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Original Articles

Paranoia and the Wandjina

For the Ancient Astronaut as a Category of art History

Pages 28-33 | Published online: 18 May 2015

  • The trilogy comprises Erich von Daniken, Chariots of the Gods?, trans. Michael Heron (London: Souvenir Press, 1969); Return to the Stars, trans. Michael Heron (London: Souvenir Press, 1970); and The Gold of the Gods, trans. Michael Heron (London: Souvenir Press, 1973).
  • See I. M. Crawford, The Art of the Wandjina: Aboriginal Cave Paintings in Kimberley, Western Australia (Melbourne: Oxford University Press, 1968).
  • 2001: A Space Odyssey, directed by Stanley Kubrick (Los Angeles: Metro-Goldwyn-Mayer, 1968); Erich von Daniken, Erinnerungen an die Zukunft (Dusseldorf: Econ-verlag Gmbh, 1968).
  • Barry Thiering and Edgar Castle, ‘Introduction: The Case for the Prosecution’, in Some Trust in Chariots: Sixteen Views on Erich von Daniken's Chariots of the Gods? (Sydney: Westbooks, 1972), 1–6, 2.
  • Brian Massumi, ‘Sur le droit à la non-communication des differences’, in Ethnopsy: Le Mondes contemporains de la guerison 4 (April 2002), 93–131, 108–116.
  • Will Christensen, ‘Paddy Jaminji and the Guirr Guirr’, in Images of Power: Aboriginal Art of the Kimberley (Melbourne: National Gallery of Victoria, 1993), 32–35, 33.
  • The Gold of the Gods, 35.
  • David Summers, Real Spaces: World Art History and the Rise of Western Modernism (London: Phaidon, 2003).
  • Dan Brown, The Da Vinci Code (New York: Doubleday, 2003).
  • Fredric Jameson, ‘Cognitive Mapping’, in Marxism and the Interpretation of Culture, ed. Larry Grossberg and Cary Nelson (Chicago: University of Illinois Press, 1988), 347–57, 356.

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