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Original Articles

The rat or the swallow? A discussion paper on the relationship between artists, communities and institutions

(Artist and writer)
Pages 120-134 | Published online: 18 May 2015

Notes

  • Italo Calvino, Invisible Cities, 1972, 1974), William Weaver (trans.), London: Vintage, 1997, p.154.
  • Phil Cohen, ‘In visible cities: urban regeneration and place-building in the era of multicultural capitalism’, Communal/Plural, vol.7, no.1, 1999, p.9.
  • Fletcher Jetspree (performer), Kathy Triffit (organising artist), The Darlinghurst Syndrome, performance, March 1995, Green Park, Darlinghurst, Sydney.
  • Ian Henderson, ‘The awareness of place in visual landscape’, Periphery, no.11, May 1992, p.8.
  • David Engwicht, ‘How the “art of public places” debate shackles creative genius’, Artlink, vol.18, no.2, June—August 1998, pp.8–10.
  • Nalo Hopkinson, ‘Many perspectives’, Locus—The Newspaper of the Science Fiction World, issue 456, vol.42, no.1, January 1999.
  • Juliet Peers, ‘The public interest: is there any?’, Artlink, vol.8, no.2, June—August 1998, p.11.
  • ‘Stay in touch’ column, Sydney Morning Herald, 18 February 2000.
  • Donald Home, ‘Constructing a national past’, Art Monthly (Australia), no.1, June 1987, p.1.
  • ibid.
  • Tony Bond, ‘Introduction’ in Trace. Liverpool Biennial of Contemporary Art, Liverpool: Liverpool Biennale of Contemporary Art and Tate Gallery, Liverpool, September—October 1999, p.11.
  • Pamela Zeplin, ‘Connections and enlargements or swollen joints?’, Art Monthly (Australia), no.123, September 1991, p.5.
  • P. Johnston, ‘Seize the walls’, paper given at Watch this space—conference on public art, organised by Australian Journal of Art and School of Fine Art, University of Newcastle, Newcastle, September 1999.
  • Peter Cochrane, ‘Graffiti: power for the voiceless’, Sydney Morning Herald, 17 April 2000, p.7.
  • T. Rowse, ‘Doing away with ordinary people’, Meanjin, vol.42, September 1983, p.17.
  • Rachel Fensham, ‘Why do angels fly anti-clockwise?’, Artlink, vol.10, no.i, Spring 1990, p.12.
  • Australian Bureau of Statistics Year Book, Sydney: Government Printer, 1998.
  • Pam Johnston Dahl-Helm, ‘Song cycle—Transformation(death)Conception(birth) Transition(life)’, PhD thesis, Creative Art and Design, University of Wollongong, 1997.
  • Jude Adams, ‘Community arts—time to come out of the corner’, Community Arts National, 1987.
  • Owen Kelly, ‘Storming the citadels’, Community Art and the State, UK: Comedia Publishing Group, 1984.
  • Maria Guppy, ‘Negotiating locality in the global city’, paper given at An Art of Interruption, conference, School of Fine Art, University of Newcastle, 20 May 2000.
  • Anne Graham, ‘Smooth transitions—between fiction and reality, memories are made of this’, paper given at An Art of Interruption.

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