NOTES
- Marc Augé, Non-places: Introduction to an Anthropology of Supermodernity, trans John Howe (NY: Verso, 1995) 27.
- Gilles Deleuze and Felix Guattari, What is Philosophy? [1991], trans. Hugh Tomlinson and Graham Burchill (London; NY: Verso, 1994).
- For further elaboration of Deleuze's conception of the event in this regard, see Paul Patton, “The World Seen From Within: Deleuze and the Philosophy of Events”, Theory & Event, 1, 1.1 (1997).
- “A Thousand Words Thomas Demand Talks About Poll” http://www.findartides.com/p/articles/mi_m0268/is_9_39/ai_75914323, accessed 25.11.05
- Deleuze and Guattari, What is Philosophy?: 110.
- Gilles Deleuze, The Logic of Sense [1969], trans. Mark Lester and Charles Stivale; ed. Constantin Boundas (NY: Columbia UP, 1990). My intention here is not to oppose the historical with a form “transcendent” aesthetics, but rather to identify a political aesthetics that opposes history with forms of genealogy in the sense deployed by Foucault and Deleuze. On this distinction, see C. Colwell, “Deleuze and Foucault: Series, Event, Genealogy”, Theory and Event, 1:2, 1997. http://muse.jhu.edu/jounrals/theory_and_event/v001/1.2colwell.html
- For a representative sample of the dominant positions within trauma studies see Cathy Caruth ed., Trauma: Explorations in Memory (Baltimore: Johns Hopkins UP, 1995). For discussion of the arguments around representation and trauma, see Jill Bennett, Empathic Vision: Affect, Trauma and Contemporary Art (Stanford, Cal: Stanford UP, 2005).
- See Bennett, Empathic Vision 23.
- ibid.
- Jill Bennett, “Tenebrae After September 11: Art, Empathy and the Global Politics of Belonging”, World Memory: Personal Trajectories in Global Time ed., Jill Bennett and Rosanne Kennedy, (London: Palgrave MacMillan, 2003); and “Jill Bennett interviews Doris Salcedo” (London; Camden Arts Centre, 2001).
- See Colwell, Deleuze and Foucault.
- Viktor Shklovsky [1917] “Art as Technique” Russian Formalist Criticism L.T. Lemon and M. Reis ed., (Lincoln: U of Nebraska P, 1965)12.
- Jacques Rancière, The Politics of Aesthetics [2000], trans. Gabriel Tockhill (London: Continuum, 2004).
- http://www.zarinabhimji.com/dspseries/12/lFW.htm accessed 25.11.05
- Martin Seel, trans. John Farrell, Aesthetics of Appearing (Stanford: Stanford UP, 2005)147.
- Rancière, The Politics of Aesthetics: 63.
- ibid.
- Deleuze and Guattari, What is Philosophy?: 161.
- Bennett Empathic Vision: 23.
- Deleuze, The Logic of Sense: 153.
- The source of this quotation is an article in Nouvel Observateur (1968) by Claude Roy, Ibid.
- See Al Strangeways, “‘The Boot in the Face’: The Problem of the Holocaust in the Poetry of Sylvia Plath”, Contemporary Literature, XXXVII.3 (Fall,1996):370–90.
- http://www.zarinabhimji.com/dspseries/12/lFW.htm accessed 25.11.05
- Rancière, The Politics of Aesthetics: 65.
- Deleuze, The Logic of Sense: 5.
- This exhibition was held at the Ivan Dougherty Gallery, Sydney, and the Golden Thread Gallery, Belfast in 2005. See the catalogue: Jill Bennett, Felicity Fenner, Liam Kelly, Abigail Solomon-Godeau [authors] Prepossession (Sydney: Ivan Dougherty Gallery, University of NSW, 2005).
- Deleuze, The Logic of Sense: 149.