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Original Articles

privatepublicprivate

art, artists and the public domain at the beginning of the twenty-first century

Pages 163-169 | Published online: 18 May 2015

Notes

  • Maggie McCormick and Claudia Luenig (curators), Kultural Kommuting, Melbourne Berlin, 1998; this international project is documented at www.vicnet.net.au/~urbanart/.
  • Claudia Luenig, an artist and member of Urban Art, was born in Germany and is an Australian resident. She is currently in Vienna after completing a residency there earlier in the year. Her curriculum vitae can be found at www.vicnet.net.au/~urbanart/.
  • Maggie McCormick is an artist, curator and member of Urban Art, based in Melbourne. She initiated and curated the public project, No Vacancy, 1990–1994, and curated cityartpublicspace, 1993–1999. She currently curates the public project, ideas/in/transition; and regularly exhibits in both Australia and overseas. Her curriculum vitae can be found at www.vicnet.net.au/~urbanart/.
  • Urban Art is a Melbourne based independent artist group.
  • L. Sandercock, ‘Café society or active society?: reflections on the city edge debate’, foreword, City Edge Conference Transcripts. City Edge: Private Development vs Public Realm, 1998, pp.viii–xi, p.viii.
  • S. Plant, Zeros + Ones. Digital Women + The New Technoculture, London: Fourth Edition Estate Limited, 1997, p.11.
  • N. Papastergiadis, “The inessential bonds of art and polities’, Australian Perspecta Living Here Now-Art and Politics, 1999, pp.9–16, p.10.
  • ibid.
  • J. Findley, ‘There's not much art that's like a good story’, Art & Design, no.46, 1996, pp.9–15, p.9.
  • S. Willats, ‘Interview with Nicola Kearton’, Art & Design, no.46, pp.ii–vii, p.iii.

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