Publication Cover
The Design Journal
An International Journal for All Aspects of Design
Volume 19, 2016 - Issue 2: EAD11
1,652
Views
11
CrossRef citations to date
0
Altmetric
Articles

The Cultural Dimension of Design Driven Innovation. A Perspective from the Fashion Industry

, , , &

References

  • Aaker, A. D. (2003). ‘The power of the branded differentiator’. Sloan Management Review, 45(1), 83–92.
  • Aaker, A. D. and Joachimsthaler, E. (2003). Brand Leadership. Milan: Franco Angeli.
  • Bertola, P. (2001). ‘Embedding meaning in products.’ In Affective Human Factors Design Conference, Singapore, 27 - 29 June 2001. London: Asean Academic Press.
  • Bertola, P. and Teixeira, J. C. (2003). ‘Design as a knowledge agent. How design as a knowledge process is embedded in organization to foster innovation’. Design Studies, 24(2), 181–194.10.1016/S0142-694X(02)00036-4
  • Bruner, J. (1986). Actual Minds, Possible Worlds. Cambridge, Massachusetts: Harvard University Press.
  • Bucchi, M. (2010). Scienza e società. Introduzione alla sociologia della scienza. Science and society. Introduction to the sociology of science Milan: Raffaello Cortina.
  • Cappetta, R., Perrone, V. and Ponti, A. (2003). Competizione economica e competizione simbolica nel fashion system. Economia & Management, 2, 73–88.
  • Clark, J. and Frisa, M. L. (2012). Diana Vreeland after Diana Vreeland. Venice: Marsilio.
  • Codeluppi, V. (2007). La vetrinizzazione sociale. Il processo di spettacolarizzazione degli individui e della società. Turin: Bollati Boringhieri.
  • Collodi, D. and Crisci, F. (2009). ‘Le esperienze di consumo alla prova dell’autenticità, tra fictional e teatrale.’ In VIII Convegno internazionale Italia-Francia ‘Marketing Trends’, Ecole supérieure de commerce de Paris (Escp-Eap), France, 16-17 January 2009. Paris: Ecole supérieure de commerce de Paris.
  • Colombi, C. (2010). ‘La ricerca di ispirazione: orientare il progetto.’ In Bertola, P. and Colombi, C. (eds), MetaModa. Percorsi di ricerca per il design del prodotto moda. Santarcangelo di Romagna: Maggioli, 122–143.
  • Corbellini, E. and Saviolo, S. (2009). Managing Fashion and Luxury Companies. Florence: ETAS.
  • Csikszentmihalyi, M. (1991). ‘Design and Order in Everyday Life’. Design Issues, 8(1), 26–34.10.2307/1511451
  • Fiorani, E. (2006). Moda, Corpo, Immaginario. Milano: Edizioni POLI.design.
  • Flichy, P. (1996). L’innovazione tecnologica. Le teorie dell’innovazione di fronte alla rivoluzione digitale. Milan: Feltrinelli.
  • Foucault, M. (1966). Le parole e le cose. Un’archeologia delle scienze umane. Milano: Bur.
  • Graham, M. (2014). ‘Welcome to the Pradasphere.’ AnOther, 2nd May. Available at: http://www.anothermag.com/current/view/3589/Welcome_to_the_Pradasphere [accessed October 2014].
  • Hesmondhalgh, D. (2007). The Cultural Industries. London: Sage.
  • Kapferer, J. and Bastien, V. (2009). ‘The specificity of luxury management: Turning marketing upside down’. Journal of Brand Management., 16(5–6), 311–322.10.1057/bm.2008.51
  • Kopytoff, I. (2005). ‘La Biografia culturale degli oggetti: la mercificazione come processo.’ In Mora, E.(ed.) Gli attrezzi per vivere. Milan: Vita e Pensiero, 77–111.
  • Krippendorff, K. (1989). ‘On the Essential Contexts of Artifacts or on the Proposition that «design is Making Sense (of Things)»’. Design Issues, 5(2), 9–38.10.2307/1511512
  • Krippendorff, K. (1990). ‘Product Semantics: A Triangulation and Four Design Theories’. In Väkevä, S. (ed), Product Semantic ‘89. Helsinki, Finland: University of Industrial Arts, a1–a23.
  • Krippendorff, K. (2006). The semantic turn: A new foundation for design. Boca Raton, FL: CRC Press.10.4324/9780203299951
  • Landowski, E. and Marrone, G. (eds) (2002). La società degli oggetti. Rome: Molteni.
  • Latour, B. (1995). Non siamo mai stati moderni. Saggio di antropologia simmetrica. Milan: Elèuthera.
  • Loeschek, I. (2009). When clothes become fashion: design and innovation systems. New York, NY: Berg.10.2752/9781847883681
  • Mathur, S. (2005). ‘Museums and globalization’. Anthropological Quarterly, 78(3), 697–708.10.1353/anq.2005.0037
  • Moscovici, S. (1989). Rappresentazioni sociali. Bologna: Il Mulino.
  • Norman, D. A. and Verganti, R. (2014). ‘Incremental and radical innovation: Design research versus technology and meaning change’. Design Issues., 30(1), 78–96.10.1162/DESI_a_00250
  • Penati, A. (1999). Mappe dell’innovazione. Milan: Etas.
  • Peters, T. (1999). The circle of innovation. London: Vintage.
  • Pinch, T. (2005). How Users Matter: The Co-Construction of Users and Technology (Inside Technology). Boston, MA: MIT Press.
  • Pine, B. J. and Gilmore, J. H. (2007). Authenticity. Boston, MA: Harvard Business School Press.
  • Rectanus, M. W. (2002). Culture Incorporated: Museums, Artists, and Corporate Sponsorships. Minneapolis, MN: University of Minnesota Press.
  • Rosenberg, N. (1984). Dentro la scatola nera. Bologna: Il Mulino.
  • Rosina, M. and Francina, C. (2008). Guido Ravasi. Il signore della seta. Como: Ed. Nodo Libri.
  • Rosina, M. and Francina, C. (2010). L’età dell’eleganza. Le Filande e Tessiture Costa nella Como degli anni Cinquanta. Como: Ed. Nodo Libri.
  • Rosina, M. and Francina, C. (2014). Emilio Pucci e Como. 1950-1980. Como: Ed. Nodo Libri.
  • Steele, V. (2008). ‘Museum quality: the rise of the fashion exhibition’. Fashion Theory: The Journal of Dress, Body and Culture., 12(1), 7–30.10.2752/175174108X268127
  • Tungate, M. (2009). Luxury World. London: Kogan Page.
  • Urde, M., Greyser, S. A. and Balmer, J. M. T. (2007). ‘Corporate brands with a heritage.’ Journal of Brand Management., 15(1), 4–19.10.1057/palgrave.bm.2550106
  • Verganti, R. (2002). ‘Gestire l’innovazione design-driven. AA.VV., (2002).’ In ZURLO: Innovare con il design. Milan: Il Sole 24Ore.
  • Verganti, R. (2009). Design-Driven Innovation. Milano: Etas.
  • Vinken, B. (2005). Fashion Zeitgeist: Trends and Cycles in The Fashion System. Oxford, UK: Berg Publisher.
  • Volonté, P. (2009). ‘Oggetti di personalità.’ In Volonté, P. and Mattozzi A. (eds), Biografie di oggetti. Milan: Bruno Mondadori, 11–26.
  • Weik, K. E. (1994). Senso e significato nell’organizzazione. Milan: Raffaello Cortina.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.