Pacts, Paratext, and Polyphony: Writing the Authorised Biography of Robert Wyatt

References

• Alasuutari, Pertti. 1995. Researching Culture: Qualitative Method and Cultural Studies. London: Sage.
   Google Scholar
• Bakhtin, Mikhail. 1981. The Dialogic Imagination: Four Essays. Austin: University of Texas Press.
   Google Scholar
• Bakhtin, Mikhail. 1984. Problems of Dostoevsky’s Poetics. Minneapolis: University of Minnesota.
   Google Scholar
• Banner, Lois W. 2016. “Biography and Autobiography: Intermixing the Genres.” In The Routledge Auto/Biography Studies Reader, edited by Ricia Anne Chansky, and Emily Hipchen, 101–107. London: Routledge.
   Google Scholar
• Barthes, Roland. 1977. “The Death of the Author.” In Image Music Text, 142–149. London: Fontana Press.
   Google Scholar
• Boorstin, Daniel. (1962) 2012. The Image: a Guide to Pseudo-Events in America. New York: Vintage.
   Google Scholar
• Booth, Wayne. 1961. The Rhetoric of Fiction. Chicago: Chicago University Press.
   Google Scholar
• Bourdieu, Pierre. 1984. Distinction: A Social Critique of the Judgement of Taste. London: Routledge.
   Google Scholar
• Chatman, Seymour. 1978. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell University Press.
   Google Scholar
• Cheshire, Ellen. 2015. Biopics: a Life in Pictures. London: Wallflower.
   Google Scholar
• Cole, Teju. 2012. “Natives on the Boat.” The New Yorker, September 11. www.newyorker.com/books/page-turner/natives-on-the-boat.
   Google Scholar
• Coombe, Rosemary J. 1994. “Author/Ising the Celebrity: Publicity Rights, Postmodern Politics, and Unauthorised Genders.” In The Construction of Authorship, edited by Martha Woodmansee, and Peter Jaszi, 101–131. Durham: Duke University Press.
   Google Scholar
• French, Patrick. 2008. The World Is What It Is: the Authorised Biography of V. S. Naipaul. London: Picador.
   Google Scholar
• Frith, Simon. 1983. “Essay Review.” Popular Music, January 3. 271-277.
   Google Scholar
• Genette, Gerald. 1997. Paratexts: Thresholds of Interpretation. Cambridge: Cambridge University Press.
   Google Scholar
• Gergen, Kenneth. 2009. An Invitation to Social Construction. 2nd ed. London: Sage.
   Google Scholar
• Gillies, Midge. 2009. Writing Lives: Literary Biography. Cambridge: Cambridge University Press.
   Google Scholar
• Goldman, Vivien. 1980. “Up from Rock Bottom.” Melody Maker, March 15. 32–3.
   Google Scholar
• Goldman, Albert. 1981. Elvis. New York: McGraw-Hill.
   Google Scholar
• Goldman, Albert. 1988. The Lives of John Lennon. New York: William Morrow and Company.
   Google Scholar
• Hebdige, Dick. 1979. Subculture: the Meaning of Style. London: Methuen.
   Google Scholar
• Hollows, Joanne. 2003. “The Masculinity of Cult.” In Defining Cult Movies: the Cultural Politics of Oppositional Taste, edited by Mark Jancovich et al., 35–53. Manchester: Manchester University Press.
   Google Scholar
• Holroyd, Michael. 1998. Bernard Shaw: a Biography. London: Vintage.
   Google Scholar
• Holstein, James, and Jaber Gubrium. 1995. The Active Interview. Qualitative Research Methods Series 37. London: Sage.
   Google Scholar
• Horton, Donald, and Richard Wohl. 1956. “Mass Communication and Para-Social Interaction: Observations on Intimacy at a Distance.” Psychiatry 19: 215–229. doi: 10.1080/00332747.1956.11023049
   PubMed Web of Science ®Google Scholar
• Hoskyns, Barney. 2009. Lowside of the Road: a Life of Tom Waits. London: Faber.
   Google Scholar
• Isaacson, Walter. 2011. Steve Jobs. London: Little Brown.
   Google Scholar
• Iser, Wolfgang. 1989. Prospecting: From Reader Response to Literary Anthropology. Baltimore: Johns Hopkins University Press.
   Google Scholar
• Jancovich, Mark. 2002. “Cult Fictions: Cult Movies, Subcultural Capital and the Production of Cultural Distinctions.” Cultural Studies 16 (2): 306–322. doi: 10.1080/09502380110107607
   Web of Science ®Google Scholar
• Jones, Grace. 2015. I’ll Never Write My Memoirs. London: Simon & Schuster.
   Google Scholar
• King, Michael. 1994. Wrong Movements: a Robert Wyatt History. Wembley: SAF.
   Google Scholar
• Klein, Christian. 2017. “Biography as a Concept of Thought: On the Premises of Biographical Research and Narrative.” In The Biographical Turn: Lives in History, edited by Hans Renders, Binne De Haan, and Jonne Harmsma, 79–88. London: Routledge.
   Google Scholar
• Knapp, John, and Azalea Hulbert. 2017. Ghostwriting and the Ethics of Authenticity. New York: Palgrave Macmillan.
   Google Scholar
• Lejeune, Philippe. 1989. On Autobiography. Translated by Katherine Leary, edited by Paul John Eakin. Minneapolis: University of Minnesota.
