REFERENCES
- Reid CL. Voice: Psyche and Soma. New York: Joseph Patelson Music House; 1975.
- Reid CL. A dictionary of vocal terminology. New York: Joseph Patelson Music House; 1983.
- Miller R. The structure of singing: system and art in vocal technique. New York; London: Schirmer Books; 1996.
- Mitchell HF, Kenny DT, Ryan M, Davis PJ. Defining open throat through content analysis of experts’ pedagogical practices. Logoped Phoniatr Vocol 2003; 28: 167–80.
- Fields VA. Training the Singing Voice: an analysis of the working concepts contained in recent contributions to vocal pedagogy. New York: King’s Crown Press; 1947.
- Burgin JC. Teaching singing. Metuchen, N.J.: Scarecrow Press; 1973.
- Monahan BJ. The art of singing: a compendium of thoughts on singing published between 1777 and 1927. Metuchen, N.J.: Scarecrow Press; 1927.
- Bartholomew WT. The Role of Imagery in Voice Teaching. In: Music Teachers National Association Proceedings for 1935; Oberlin, Ohio; 1935. p. 78.
- Hemsley T. Singing and imagination: a human approach to a great musical tradition. Oxford; New York: Oxford University Press; 1998.
- Manen L. Bel canto: the teaching of the classical Italian song-schools its decline and restoration. Oxford: Oxford University Press; 1987.
- Miller R. The Open Throat (La gola aperta). In: Miller R, editor. On the Art of Singing. New York: Oxford University Press; 1997. p. 17–9.
- Puritz E. The teaching of Elisabeth Schumann. London: Methuen; 1956.
- Shakespeare W. The Art of Singing. Ditson: New York; 1921.
- Garcia M. Hints on Singing. Translated from the French by Beata Garcia. London: E. Ascherberg; 1894.
- Vennard W. Singing: the mechanism and the technic. 5th ed. New York: Fischer; 1968.
- Joiner JR. Charles Amable Battaille: pioneer in vocal science and the teaching of singing. Lanham, Md.: Scarecrow Press; 1998.
- Ware C. Basics of vocal pedagogy: the foundations and process of singing. New York: McGraw-Hill; 1998.
- Marafioti PM. Caruso’s Method of Voice Production. New York: Dover Publications; 1981.
- McKinney JC. The Diagnosis and Correction of Vocal Faults. Nashville, Tennessee: Broadman Press; 1982.
- Herbert-Caesari EF. The voice of the mind. London: Robert Hale; 1951.
- Baer T, Gore JC, Gracco LC, Nye PW. Analysis of vocal tract shape and dimensions using magnetic resonance imaging: vowels. J Acoust Soc Am 1991; 90(2 Pt 1): 799–828.
- Story BH, Titze IR, Hoffman EA. The relationship of vocal tract shape to three voice qualities. J Acoust Soc Am 2001; 109: 1651–67.
- Estill J. Primer of Basic Figures. 2nd ed. Santa Rosa: Estill Voice Training Systems; 1996.
- Chapman J, Davis PJ. Primal Singing Australian Voice 1998; 4: 9–11.
- Prame E. Measurement of the vibrato rate of ten singers. J Acoust Soc Am 1994; 96: 1979–84.
- Prame E. Vibrato extent and intonation in professional Western lyric singing. J Acoust Soc Am 1997; 102: 616–21.
- Shipp T, Sundberg J, Hadlund S. A Model of Frequency Vibrato. In: Van Lawrence L, editor. Transcripts of the Thirteenth Symposium: Care of the Professional Voice; 1984; New York: The Voice Foundation; 1984. p. 116–17.
- Sundberg J. Acoustic and Psychoacoustic Aspects of Vocal Vibrato. In: Dejonckere PH, Hirano M, Sundberg J, editors. Vibrato. San Diego: Singular Publishing Group, Inc.; 1995. p. 35–62.
- Rothman HB, Diaz JA, Vincent KE. Comparing historical and contemporary opera singers with historical and contemporary Jewish cantors. J Voice 2000; 14: 205–14.
