- This collection formed the basis of the exhibition Sol LeWitt: Drawings, Prints And Books 1968–1998 (curated by Dr Anthony White and Jane Kinsman) National Gallery of Australia, 2002. Some of LeWitt's books were also included in the earlier exhibition Modern Artists As Illustrators (Museum of Modern Art, New York, 1983) which toured Australian galleries.
- Sol LeWitt ‘Paragraphs On Conceptual Art’ first published in Artforum Summer 1967, pp79–83; reprinted in Sol LeWitt: Critical Texts (ed. Adachiara Zevi) AEIUO, Rome, 1995, p78.
- Sol LeWitt ‘Sentences On Conceptual Art’ first published in Art-Language Vol. 1, No. 1, May 1969; reprinted in Sol LeWitt: Critical Texts op cit, p88.
- Sol LeWitt ‘Plan for Wall Drawing, Paula Cooper Gallery, New York, 1969’ first published in Art Press (eds. Ian Burn, Mel Ramsden and Roger Cutforth) New York, 1969; reprinted in Sol LeWitt (ed. Alicia Legg) Museum of Modern Art, New York, 1978, p93.
- In Melbourne the works were executed by three local art students Irene Barberis, John Pertzel and B. Reynolds. LeWitt became Barberis's life-long friend and mentor after they met in New York in 1974. She was 20 and travelling with her partner Robert Hunter.
- Sol LeWitt Wall Pieces: John Kaldor Art Project (ed. Nicholas Baume) Museum of Contemporary Art, Sydney, 1998, np.
- Telephone conversation between the author and Oscar Yanez, 14 June 2007. Yanez also recalled that some months later, unannounced, each member of the installation crew received a LeWitt work in the mail.
- Memo from Central Signs Pty Ltd to Harry Seidler & Associates, re Artwork in Foyer of Horizon Building, 12 July, 1999. LeWitt also designed two domestic commissions for the Kaldors in 1998.
- Harry Seidler Australia Square Sydney Horwitz Publications, Sydney, 1969.
- Sol LeWitt ‘The Cube’ first published in Art In America Summer 1966; republished Sol LeWitt: Critical Texts op cit, p72.
- In noting this, the emphasis on Japanese sculpture in Tom McCullough's 1976 Sydney Biennale should not be forgotten.
- The 5th Asia-Pacific Triennial Of Contemporary Art (eds. Lynne Seear and Suhanya Raffel) Queensland Art Gallery, Brisbane, 2006, p24.
- 10 August 2007, p20.
- The 5th Asia-Pacific Triennial Of Contemporary Art op cit, p29.
- Jane Clark and Bridget Whitelaw Golden Summers: Heidelberg And Beyond International Cultural Corporation of Australia, 1985.
- Australian Impressionism (ed. Terence Lane) National Gallery of Victoria, Melbourne, 2007 (essays by Leigh Astbury, Andrew Brown-May, Jane Clark, Mary Eagle, Ann Galbally, Ted Gott, David Hansen, Terence Lane, Frances Lindsay, Humphrey McQueen, Daniel Thomas, Angus Trumble and Gerard Vaughan).
- See David Ellis ‘A Woman Of Little Importance’ The Age 2 May 2007, p19.
- World Impressionism: The International Movement 18601920 (ed. Norma Broude) H. N. Abrams, New York, 1990.
- See Juliette Peers ‘The Leader Amongst The Lady Artists: Contextualising Jane Sutherland's Reputation And Oeuvre’ Australian Journal Of Art Vol. 14, No. 2, 1999, pp129–48; and ‘The Heidelberg School In The New Millenium’ Radical Revisionism: An Anthology Of Writings On Australian Art (ed. Rex Butler) Institute of Modern Art, Brisbane, 2005, pp182–99.
- In 2007 Zidane was shown throughout Australia and New Zealand. Screenings were organised by the Adelaide Film Festival; the Museum of Contemporary Art, Sydney; the Australian Centre for the Moving Image, Melbourne; the Institute of Modern Art, Brisbane; and Artspace, Auckland. It was also commercially released on DVD.
- Tim Griffin ‘The Job Changes You’ Artforum September 2006, pp336–9.
- Alain Badiou Manifesto For Philosophy (trans. Norman Maderasz) SUNY Press, Albany, 1999.
- This is of course not to say that destruction is absent from the art of the century (nor for that matter is subtraction lacking from politics, not to mention love or science). To the contrary, Badiou spends a good deal of time demonstrating how and why the artistic avantgardes (like the century's political vanguards) had no qualms whatsoever in sacrificing the image in favour of the real's advent in the artistic gesture.
- Alain Badiou Ethics: An Essay On The Understanding Of Evil (trans. Peter Hallward) Continuum, London, 2001.
- Aus Art Editions in association with Miegunyah Press, Melbourne, 2006.
- ABC Sunday Programme 12 November 2006.
- Smee in The Australian 27 October 2006 and Nelson in The Age 9 December 2006.