Publication Cover
Interventions
International Journal of Postcolonial Studies
Volume 19, 2017 - Issue 8
264
Views
0
CrossRef citations to date
0
Altmetric
Articles

Caribbean Artistic Genealogies of Withdrawal. Rethinking Caribbean Visuality Beyond Objecthood

References

  • Alatas, Syed Hussein. 1977. The Myth of the Lazy Native: A Study of the Image of the Malays, Filipinos and Javanese from the 16th to the 20th Century and Its Function in the Ideology of Colonial Capitalism. London: Frank Cass.
  • Bennett, Tony. 1996. “The Exhibitionary Complex.” In Thinking about Exhibitions, edited by Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne, 58–81. New York: Routledge.
  • Bishop, Claire. 2012. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso.
  • Bonilla, Yarimar. 2015. Non-Sovereign Futures: French Caribbean Politics in the Wake of Disenchantment. Chicago: University of Chicago Press.
  • Buck-Morss, Susan. 2009. Hegel, Haiti and Universal History. Pittsburgh: University of Pittsburgh Press.
  • Camnitzer, Luis. 2003. New Art of Cuba. Austin: University of Texas Press.
  • Cozier, Christopher. 2011. “Notes on Wrestling with the Image.” In Wrestling with the Image: Caribbean Interventions, edited by Christopher Cozier and Tatiana Flores, 6–15. Washington, DC: World Bank.
  • Crichlow, Michaeline A. 2012. “Making Waves: (Dis)Placements, Entanglements, Movements.” The Global South 6 (1): 114–137. doi: 10.2979/globalsouth.6.1.114
  • Crichlow, Michaeline A., and Patricia Northover. 2009. Globalization and the Post-Creole Imagination. Notes on Fleeing the Plantation. Durham, NC: Duke University Press.
  • Fischer, Sybille. 2004. Modernity Disavowed: Haiti and the Cultures of Slavery in the Age of Revolution. Durham, NC: Duke University Press.
  • Gardner, Anthony, and Charles Green. 2013. “Biennials of the South on the Edges of the Global.” Third Text 27 (4): 442–455. doi: 10.1080/09528822.2013.810892
  • Kempadoo, Roshini. 2013. “Gazing Outward and Looking Back: Configuring Caribbean Visual Culture.” Small Axe: A Caribbean Journal of Criticism 17 (2 41): 136–153. doi: 10.1215/07990537-2323364
  • Kester, Grant. 2004. Conversation Pieces: Community and Communication in Modern Art. Berkeley: University of California Press.
  • Kester, Grant. 2011. The One and the Many: Contemporary Collaborative Art in a Global Context. Durham, NC: Duke University Press.
  • Kester, Grant. 2013. “The Device Laid Bare: On Some Limitations in Current Art Criticism.” E-Flux 50. http://www.e-flux.com/journal/50/59990/the-device-laid-bare-on-some-limitations-in-current-art-criticism/
  • Mezzadra, S. 2012. Direito de fuga. Lisbon: Unipop.
  • Mohammed, Patricia. 2011. Imaging the Caribbean: Culture and Visual Translation. New York: Palgrave Macmillan.
  • Sheller, Mimi. 2003. Consuming the Caribbean: From Arawaks to Zombies. London: Routledge.
  • Sheller, Mimi, and Urry John, eds. 2004. Mobilities: Places to Play, Places in Play. London: Routledge.
  • Stephens, Michelle. 2013. “What Is an Island? Caribbean Studies and the Contemporary Visual Artist.” Small Axe: A Caribbean Journal of Criticism 17 (2 41): 8–26. doi:10.1215/07990537-2323292.
  • Tancons, Claire. 2012. “Curating Carnival?” In Curating in the Caribbean, edited by David Bailey, Alissandra Cummins, Alex Lapp, and Allison Thompson, 58–81. Berlin: Green Box.
  • Taylor, Christopher. 2014. “The Refusal of Work: From the Postemancipation Caribbean to Post-Fordist Empire.” Small Axe: A Caribbean Journal of Criticism 18 (2): 1–17. doi:10.1215/07990537-2739812.
  • Thompson, Krista. 2006. An Eye for the Tropics: Tourism, Photography, and Framing the Picturesque. Durham, NC: Duke University Press.
  • Thompson, Krista. 2012. “How to Install Art as a Caribbeanist.” In Curating in the Caribbean, edited by David Bailey, Alissandra Cummins, Alex Lapp, and Allison Thompson, 97–113. Berlin: Green Box.
  • Viala, Fabianne. 2014. The Post-Columbus Syndrome: Identities, Cultural Nationalism, and Commemorations in the Caribbean. New York: Palgrave.
  • Wainwright, L. 2012. Timed Out: Art and the Transnational Caribbean. Manchester: Manchester University Press.
  • Weiss, Rachel. 2011. To and from Utopia in the New Cuban Art. Minneapolis: University of Minnesota Press.
  • Wright, S. 2004. “The Delicate Essence of Artistic Collaboration.” Third Text 18 (6): 533–545. doi:10.1080/0952882042000284943.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.