- Alex Coles DesignArt: On Art's Romance With Design Tate Publishing, London, 2005.
- Stefano Basilico ‘Andrea Zittel’ Bomb Spring 2001, p72.
- Andrea Zittel ‘Shabby Chic’ Artforum Summer 2004, p211.
- Stefano Basilico, op cit, p72.
- Guy Julier ‘From Visual Culture To Design Culture’ Design Issues Vol. 22, No. 1, 2006, p72.
- Gui Bonsiepe ‘Design And Democracy’ Design Issues Vol. 22, No. 2, 2006, p28.
- Hal Foster Design And Crime And Other Diatribes Verso, London and New York, 2002.
- Hal Foster ‘The ABC Of Contemporary Design’ October 100 Spring 2002, p192.
- Helmut Draxler ‘Letting Loos(e): Institutional Critique And Design’ Art After Conceptual Art (eds. Alexander Alberro and Sabeth Buchman) MIT Press, Cambridge, Massachusetts, 2006, p155. Draxler cites the example of the influential Ulm School of Design, which, during the 1950s, ‘tolerated no artists within the strictly scientific and functional canon’.
- Quoted in Alex Coles DesignArt op cit, p8; from Vilém Flusser ‘About The Word Design’ The Shape Of Things: A Philosophy Of Design (trans. Anthony Mathews) Reaktion Books, London, 1999, p17.
- Jacques Rancière ‘The Aesthetic Revolution And Its Outcomes: Emplotments Of Autonomy And Heteronomy’ New Left Review 14 March-April 2002, p150.
- Jacques Rancière The Politics Of Aesthetics: The Distribution Of The Sensible (trans. Gabriel Rockhill) Continuum, London and New York, 2004, p91.
- Ibid, p135, fn1.
- Ibid, p22.
- Ibid, p32.
- Jacques Rancière ‘The Aesthetic Revolution…’ op cit, p144.
- Ibid.
- Gabriel Rockhill ‘The Silent Revolution’ SubStance Vol. 33, No. 1, 2004, p67.
- Jacques Rancière ‘The Sublime From Lyotard To Schiller: Two Readings Of Kant And Their Political Significance’ Radical Philosophy 126 July-August 2004, p9.
- Immanuel Kant Critique Of Judgment (trans. Werner S. Pluhar) Hackett, Indianapolis, 1987, p91.
- Jacques Rancière ‘The Sublime From Lyotard To Schiller’ op cit, p9.
- Ibid, p12.
- Ibid, p13.
- Jacques Rancière ‘The Aesthetic Revolution…’ op cit, p135, fn1.
- Ibid, p141.
- Jacques Rancière Disagreement: Politics And Philosophy (trans. Julie Rose) University of Minnesota Press, Minneapolis and London, 1999, p99.
- Jacques Rancière The Politics Of Aesthetics op cit, p36.
- Jacques Rancière ‘The Aesthetic Revolution…’ op cit, p144.
- Beatriz Colomina, Mark Wigley and Andrea Zittel ‘A-Z Drive-Thru Conversation’ Andrea Zittel Critical Space (eds. Paola Morsiani, Trevor Smith and Angeli Sachs) Prestel Verlag, Munich, 2005, p51.
- Jacques Rancière ‘The Aesthetic Revolution…’ op cit, p140.
- Stefano Basilico, op cit, p74.
- Ibid, p74.
- Jacques Rancière ‘The Order Of The City’ Critical Inquiry 30 Winter 2004, p272.
- Stefano Basilico, op cit, p74.
- Karel Teige The Minimum Dwelling (1932) MIT Press, Cambridge, Massachusetts, 2002, p218.
- Ellen Lupton The Bathroom, The Kitchen, And The Aesthetics Of Waste: A Process Of Elimination Kiosk, New York, 1992.
- Stephanie Cash ‘A-Z And Everything In Between’ Art In America April 2006, pp124–31.
- Mimi Zeiger ‘Complete: Laboratories For Living’ Andrea Zittel Sammlung Goetz, Munich, 2003, p114.
- Gui Bonsiepe ‘Design And Democracy’ op cit, p28.
- Beatriz Colomina, Mark Wigley and Andrea Zittel ‘A-Z Drive-Thru Conversation’ op cit, p52.
- Stefano Basilico ‘Andrea Zittel’ op cit, p75.
- Ibid.
- Interviewed by Solange Guénoun, James H. Kavanagh, Roxanne Lapidus ‘Jacques Rancière: Literature, Politics, Aesthetics: Approaches To Democratic Disagreement’ SubStance 92 2000, p22.
Australian and New Zealand Journal of Art
Volume 8, 2007 - Issue 1: Post-Medium