- Keidar A, Titze IR, Timberlake C. Vibrato Characteristics of Tenors Singing High Cs. In: Van Lawrence L, editor. Proceedings of the Thirteenth Symposium: Care of the Professional Voice; 1984; New York City: The Voice Foundation; 1984.
- Seidner W, Nawka T, Cebulla M. Dependence of the Vibrato on Pitch, Musical Intensity, and Vowel in Different Voice Classes. In: Dejonckere PH, Hirano M, Sundberg J, editors. Vibrato. San Diego: Singular Publishing Group, Inc.; 1995. p. 63–82.
- Bunch M, Chapman J. Taxonomy of singers used as subjects in scientific research. J Voice 2000; 14: 363–9.
- Foulds-Elliott S, Thorpe C, Cala S, Davis P. Respiratory function in operatic singing: effects of emotional connection. Logoped Phoniatr Vocol 2000; 25: 151–68.
- Wapnick J, Ekholm E. Expert consensus in solo voice performance evaluation. J Voice 1997; 11: 429–36.
- Cabrera D, Davis P, Barnes J, Jacobs M, Bell D. Recording the Operatic Voice for Acoustic Analysis. Acoustics Australia 2002; 30: 103–8.
- Rossing TD, Sundberg J, Ternstrom S. Acoustic comparison of soprano solo and choir singing. J Acoust Soc Am 1987; 82: 830–6.
- Ekholm E, Papagiannis GC, Chagnon FP. Relating objective measurements to expert evaluation of voice quality in Western classical singing: critical perceptual parameters. J Voice 1998; 12: 182–96.
- Robison CW, Bounous B, Bailey R. Vocal Beauty: A study proposing its acoustical definition and relevant causes in classical baritones and female belt singers. Journal of Singing 1994; 51: 19–30.
- Vurma A, Ross Y. Priorities in voice training: carrying power or tone quality. Musicae Scientiae 2000; 4: 75–93.
- Callaghan J. Singing and voice science. San Diego, California: Singular Publishing. Group; 2000.
- Gabrielsson A, Juslin PN. Emotional Expression in Music Performance: Between the Performer’s Intention and the Listener’s Experience. Psychology of Music 1996; 24: 68–91.
- Sundberg J, Iwarsson J, Hagegard H. A Singer’s Expression of Emotions in Sung Performance. In: Fujimura O, Hirano M, editors. Vocal Fold Physiology: Voice Quality Control. San Diego, California: Singular Publishing Group, Inc.; 1995. p. 217–31.
- Easley E. A Comparison of the Vibrato in Concert and Opera Singing. In: Seashore CE, editor. The Vibrato. Iowa: University of Iowa Press; 1932. p. 269–75.
- Hakes J, Shipp T, Doherty ET. Acoustic Properties of Straight Tone, Vibrato, Trill and Trillo. J Voice 1987; 1: 148–56.
- Titze IR, Long R, Shirley GI, Stathopoulos E, Ramig LO, Carroll LM, et al. Messa di voce: an investigation of the symmetry of crescendo and decrescendo in a singing exercise. J Acoust Soc Am 1999; 105: 2933–40.
- Titze IR, Solomon NP, Luschei ES, Hirano M. Interference between normal vibrato and artificial stimulation of laryngeal muscles at near-vibrato rates. J Voice 1994; 8: 215–23.
- Titze IR, Story B, Smith M, Long R. A reflex resonance model of vocal vibrato. J Acoust Soc Am 2002; 111(5 Pt 1): 2272–82.
- Davidson JW, Da Costa Coimbra D. Investigating performance evaluation by assessors of singers in a music college setting. Musicae Scientiae 2001; 5: 33–53.
- Stanley M, Brooker R, Gilbert R. Examiner Perceptions of Using Criteria in Music Performance Assessment. Research Studies in Music Education 2002; 18: 43–52.
- Rothman HB, Rullman FJ, Arroyo AA. Inter- and Intrasubject Changes in Vibrato: Perceptual and Acoustic Aspects. J Voice 1990; 4: 309–16.