Publication Cover
Interventions
International Journal of Postcolonial Studies
Volume 18, 2016 - Issue 5
832
Views
4
CrossRef citations to date
0
Altmetric
Articles

The Colonies in Concrete

Walter Benjamin, Urban Form and the Dreamworlds of Empire

References

  • Adorno, Theodor, Walter Benjamin, Ernst Bloch, Bertolt Brecht and Georg Lukács. 2007. Aesthetics and Politics. London: Verso.
  • Balzac, Honoré de. 2010. My Journey from Paris to Java. Translated by Barry Winkleman. Singapore: EDM.
  • Benjamin, Walter. 1994. The Correspondence of Walter Benjamin, 1910–1940. Edited by Gershom Scholem and Theodor W. Adorno. Translated by Manfred R. Jacobson and Evelyn M. Jacobson. Chicago: University of Chicago Press.
  • Benjamin, Walter. 1996. Selected Writings Volume 1. Edited by Matthew Bullock and Michael W. Jennings. Cambridge, MA: Harvard University Press.
  • Benjamin, Walter. 1999a. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge, MA: Belknap Press.
  • Benjamin, Walter. 1999b. Selected Writings Volume 2.1. Edited by Howard Eiland, Gary Smith and Michael W. Jennings. Cambridge, MA: Harvard University Press.
  • Benjamin, Walter. 2005. Selected Writings Volume 2.2. Edited by Howard Eiland, Gary Smith and Michael W. Jennings. Cambridge, MA: Harvard University Press.
  • Benjamin, Walter. 2006. On Hashish, ed. Howard Eiland. Cambridge, MA: Harvard University Press.
  • Berman, Marshall. 2010. All that is Solid Melts into Air: The Experience of Modernity. London: Verso.
  • Bloch, Ernst. 1979. “Benjamin's Philosophical Cabaret.” New Left Review 1 (116): 94–96.
  • Bolle, Willi. 2009. “Paris on the Amazon? Postcolonial Interrogations of Benjamin's European Modernism.” In A Companion to the Works of Walter Benjamin, edited by Rolf J. Goebel, 216–245. Rochester, NY: Camden House.
  • Buck-Morss, Susan. 1991. The Dialectics of Seeing. Cambridge, MA: MIT Press.
  • Buck-Morss, Susan. 1995. “The City as Dreamworld and Catastrophe.” October 73: 3–26. doi: 10.2307/779006
  • Buck-Morss, Susan. 2002. Dreamworld and Catastrophe, Cambridge, MA: MIT Press.
  • Burrow, Merrick. 2004. “Dialectical Fairyland: Cosmic Advertising and the Mimetic Faculty in the Arcades Project.” New Formations 54 (1): 108–125.
  • Chaudhary, Zahid R. 2012. “Subjects in Difference: Walter Benjamin, Frantz Fanon, and Postcolonial Theory.” Differences 23 (1): 151–183. doi: 10.1215/10407391-1533556
  • Ciarlo, David. 2011. Advertising Empire: Race and Visual Culture in Imperial Germany. Cambridge, MA: Harvard University Press.
  • Clifford, James. 1981. “On Ethnographic Surrealism.” Comparative Studies in Society and History 23 (4): 560–561. doi: 10.1017/S0010417500013554
  • Coombes, Annie. 1988. “Museums and the Formation of National and Cultural Identities.” Oxford Art Journal 11 (2): 57–68. doi: 10.1093/oxartj/11.2.57
  • Cunningham, David. 2013. “Floating on the Same Plane: Metropolis, Money and the Culture of Abstraction.” Journal of Visual Culture 12 (1): 38–60. doi: 10.1177/1470412912468708
  • Davidson, Jane Chin. 2010. “The Global Art Fair and the Dialectical Image”. Third Text 24 (6): 719–734. doi: 10.1080/09528822.2010.517919
  • Deckard, Sharae. 2010. Paradise Discourse, Imperialism, and Globalization. New York: Routledge.
  • Elliott, Brian. 2009. “The Method is the Message: Benjamin's Arcades Project and the Production of Theoretical Space.” International Journal of Philosophical Studies 17 (1): 115–127. doi: 10.1080/09672550802618233
