432
Views
0
CrossRef citations to date
0
Altmetric
Articles

Ways of using musical knowledge to think about one's piano repertoire learning: three case studies

Pages 427-445 | Received 14 Feb 2017, Accepted 04 Apr 2018, Published online: 17 Apr 2018

References

  • Barry, N. H., and S. Hallam. 2002. “Practice.” In The Science and Psychology of Music Performance, edited by Richard Parncutt, and Gary E. McPherson, 151–165. Oxford: University Press.
  • Bartolome, S. J. 2009. “Naturally Emerging Self-Regulated Practice Behaviors among Highly Successful Beginning Recorder Students.” Research Studies in Music Education 31: 37–51. doi: 10.1177/1321103X09103629
  • Besnier, B. A. 1996. “A Distinção Entre Praxis e Poiêsis em Aristóteles.” Analytica 1: 127–163.
  • Carney, T. F. 1990. Collaborative Inquiry Methodology. Windsor: University of Windsor.
  • Cerbone, D. R. 2006. Understanding Phenomenology. New York: Routledege.
  • Chaffin, R., G. Imreh, A. F. Lemieux, and C. Chen. 2003. “‘Seeing the Big Picture’: Piano Practice as Expert Problem Solving.” Music Perception 20: 465–490. doi: 10.1525/mp.2003.20.4.465
  • Clarke, E. F. 1988. “Generative Principles in Music Performance.” In Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition, edited by John Sloboda, 1–26. Oxford: Clarendon.
  • Clarke, E. F. 2006. “Making and Hearing Meaning in Performance.” The Nordic Journal of Aesthetics 33–34: 24–47.
  • Davidson, J. W., M. J. A. Howe, and J. A. Sloboda. 1998. “Environmental Factors in the Development of Musical Performance Skill Over the Life Span.” In The Social Psychology of Music, edited by D. J. Hargreaves, and A. C. North, 188–206. Oxford: Oxford University press.
  • Elliott, D. J. 1995. Music Matters: A New Philosophy of Music Education. New York: Oxford University Press.
  • Ericsson, K. A. 1997. “Deliberate Practice and the Acquisition of Expert Performance: An Overview.” In Does Practice Make Perfect?, edited by H. Jørgensen, and A. C. Lehmann, 9–52. Oslo: Norges musikkhøgskole.
  • Hallam, S. 1995. “Professional Musicians’ Approaches to the Learning and Intrepretation of Music.” Psychology of Music 23: 111–128. doi: 10.1177/0305735695232001
  • Hallam, S. 1997a. “The Development of Memorisation Strategies in Musicians: Implications for Education.” British Journal of Music Education 14: 87–97. doi: 10.1017/S0265051700003466
  • Hallam, S. 1997b. “Approaches to Instrumental Music Practice of Experts and Novices: Implications for Education.” In Does Practice Make Perfect?, edited by Harold Jørgensen, and Andreas C. Lehmann, 89–107. Oslo: Norges musikkhøgskole.
  • Hallam, S. 1997c. “What Do You Know About Practising? Toward a Model Synthesising the Research Literature.” In Does Practice Make Perfect?, edited by Harold Jørgensen, and Andreas C. Lehmann, 179–231. Oslo: Norges musikkhøgskole.
  • Hallam, S., M. Varvarigou, A. Creech, I. Papageorgi, T. Gomes, J. Lanipekun, and T. Rinta. 2017. “Are There Gender Differences in Instrumental Music Practice?” Psychology of Music 45: 116–130. doi: 10.1177/0305735616650994
  • Hatfield, J. L., and P.-N. Lemyre. 2016. “Foundations of Intervation Research in Instrumental Practice.” Frontiers in Psychology 6: 1–11. Article 2014. doi: 10.3389/fpsyg.2015.02014
  • Howard, V. A. 1990. “Introduction.” In Varieties of Thinking, edited by V. A. Howard, 1–14. London: Routledge.
  • Jabusch, H.-C. 2016. “Setting the Stage for Self-Regulated Learning Instruction and Metacognition Instruction in Musical Practice.” Frontiers in Psychology 7. Article 1319. doi: 10.3389/fpsyg.2016.01319
  • Jørgensen, H. 2004. “Strategies for Individual Practice.” In Musical Excellence. Strategies and Techniques to Enhance Performance, edited by Aaron Williamon, 85–103. Oxford: University Press.
  • Jørgensen, H., and S. Hallam. 2009. “Practising.” In The Oxford Handbook of Music Psychology, edited by Susan Hallam, Ian Cross, and Michael Thaut, 265–273. Oxford: University Press.
  • Kim, S. J. 2008. “Collective Case Study of Self-Regulated Learning in Instrumental Practice of College Music Majors.” Doctor Thesis of Education, Teachers College, Columbia University.
  • Lehmann, A. C. 1997. “Acquired Mental Representations in Music Performance: Anecdotal and Preliminary Empirical Evidence.” In Does Practice Make Perfect?, edited by H. Jorgensen, and A. C. Lehmann, 141–163. Oslo: Norges musikkhøgskole.
  • Lehmann, A. C., and J. W. Davidson. 2002. “Taking an Acquired Skills Perspective on Music Performance.” In The New Handbook of Research on Music Teaching and Learning, edited by R. Colwell, and C. Richardson, 542–560. Oxford: University press.
  • Lehmann, A. C., J. A. Sloboda, and R. H. Woody. 2007. Psychology for Musicians. Understanding and Acquiring the Skills. New York: Oxford University press.