   Google Scholar
• Loriga, Sabina. 2017. “The Plurality of the Past: Historical Time and the Rediscovery of Biography.” In The Biographical Turn: Lives in History, edited by Hans Renders, Binne De Haan, and Jonne Harmsma, 31–41. London: Routledge.
   Google Scholar
• Macherey, Pierre. 2006. A Theory of Literary Production. London: Routledge.
   Google Scholar
• Marcus, Laura. 1994. Auto/Biographical Discourses: Theory, Criticism, Practice. Manchester: Manchester University Press.
   Google Scholar
• Marshall, P. David. 1997. Celebrity and Power: Fame in Contemporary Culture. Minneapolis: University of Minnesota Press.
   Google Scholar
• Marshall, Lee, and Isabel Kongsgaard. 2012. “Representing Popular Music Stardom on Screen: the Popular Music Biopic.” Celebrity Studies 3 (3): 346–361. doi: 10.1080/19392397.2012.679455
   Google Scholar
• Marshall, Catherine, and Gretchen Rossman. 2006. Designing Qualitative Research. 4th ed. London: Sage.
   Google Scholar
• Miles, Barry. 1998. Paul McCartney: Many Years From Now. London: Vintage.
   Google Scholar
• Mishler, Elliot. 1986. Research Interviewing: Context and Narrative. Cambridge, MA: Harvard University Press.
   Google Scholar
• Murray, Nicholas. 2010. “Guest Contribution.” In The Arvon Book of Life Writing: Writing Biography, Autobiography and Memoir, edited by Sally Clein, and Carole Angier, 137–138. London: Bloomsbury.
   Google Scholar
• O’Dair, Marcus. 2014. Different Every Time: the Authorised Biography of Robert Wyatt. London: Serpent’s Tail.
   Google Scholar
• Portelli, Alessandro. 2016. “What Makes Oral History Different?” In The Oral History Reader, edited by Robert Perks and Alistair Thompson, 3rd ed., 48–58. London: Routledge.
   Google Scholar
• Renders, Hans. 2017. “Biography is Not a Selfie: Authorisation as the Creeping Transition From Autobiography to Biography.” In The Biographical Turn: Lives in History, edited by Hans Renders, Binne De Haan and Jonne Harmsma, 159–164. London: Routledge.
   Google Scholar
• Rimmon-Kenan, Shlomith. 1983. Narrative Fiction: Contemporary Poetics. London: Methuen.
   Google Scholar
• Rojek, Chris. 2001. Celebrity. London: Reaktion.
   Google Scholar
• Rojek, Chris. 2015. Presumed Intimacy: Parasocial Interaction in Media, Society and Celebrity Culture. London: Wiley.
   Google Scholar
• Salewicz, Chris. 2012. Redemption Song: the Definitive Biography of Joe Strummer. London: Harper.
   Google Scholar
• Saunders, David. 1992. Authorship and Copyright. London: Routledge.
   Google Scholar
• Sheffield, R. 2012. Paul McCartney: Many Years from Now.” Rolling Stone, Accessed October 4, 2017, http://www.rollingstone.com/music/lists/the-25-greatest-rock-memoirs-of-all-time-20120813/paul-mccartney-many-years-from-now-1997-20120813.
   Google Scholar
• Silverman, David. 2014. Interpreting Qualitative Data, Fifth Edition. London: Sage.
   Google Scholar
• Sisman, Adam. 2016. “John le Carré and I worked for years on his biography. Why is he telling his own story 12 months later?” The Guardian, September 16. https://www.theguardian.com/books/2016/sep/16/john-le-carre-biography-own-story-adam-sisman.
   Google Scholar
• Spicer, Al. 1999. Rock 100 Essential CDs. London: Rough Guides.
   Google Scholar
• Taylor, Neil. 2010. Document and Eyewitness: an Intimate History of Rough Trade. London: Orion.
   Google Scholar
• Thackray, Jerry. 2015. “In Search of Nirvana: Why Nirvana: The True Story Could Never Be ‘True.’.” Popular Music and Society 38 (2): 194–207. doi: 10.1080/03007766.2014.994326
   Web of Science ®Google Scholar
• Thompson, Ahmir. 2013. Mo’ Meta Blues: the World According to Questlove. New York: Grand Central.
   Google Scholar
• Thornton, Sara. 1995. Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity.
   Google Scholar
• Turner, Graeme. 2014. Understanding Celebrity. 2nd ed. London: Sage.
   Google Scholar
• Woodmansee, Martha. 1994. “On the Author Effect: Recovering Collectivity.” In The Construction of Authorship: Textual Appropriation in Law and Literature, edited by Martha Woodmansee, and Peter Jaszi, 15–28. Durham: Duke University Press.
   Google Scholar
• Woolf, Virginia. 1985. “A Sketch of the Past.” Moments of Being, edited by Jeanne Schulkind, 2nd ed., 61–160. New York: Harcourt Brace.
   Google Scholar
• Yelin, Hannah. 2016. “A Literary Phenomenon of the Non-Literate: Classed Cultural Value, Agency, and Techniques of Self-Representation in the Ghostwritten Reality TV Star Memoir.” Celebrity Studies 7 (3): 354–372. doi: 10.1080/19392397.2015.1117392
   Web of Science ®Google Scholar