1,503
Views
0
CrossRef citations to date
0
Altmetric
The Possibilities and Intimacies of Queer African Screen Cultures

YouTube Queer Communities as Heterotopias: Space, Identity and “Realness” in Queer South African Vlogs

ORCID Icon

References

  • Alexander, Julia. 2018. “YouTube Rewind 2018 is Officially the Most Disliked Video on YouTube.” The Verge, December 13, 2018. Accessed 15 May 2019. https://www.theverge.com/2018/12/13/18137894/youtube-rewind-2018-dislike-shane-dawson-logan-paul-pewdiepie-mkbhd-philip-defranco.
  • Andrews, Grant. 2018a. “The Boundaries of Desire and Intimacy in Post-apartheid South African Queer Film: Oliver Hermanus’s Skoonheid.” Image & Text 31: 30–47.
  • Andrews, Grant. 2018b. “Liminal Spaces & Conflicts of Culture in South African Queer Films: Inxeba (The Wound).” In African Literature Today 36: Queer Theory in Film & Fiction, edited by John Hawley, 52–66. Suffolk: Boydell & Brewer.
  • Bond, Bradley J. 2014. “Sex and Sexuality in Entertainment Media Popular with Lesbian, Gay, and Bisexual Adolescents.” Mass Communication and Society 17 (1): 98–120. doi: 10.1080/15205436.2013.816739
  • Burgess, Jean, and Joshua Green. 2009. YouTube: Online Video and Participatory Culture. Cambridge: Polity Press.
  • Craig, Shelley L., and Lauren McInroy. 2014. “You Can Form A Part of Yourself Online: The Influence of New Media on Identity Development and Coming Out For LGBTQ Youth.” Journal of Gay & Lesbian Mental Health 18 (1): 95–109. doi: 10.1080/19359705.2013.777007
  • Foucault, Michel. 1998. “Different Spaces.” In Aesthetics, Method, and Epistemology: Essential Works of Foucault, edited by James D. Faubion, 175–186. London: Penguin.
  • Fox, Jesse, and Rachel Ralston. 2016. “Queer Identity Online: Informal Learning and Teaching Experiences of LGBTQ Individuals on Social Media.” Computers in Human Behavior 65: 635–642. doi: 10.1016/j.chb.2016.06.009
  • Glatt, Zoë. 2017. “The Commodification of YouTube Vloggers.” Unpublished MA diss., University of London.
  • Ivakhiv, Adrian. 2011. “Cinema of the Not-Yet: The Utopian Promise of Film as Heterotopia.” Journal for the Study of Religion, Nature & Culture 5 (2): 186–209. doi: 10.1558/jsrnc.v5i2.186
  • Jagose, Annamarie. 1996. Queer Theory: An Introduction. New York, NY: NYU Press.
  • Jenkins, Henry. 2009. Confronting the Challenges of Participatory Culture: Media Education for the 21st Century. Cambridge, MA: MIT Press.
  • Livermon, Xavier. 2012. “Queer (y) ing Freedom: Black Queer Visibilities in Postapartheid South Africa.” GLQ: A Journal of Lesbian and Gay Studies 18 (2–3): 297–323. doi: 10.1215/10642684-1472908
  • Macharia, Keguro. 2015. “Archive and Method in Queer African Studies.” Agenda 29 (1): 140–146. doi: 10.1080/10130950.2015.1010294
  • Macharia, Keguro. 2019. Frottage: Frictions of Intimacy across the Black Diaspora. New York, NY: NYU Press.
  • Meek, David. 2012. “YouTube and Social Movements: A Phenomenological Analysis of Participation, Events and Cyberplace.” Antipode 44 (4): 1429–1448. doi: 10.1111/j.1467-8330.2011.00942.x
  • Mesthrie, Rajend. 2002. Language in South Africa. Cambridge: Cambridge University Press.
  • Musila, Grace A. 2014. “Laughing at the Rainbow’s Cracks? Blackness, Whiteness and the Ambivalences of South African Stand-Up Comedy.” In Civic Agency in Africa: Arts of Resistance in the 21st Century, edited by Ebenezer Obadare and Wendy Willems, 147–166. Woodbridge: James Currey.
  • Nyanzi, Stella. 2014. “Queering Queer Africa.” In Reclaiming Afrikan: Queer Perspectives on Sexual and Gender Identities, edited by Zethu Matebeni, 61–66. Cape Town: Modjaji Books.
  • Rosenlund, Pernille, and Susanne Lisberg Jørgensen. 2018. “Everyday, Bro? Authenticity and Performance Intersections in the Vlogs of Jake Paul.” Otherness: Essays and Studies 6 (1): 67–92.
  • Roux, Dominique, Valérie Guillard, and Vivien Blanchet. 2018. “Of Counter Spaces of Provisioning: Reframing the Sidewalk as a Parasite Heterotopia.” Marketing Theory 18 (2): 218–233. doi: 10.1177/1470593117732461
  • Scheepers, Ella, and Ishtar Lakhani. 2017. “Somewhere Over the Rainbow: The Continued Struggle for the Realisation of Lesbian and Gay Rights in South Africa.” In Protecting the Human Rights of Sexual Minorities in Contemporary Africa, edited by Sylvie Namwase and Adrian Jjuuko, 109–127. Pretoria: Pretoria University Law Press.
  • Trengove, John. 2018. Inxeba (The Wound). Film. Cape Town: Urucu Media.
  • Tsika, Noah A. 2016. Pink 2.0: Encoding Queer Cinema on the Internet. Bloomington: Indiana University Press.

YouTube Videos

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.