motherless Baby. Enugu: Fourth Dimension.
  • Fasan, Rotimi. 2016. “Arugbá: Superwoman, Power and Agency.” Journal of African Cultural Studies 28 (3): 283–291. doi: 10.1080/13696815.2016.1163254
  • Haynes, Jonathan. 2016. Nollywood: The Creation of Nigerian Film Genres. Ibadan: Bookcraft.
  • Kèlání, Tunde (Dir.). 1999. Saworo Ide. Mainframe Productions.
  • Kèlání, Tunde (Dir.). 2002. Agogo Eewo. Mainframe Productions.
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  • Kèlání, Tunde (Dir.). 2006b. The Narrow Path. Mainframe Productions.
  • Kèlání, Tunde (Dir.). 2008. Arugbá. Mainframe Productions.
  • Kèlání, Tunde (Dir.). 2011. Màámi. Mainframe Productions.
  • Kèlání, Tunde (Dir.). 2015. Dazzling Mirage. Mainframe Productions.
  • Kèlání, Tunde (Dir.). 2017. Sídí Ìlújinlè. Mainframe Productions.
  • Makama, Abba (Dir.). 2014. Nollywood: Something Out of Nothing. Al Jazeera.
  • Scheib, Ronnie. 2004. “A Review of Agogo Eewo.” Variety Movie Reviews 4 (13). https://variety.com/2004/film/reviews/agogo-eewo-1200534005/.
  • Soyinka, Wole. 1962. The Lion and the Jewel. Oxford: Oxford University Press.

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