  • Fanon, Frantz. 2004. The Wretched of the Earth. Translated by Richard Philcox. New York: Grove Press.
  • Gilloch, Graeme, and Tim Dant. 2005. “From Passage to “Parly 2”: Commodity Culture in Benjamin and Baudrillard.” New Formations 54: 139–153.
  • Goebel, Rolf J. 2001. Benjamin Heute: Groß stadtdiskurs, Postkolonialität und Flanerie zwischen den Kulturen. Munich: ludicium.
  • Goebel, Rolf J. 2011. “Benjamin's Arcades Project Today: From the European Metropolis to the Global City.” Journal of Postcolonial Writing 47 (5): 488–496. doi: 10.1080/17449855.2011.614771
  • Greenhalgh, Paul. 1988. Ephemeral Vistas: The Expositions Universelles, Great Exhibitions, and World's Fairs, 1851–1939. Manchester: Manchester University Press.
  • Greenhalgh, Paul. 2011. Fair World: A History of World's Fairs and Exhibitions from London to Shanghai, 1851–2010. Winterbourne, UK: Papadakis.
  • Hardt, Michael, and Antonio Negri. 2000. Empire. Cambridge, MA: Harvard University Press.
  • Harvey, David. 2003. Paris, Capital of Modernity. New York: Routledge.
  • Hund, Wulf D. 2012. “Prädestination in der Wüste? Marginalie zu einer Fata Morgana von Walter Benjamin.” Das Argument 300 (54.6): 833–844.
  • Jameson, Fredric. 1981. The Political Unconscious: Narrative as a Socially Symbolic Act. London: Methuen.
  • Jameson, Fredric. 1990. “Cognitive Mapping.” In Marxism and the Interpretation of Culture, edited by Cary Nelson and Lawrence Grossberg, 347–360. Urbana: University of Illinois Press.
  • Kraniauskas, John. 2005. “Beware Mexican Ruins! “One-Way Street” and the Colonial Unconscious.” In Walter Benjamin: Critical Evaluations in Cultural Theory, edited by Peter Osbourne. Oxford: Routledge.
  • Lazarus, Neil. 2011. The Postcolonial Unconscious. Cambridge: Cambridge University Press.
  • Lazarus, Neil. 2013. “Epilogue: The Pterodactyl of History?” Textual Practice 27 (3): 523–536. doi: 10.1080/0950236X.2013.784031
  • Leslie, Esther. 2000. Walter Benjamin: Overpowering Conformism. London: Pluto Press.
  • Marx, Karl. 1981. Capital Vol. 2. New York: International.
  • Marx, Karl. 2007 [1858]. “Trade or Opium?” In Dispatches for the New York Tribune: Selected Journalism of Karl Marx. London: Penguin.
  • McClintock, Anne. 1995. Imperial Leather: Race, Gender and Sexuality in the Colonial Contest. New York: Routledge.
  • Murphet, Julian. 2013. “Introduction: On the Market and Uneven Development.” Affirmations: of the Modern 1 (1): 1–20.
  • Patke, Rajeev. 2000. “Benjamin's Arcades Project and the Postcolonial City.” Diacritics 30 (4): 3–13. doi: 10.1353/dia.2000.0033
  • Patke, Rajeev. 2002. “Benjamin in Bombay? An Extrapolation.” Postmodern Culture 12 (3). Accessed 12 March 2015. http://www.muse.jhu.edu.eproxy1.lib.hku.hk/journals/postmodern_culture/.
  • Renonciat, Annie. 1985. J. J. Grandville. Paris: ACR.
  • Sassen, Saskia. 2005. “The Global City: Introducing a Concept.” Brown Journal of World Affairs 11 (2): 27–43.
  • Short, John Philip. 2012. Magic Lantern Empire. Ithaca: Cornell University Press.
  • Simmel, Georg. 1997 [1903]. “The Metropolis and Mental Life.” In Simmel on Culture, edited by David Frisby and Mike Featherstone, 174–185. London: Sage.
  • Weingrad, Michael. 2001. “The College of Sociology and the Institute of Social Research.” New German Critique 84: 129–161. doi: 10.2307/827800
  • Wolff, Janet. 2012. “After Cultural Theory: The Power of Images, the Lure of Immediacy.” Journal of Visual Culture 11 (1): 3–19. doi: 10.1177/1470412911430461

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.