1,220
Views
10
CrossRef citations to date
0
Altmetric
Articles

Beyond expectations in music performance modules in higher education: rethinking instrumental and vocal music pedagogy for the twenty-first century

Pages 252-262 | Received 14 Apr 2015, Accepted 09 Nov 2015, Published online: 16 Dec 2015

References

  • Bandura, Albert. 1977. Social Learning Theory. Englewood Cliffs, NJ: Prentice Hall.
  • Bennett, Dawn. 2009. “Academia and the Real World: Developing Realistic Notions of Career in the Performing Arts.” Arts and Humanities in Higher Education 8 (3): 309–327. doi: 10.1177/1474022209339953
  • Bergee, M. J. 2003. “Faculty Interjudge Reliability of Music Performance Evaluation.” Journal of Research in Music Education 51 (2): 137–150. doi: 10.2307/3345847
  • Bourdieu, Pierre. 1988. Homo Academicus. Oxford: Polity Press.
  • Brennan, J., R. King, and Y. Lebeau. 2004. The Role of Universities in the Transformation of Societies. An International Research Project. Synthesis report. London: The Open University. Accessed September 1, 2013. http://www.open.ac.uk/cheri/documents/transf-final-report.pdf.
  • Burland, Karen, and Stephanie Pitts. 2007. “Becoming a Musician: A Longitudinal Study Investigating the Career Transitions of Undergraduate Music Students.” Arts and Humanities in Higher Education 6 (3): 289–324. doi: 10.1177/1474022207080847
  • Burwell, K. 2006. “On Musicians and Singers. An Investigation of Different Approaches taken by Vocal and Instrumental Teachers in Higher Education.” Music Education Research 8 (3): 331–347. doi: 10.1080/14613800600957479
  • Carey, Gemma, and Catherine Grant. 2014. “Teacher and Student Perspectives on One-to-One Pedagogy: Practices and Possibilities.” British Journal of Music Education 32 (01): 1–18.
  • Carey, Gemma, Catherine Grant, Erica McWilliam, and Peter Taylor. 2013. “One-to-One Pedagogy: Developing a Protocol for Illuminating the Nature of Teaching in the Conservatoire.” International Journal of Music Education 31 (2): 148–159. doi: 10.1177/0255761413483077
  • Chong, Sylvia, Isabella Wong, and Quek Choon Lang. 2005. “Pre-Service Teachers’ Beliefs, Attitudes and Expectations: A Review of the Literature.” Educational Management 38 (6): 650–653.
  • Daniel, Ryan, and Leah Daniel. 2013. “Enhancing the Transition from Study to Work: Reflections on the Value and Impact of Internships in the Creative and Performing Arts.” Arts and Humanities in Higher Education 12 (2–3): 138–153. doi: 10.1177/1474022212473525
  • Dunkin, M. 1990. “The Induction of Academic Staff to a University: Processes and Products.” Higher Education 20 (1): 47–66. doi: 10.1007/BF00162204
  • Gaunt, H. 2008. “One-to-One Tuition in a Conservatoire: The Perceptions of Instrumental and Vocal Teachers.” Psychology of Music 36 (2): 215–245. doi: 10.1177/0305735607080827
  • Hallam, Susan. 2006. Music Psychology in Education. London: Institute of Education.
  • Hallam, Susan, Lynne Rodgers, and Andrea Creech. 2005. Survey of Local Authority Music Services 2005: DFES Research Report RR700. London: Department for Education and Skills. Accessed May 25, 2013. http://oro.open.ac.uk/4579/1/.
  • Howe, M., and John Sloboda. 1991. “Young Musicians’ Accounts of Significant influences in their Early Lifes.” British Journal of Music Education 8 (1): 53–63. doi: 10.1017/S0265051700008068
  • Johansen, G. 2010. “Music Education from the Perspective of System Theory.” In Sociology and Music Education, edited by Ruth Wright, 51–62. Aldershot: Ashgate.
  • Jorgensen, H. 2000. “Student Learning in Higher Instrumental Education: Who is Responsible?” British Journal of Music Education 17 (1): 67–77. doi: 10.1017/S0265051700000164
  • Jorgensen, H. 2002. “Instrumental Performance Expertise and Amount of Practice among Instrumental Students in a Conservatoire.” Music Education Research 4 (1): 105–119. doi: 10.1080/14613800220119804
  • Kennell, R. 2002. “Systematic Research in Studio Instruction in Music.” In The New Handbook of Research on Music Teaching and Learning, edited by R. Colwell and C. Richardson, 243–256. New York: Oxford.
  • Kostka, M. 2002. “Practice Expectations and Attitudes: A Survey of College-Level Music Teachers and Students.” Journal of Research in Music Education 50 (4): 145–154. doi: 10.2307/3345818
  • Lamont, A. 2002. “Musical Identities and the School Environment.” In Musical Identities, edited by R. McDonald, D. Hargreaves, and D. Miell, 41–59. Oxford: University Press.
