- Jay David Bolter and Richard Grusin, Remediation: Understanding New Media (Cambridge, MA: MIT Press, 1999). The authors define the repurposing mechanism as ‘to take a “property” from one medium and reuse it in another’ (45). Later, they acknowledge the existence of intramedial repurposings (49–50).
- Jean-Pierre Morel, ‘Montage, collage et discours romanesque dans les années vingt et trente’, in Collage et montage au théâtre et dans les autres arts durant les années vingt, ed. D. Bablet (Lausanne: L'Age d'homme, 1978), 38–73.
- Anne-Marie Thiesse, Le roman du quotidien (Paris: Le Chemin vert, 1984). Daniel Couégnas, Introduction à la paralittérature (Paris: Seuil, 1992).
- For a survey of these discussions, see Huan A. Suàrez, Pop Modernism: Noise and the Reinvention of the Everyday (Urbana and Chicago: University of Illinois Press, 2007).
- Viva Paci, ‘Pas d'histoires, il faut que le cinéma vive’, in Il racconto del film: La novelizzazione: Del catalogo al trailer, ed. Alice Autelitano and Valentina Re (XII International Films Studies Conference, Universita degli Studi di Udine, 2006), 206.
- Jean Epstein, ‘Grossissement (1921), in Ecrits sur le cinéma 1921–1947, vol. 1 (Paris: Seghers, 1974), 93. These lines are cited by Viva Paci, 207–9.
- Similar and more radical claims have been made; for instance, see Thomas Elsaesser ‘Early Film and Multi-media’, in New Media, Old Media, ed. Wendy Hui Kyong Chun and Thomas Keenan (London: Routledge, 2006), 13–26.
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