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Pages 267-275 | Published online: 18 May 2015

Notes

  • The exhibition was shown at: Ballarat Fine Art Gallery, Victoria, 14 May–25 July 1999; University of South Australia Museum of Art, Adelaide, 19 August–19 September 1999; Gladstone Regional Gallery, Queensland, 29 September–30 October 1999; Brisbane City Gallery, Brisbane, 9 December 1999–16 January 2000; Toowoomba Regional Art Gallery, Queensland, 10 February–26 March 2000; Dalby Regional Gallery, Queensland, 4 April–23 April 2000; New England Regional Art Museum, Armidale, New South Wales, 5 May–16 July 2000; Queen Victoria Museum and Art Gallery, Launceston, Tasmania, 4 August–24 September 2000. Thanks are due to Gael Ramsay, Deputy Director, Public Programs and Collections, Ballarat Fine Art Gallery for a copy of this itinerary.
  • C. Baddeley, curator, Motif and Meaning: Aboriginal influences in Australian Art 1930–1970, Ballarat: Ballarat Fine Art Gallery, 1999.
  • L. Greeno, in conversation with the author, September 2000.
  • B.L. Croft, ‘You must remember this…’, and G.R. Cooke, ‘Aboriginal motifs in the decorative arts, “an art for Australia from Australians’”, in Baddeley, Motif and Meaning…, pp.19 and 14, respectively.
  • Croft, ‘You must remember this…’, pp.19–20.
  • J. Gough, in conversation with the author, September 2000.
  • Cooke, ‘Aboriginal motifs in the decorative arts…’, p.10.
  • Quoted by Cook in ‘Aboriginal motifs in the decorative arts…’, p.10.
  • Gough, in conversation with the author, September 2000.

Notes

  • Dan Wollmering is represented by BMG Art, Adelaide, South Australia and Flinders Lane Gallery, Melbourne, Victoria.
  • Norman Bryson, Tradition and Desire: From David to Delacroix, Cambridge: Cambridge University Press, 1984.
  • Harold Bloom, The Anxiety of Influence: A Theory of Poetry, New York: Oxford University Press, 1975.

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