  • Le Guin, E. 2006. Boccherini's Body: An Essay in Carnal Musicology. Berkeley: University of California Press.
  • Leman, M. 2010. “Music, Gesture and the Formation of Embodied Meaning.” In Musical Gestures, Sound, Movement and Meaning, edited by R. Godoy and M. Leman, 126–153. New York: Routledge.
  • Madsen, C. 2004. “A 30-Year Follow-Up Study of Actual Applied Music Versus Estimated Practice.” Journal of Research in Music Education 52 (1): 77–88. doi: 10.2307/3345526
  • McCune, V. 2009. “Final Year Biosciences Students’ Willingness to Engage: Teaching-Learning Environments, Authentic Learning Experiences and Identities.” Studies in Higher Education 34 (3): 347–361. doi: 10.1080/03075070802597127
  • McDonald, R., G. Kreutz, and L. Mitchell. 2012. “What is Music, Health and Wellbeing and Why is It Important?” In Music, Health and Wellbeing, edited by R. MacDonald, G. Kreutz, and L. Mitchell, 3–11. Oxford: Oxford University Press.
  • McPherson, G., and J. Davidson. 2006. “Playing an Instrument.” In The Child as Musician: A Handbook of Musical Development, edited by Gary McPherson, 331–351. Oxford: Oxford University Press.
  • Mills, J. 2006. “Performing and Teaching: The Beliefs and Experience of Music Students as Instrumental Teachers.” Psychology of Music 54 (3): 372–390. doi: 10.1177/0305735606064843
  • Mills, J. 2007. Instrumental Teaching. Oxford: Oxford University Press.
  • O'Bryan, Jessica. 2014. “Habits of the Mind, Hand and Heart: Approaches to Classical Singing Training.” In Teaching Singing in the 21st Century, edited by S. Harrison and J. O'Bryan, 21–34. New York: Springer.
  • Parkes, K. A. 2009. “Recent Research in Applied Studio Instruction: Characteristics of the Applied Setting.” Journal of Research in Music Performance 1(1). Accessed May 5, 2012. http://ejournals.lib.vt.edu/JRMP/article/view/5.
  • Parkes, K. A. 2011. “Recent Research in Applied Studio Instruction III – Assessment and Evaluation.” Journal of Research in Music Performance 1(3). Accessed June 12, 2012. http://ejournals.lib.vt.edu/JRMP/article/view/3.
  • Parncutt, R. 2007. “Can Researchers Help Artists? Music Performance Research for Music Students.” Music Performance Research 1 (1): 1–25.
  • Piaget, J. 1936. Origins of Intelligence in the Child. London: Routledge & Kegan Paul.
  • Pitts, S. 2013. “Would you Credit it? Navigating the Transitions Between Curricular and Extra-Curricular Learning in University Music Departments.” Arts and Humanities in Higher Education 12 (2–3): 194–203. doi: 10.1177/1474022212473531
  • Polifonia Working Group for Instrumental and Vocal Music Teacher Training. 2010. Instrumental and Vocal Teacher Education: European Perspectives. Lifelong Learning Programme: AEC Publications. Accessed May 27, 2013. http://www.aec-music.eu/userfiles/File/en3b-aec-handbook-instrumental-vocal-teacher-education-european-perspectives.pdf.
  • Ritterman, J. 2000. “Learning What is to Perform: A Key to Peer Learning for Musicians.” In Peer Learning in Music, edited by D. Hunter, and M. Russ, 28–38. Belfast: University of Ulster.
  • Simones, Lilian. 2012. “The Dynamics of Expectations in Music Performance Modules in Higher Education: Changing Attitudes among Students, Part-Time Tutors and Fulltime Staff.” In Enhancing Learning and Teaching in Higher Education in Northern Ireland, edited by D. Kelsey, 24–32. Northern Ireland: The Higher Education Academy. Accessed July 24, 2013. https://www.heacademy.ac.uk/sites/default/files/enhancing_learning_and_teaching_in_higher_education_in_northern_ireland.pdf.
  • Simones, Lilian, Matthew Rodger, and Franziska Schroeder. 2015. “Communicating Musical Knowledge through Gesture: Piano Teachers’ Gestural Behaviours across Different Levels of Student Proficiency.” Psychology of Music, 43 (5): 723–735. doi:10.1177/0305735614535830.
  • Simones, Lilian, Franziska Schroeder, and Matthew Rodger. 2015. “Categorisations of Physical Gesture in Piano Teaching: A Preliminary Enquiry.” Psychology of Music 43 (1): 103–121. doi:10.1177/0305735613498918.
  • Venn, E. 2010. Music Performance Tuition in Higher Education: Student Expectations. Report for PALATINE Development Award Report. Accessed March 10. www.palatine.ac.uk/publications/development-award-report/.
  • Vygotsky, L. 1986. Thought and Language. Translated and edited by Alex Kozulin. Cambridge: MIT Press.
  • Wenger, E. 1998. Communities of Practice: Learning, Meaning and Identity. Cambridge: Cambridge University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.