  • Leon-Guerrero, A. 2008. “Self-regulation Strategies Used by Student Musicians During Music Practice.” Music Education Research 10: 91–106. doi: 10.1080/14613800701871439
  • Lester, J. 1989. Analytic Approaches to Twentieth-Century Music. New York: W.W. Norton & Company.
  • Marijan, M. 2017. “The Self-Regulated Learning Model and Music Education.” Accelerando: Belgrade Journal of Music and Dance 2: 1.
  • McPherson, G. E., J. W. Davidson, and R. Faulkner. 2012. Music in Our Lives: Rethinking Musical Ability, Development and Identity. Oxford: Oxford University press.
  • McPherson, G. E., and J. McCormick. 1999. “Motivational and Self-Regulated Learning Components of Musical Practice.” Bulletin of the Council for Research in Music Education 141: 98–102.
  • McPherson, G. E., S. G. Nielsen, and J. M. Renwick. 2013. “Self-regulation Interventions and Development of Music Expertise.” In Applications of Self-Regulated Learning Across Diverse Disciplines, edited by H. Bembenutty, T. J. Cleary, and A. Kitsantas, 355–382. Charlotte: Information Age Publishing.
  • McPherson, G. E., and J. M. Renwick. 2001. “A Longitudinal Study of Self-Regulation in Childreńs Musical Practice.” Music Education Research 3: 169–186. doi: 10.1080/14613800120089232
  • McPherson, G. E., and J. M. Renwick. 2011. “Self-regulation and Mastery of Musical Skills.” In Handbook of Self-Regulation of Learning and Performance, edited by B. J. Zimmerman and D. H. Schunk, 234–248. New York: Routledge.
  • Meyer, L. 1961. Emotion and Meaning in Music. Chicago: University of Chicago press.
  • Meyer, L. 1973. Explaining Music. Chicago: University of Chicago press.
  • Miklaszewski, K. 1989. “A Case Study of a Pianist Preparing a Music Performance.” Psychology of Music 17: 95–109. doi: 10.1177/0305735689172001
  • Miklaszewski, K. 1995. “Individual Differences in Preparing a Musical Composition for Public Performance.” In Psychology of Music Today, edited by K. Miklaszewski, and A. Biantkowski. Warsaw: Fryderyk Chopin Academy of Music.
  • Miksza, P. 2011. “A Review of Research on Practicing: Summary and Synthesis of the Extant Research with Implications for a New Theoretical Orientation.” Bulletin of the Council for Research in Music Education 190: 51–92. doi: 10.5406/bulcouresmusedu.190.0051
  • Mishra, J., and B. Fast. 2015. “Practising in the New World: Strategies for Preparing Contemporary Music for First Performance.” Music Performance Research 7: 65–80.
  • Neuhaus, H. 2002. The Art of Piano Playing. Amersham: Halstan & Co.
  • Nielsen, S. 2001. “Self-regulating Learning Strategies in Instrumental Music Practice.” Music Education Research 3: 155–167. doi: 10.1080/14613800120089223
  • O’Neill, S. A., and G. E. McPherson. 2002. “Motivation.” In The Science and Psychology of Music Performance, edited by R. Parncutt, and G. E. McPherson, 31–46. Oxford: University press.
  • Panadero, E. 2017. “A Review of Self-Regulated Learning: Six Models and Four Direction for Research.” Frontiers in Psychology 8: 883. Article 422. doi: 10.3389/fpsyg.2017.00422
  • Rink, J. 2015. “The (F)Utility of Performance Analysis.” In Artistic Practice as Research in Music, edited by M. Dogartan-Dack, 127–147. Surrey: Ashgate Publishing.
  • Ritchie, L., and W. Williamon. 2013. “Measuring Musical Self-Regulation: Linking Processes, Skills, and Beliefs.” Journal of Education and Training Studies 1: 106–117. doi: 10.11114/jets.v1i1.81
  • Santos, R. A. T., and C. C. Gerling. 2011. “(Dis)Similarities in Music Performance among Self-Regulated Learners: An Exploratory Study.” Music Education Research 13: 431–446. doi: 10.1080/14613808.2011.632085
  • Santos, R. A. T., and H. Hentschke. 2010. “The Preparation of a Piano Repertoire According to Elliot’s Musical Knowledge Model: Three Case Studies.” International Journal of Music Education 28: 247–268. doi: 10.1177/0255761410371278
  • Sloboda, J. A. 2005. Exploring the Music Mind. Oxford: Oxford Universit Press.
  • Smith, J. A., and M. Osborn. 2003. “Interpretative Phenomenological Analysis.” In Qualitative Psychology: A Practical Guide to Methods, edited by Jonathan A. Smith. London: Sage.
  • Stipek, D. J. 1998. Motivation to Learn: From Theory to Practice. Englewood Cliffs, NJ: Preintice Hall.
  • Upitis, R., P. C. Abrami, J. Brook, M. Troop, and L. Catalano. 2010. “Using EPEARL for Music Teaching: A Case Study.” In Proceedings of the International Association for Scientific Knowledge Conference, edited by G. Pérez-Bustamante, K. Physavat, and F. Ferreria, 36–45. Seville: IASK Press.
  • Varela, W., P. C. Abrami, and R. Upitis. 2016. “Self-regulation and Music Learning: A Systematic Review.” Psychology of Music 44: 55–74. doi: 10.1177/0305735614554639
  • Williamon, A. 2004. Musical Excellence. Strategies and Techniques to Enhance Performance. Oxford: University press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.