- Clement Greenberg, ‘The Avant-garde and Kitsch’, The Partisan Review 6, no. 5, 1939: 32–9. Also available at www.sharecom.ca/greenberg/kitsch.html.
- Ann Coulter in ‘Arts and Culture’, Los Angeles Times, 1 March 2009, www.latimes.com/entertainment/news/arts/la-ca-nea-ann-coulter1-2009mar01,0,5609813.story.
- Serge Guilbaut, How New York Stole the Idea of Modern Art: Abstract Expressionism, Freedom, and the Cold War, trans. Arthur Goldhammer (Chicago: University of Chicago Press, 1983).
- Rick Perlstein, Nixonland: The Rise of a President and the Fracturing of America (New York: Scribner, 2008), 276–7.
- Herman Kahn, Governor Jerry Brown, and Amory Lovins, ‘The New Class’, The CoEvolution Quarterly, Spring 1977: 8–39.
- Thomas Frank, What's the Matter with Kansas?: How Conservatives Won the Heart of America (New York: Metropolitan Books, Henry Holt, 2004).
- Fredric Jameson, The Political Unconscious: Narrative as Socially Symbolic Act (Ithaca, NY: Cornell University Press, 1982), 9.
- Fredric Jameson, ‘Periodizing the 60s’, The Ideologies of Theory: Essays 1971–1986: The Syntax of History vol. 2 (Minneapolis: University of Minnesota Press, 1988), 189.
- Richard Wolin, Wind from the East: French Intellectuals, Cultural Revolution and the Legacy of the 1960s (Princeton, NJ: Princeton University Press, 2010).
- Michael Kazin, The Populist Persuasion: An American History (Ithaca, NY: Cornell University Press, 1995), 271.
- The Hewlett-Packard advertisement for the HP Deskjet 1200c appeared in The New Yorker in 1993, while the Banana Republic one dates from 1986 and appeared in a variety of national circulation magazines. Cited in ibid., 359, fn3.
- Robert Brustein, ‘Don't Punish the Arts’, New York Times, 23 June 1989.
- John Fund, ‘How Jessie Helms Made a Difference’, Wall Street Journal, 5 July 2008, www.careerjournal.com/article/SB121521073192129407.html?mod=fpa_mostpop.
- Senator Slade Gordon, ‘On the Official Funding of Religious Bigotry’, statement to the Senate, 31 May 1989, in Richard Bolton, Culture Wars: Documents from the Recent Controversies in the Arts (New York: New Press, 1992), 33.
- See the exhibition catalogue, Robert Mapplethorpe: The Perfect Moment (Philadelphia: Institute of Contemporary Art, 1988), which features essays by Janet Kardon, Kay Larson, and David Joselit.
- Political Research Associates, ‘The Mapplethorpe Censorship Controversy: Chronology of Events’, www.publiceye.org/theocrat/Mapplethorpe_Chrono.html.
- Hilton Kramer, ‘Is Art Above the Laws of Decency?’, New York Times, 2 July 1989.
- Harriet F. Senie, The Tilted Arc Controversy: A Dangerous Precedent (Minneapolis: University of Minnesota Press, 2002).
- Chin-tao Wu, Privatising Culture: Corporate Art Intervention Since the 1980s (London: Verso, 2002).
- ‘The Omaha Platform: Launching the Populist Party’, History Matters, http://historymatters.gmu.edu/d/5361/.
- Ernesto Laclau, On Populist Reason (London: Verso, 2005), 206.
- Lawrence Goodwyn, Democratic Promise: The Populist Moment in America (New York: Oxford University Press, 1976), 527.
- Ibid., 523.
- The Oxford English Dictionary defines it as follows: ‘Populist: A. adj. Intended to appeal to or represent the interests of ordinary people; spec. of or relating to a political party formed in the United States in 1892 to represent the interests of the entire population (now hist.).’
- Edward Said, Representations of the Intellectual (New York: Vintage Books, 1996), xvi–xvii.
- Russell Jacoby, The Last Intellectuals: American Culture in the Age of Academe (New York: Basic Books, 1987), 7.
- Fredric Jameson, Postmodernism, or the Logic of Late Capitalism (Durham, NC: Duke University Press, 1990), 46.
- Steven Brint, In an Age of Experts: The Changing Role of Professionals in Politics and Public Life (Princeton: Princeton University Press, 1994).
- Howard Brick, Transcending Capitalism: Visions of a New Society in Modern American Thought (Ithaca: Cornell University Press, 2006).
- Christopher Newfield, Unmaking the Public University: The Forty Year Assault on the Middle Class (Cambridge, MA: Harvard University Press, 2008).
- Walter Benn Michaels, The Trouble with Diversity: How We Learned to Love Identity and Ignore Inequality (New York: Metropolitan Books, 2006).
Australian and New Zealand Journal of Art
Volume 11, 2011 - Issue 1: Art and Entertainment