574
Views
7
CrossRef citations to date
0
Altmetric
Articles

An approach to improvisation pedagogy in post-secondary jazz programmes based on negative dialectics

Pages 9-24 | Received 29 Jul 2011, Accepted 10 Jan 2012, Published online: 23 Mar 2012

References

  • Adorno , T. 1997 . Aesthetic theory , G. Adorno and R. Tiedemann , trans R. Hullot-Kentor . London : Continuum . Originally published 1970 .
  • Adorno , T. 2002 . On jazz . In Essays on music , R. Leppert , trans S. Gillespie , 470 – 95 . Berkeley , CA : University of California Press .
  • Adorno , T. 2006 . Philosophy of new music , trans. and R. Hullot-Kentor . Minneapolis : University of Minnesota Press . Originally published 1949 .
  • Ake , D. 2002 . Jazz cultures , Berkeley , CA : University of California Press .
  • Berliner , P. 1994 . Thinking in jazz: The infinite art of improvisation , Chicago : The University of Chicago Press .
  • Borgo , D. 2007 . Free jazz in the classroom: An ecological approach to music education . Jazz Perspectives , 1 ( 1 ) : 61 – 88 .
  • Brown , L. 1999 . Postmodern jazz theory: Afrocentrism, old and new . The Journal of Aesthetic and Art Criticism , 57 ( 2 ) : 235 – 46 .
  • Burnham , S. 1995 . Beethoven hero , Princeton , NJ : Princeton University Press .
  • Elliott , D. 1983 . Descriptive, philosophical and practical bases for jazz education: A Canadian perspective . PhD diss., Case Western Reserve University .
  • Erikson , J. 1995 . The fate of the object: From modern object to postmodern sign in performance, art, and poetry , Ann Arbor , MI : University of Michigan Press .
  • Friedwald , W. , T. Gioia , J. Macnie , P. Margasak , S. Nicholson , B. Ratliff , J.F. Szwed , G. Tate , P. Watrous , and K. Leander Williams . 2002 . The future of jazz , Y. Taylor . Chicago : A Cappella Books .
  • Gabbard , K. 1991 . “ The quoter and his culture ” . In Jazz in mind: Essays on the history and meanings of jazz , Edited by: Buckner , R.T. and Weiland , S. 92 – 111 . Detroit : Wayne State University Press .
  • Goehr , L. 1992 . Writing music history . History and Theory , 31 ( 2 ) : 182 – 99 .
  • Gracyk , T. 1992 . Adorno, jazz, and the aesthetics of popular music . The Musical Quarterly , 76 ( 4 ) : 526 – 42 .
  • Gridley , M. 2003 . Jazz styles: History and analysis , 8th ed , Upper Saddle River , NJ : Prentice Hall .
  • Heckman , D. 1997 . “ Miles Davis times three ” . In A Miles Davis reader , Edited by: Kirchner , B. 110 – 122 . Washington : Smithsonian Institution Press .
  • Johnson , B. 2002 . “ Jazz as cultural practice ” . In The Cambridge companion to Jazz , Edited by: Cooke , M. and Horn , D. 96 – 113 . New York : Cambridge University Press .
  • Lhamon , W.T. Jr . 1997 . “ They all juggled milk bottles ” . In A Miles Davis reader , Edited by: Kirchner , B. 52 – 62 . Washington : Smithsonian Institution Press .
  • Louth , J.P. 2006 . Lifelong Learning and the Informally Trained Jazz Artist. International Journal of Community Music D . http://www.intellectbooks.co.uk/MediaManager/Archive/IJCM/Volume%20D/08%20Louth.pdf
  • Mackey , N. 1995 . “ Other: From noun to verb ” . In Jazz among the discourses , Edited by: Gabbard , K. 76 – 99 . Durham , NC : Duke University Press .
  • Martin , P.J. 2002 . “ Spontaneity and organisation ” . In The Cambridge companion to Jazz , Edited by: Cook , M. and Horn , D. 133 – 54 . Cambridge : Cambridge University Press .
  • Monson , I. 1996 . Saying something: Jazz improvisation and interaction , Chicago : University of Chicago Press .
  • Monson , I. 1999 . Riffs repetition, and theories of globalization . Ethnomusicology , 43 ( 1 ) : 31 – 65 .
  • Nicholson , S. 2005 . Is jazz dead? (Or has it moved to a new address) , New York , NY : Routledge .
  • Prévost , E. 1995 . No sound is innocent , Matching Tye , Essex : Copula .
  • Prouty , K. 2002 . From Storyville to state university: The intersection of academic and non-academic learning cultures in post-secondary jazz education . PhD diss ., University of Pittsburgh .
  • Solie , R. 1980 . The living work: Organicism and musical analysis . 19th Century Music , 4 ( 2 ) : 147 – 56 .
  • Subotnik , R. 1991 . Developing variations: Style and ideology in western music , Minneapolis : University of Minnesota Press .
  • Tomassetti , B. 2003 . Beginning blues improvisation pedagogy for the non-jazz specialist music educator . Music Educators Journal , 89 ( 3 ) : 17 – 21 .
  • Washington , S. 2004 . All the things you could be by now: Charles Mingus presents Charles Mingus and the limits of avant-garde jazz . In Uptown conversation: The new jazz studies , R.G. O'Meally , B.H. Edwards , and J. Griffin , 27 – 49 . New York , NY : Columbia University Press .

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.