546
Views
0
CrossRef citations to date
0
Altmetric
Articles

Knowledge and social justice in English school music education: reflections on the report ‘Questioning the gap in music literacy’ (McQueen 2020)

Pages 21-36 | Received 26 Dec 2023, Accepted 20 Jan 2024, Published online: 30 Jan 2024

References

  • Allan, Julie. 2010. “Arts and the Inclusive Imagination: Socially Engaged Arts Practices and Sistema Scotland.” Journal of Social Inclusion 1 (2): 111–122.
  • Allsup, Randall. 2016. Remixing the Classroom: Toward an Open Philosophy of Music Education. Indiana: Indiana University Press.
  • Anderson, Elizabeth. S. 1999. “What is the Point of Equality?” Ethics 109 (2): 287–337. https://doi.org/10.1086/233897.
  • Arnold, Matthew. [1869]1993. Culture and Anarchy and other writings, edited by Stefan Collini. Cambridge: Cambridge University Press.
  • Ashbee, Ruth. 2021. Curriculum Theory, Culture and Subject Specialisms. London: Routledge.
  • Baker, Geoffrey. 2021. Rethinking Social Action Through Music. Cambridge: Open Book Publishers.
  • Bakhtin, Mikhail. 1956. Speech, Genre, and Other Late Essays. Austin: University of Texas.
  • Bath, Naomi, Alison Daubney, Duncan Mackrill, and Gary Spruce. 2020. “The Declining Place of Music Education in Schools in England.” Children & Society 34 (5): 443–457.
  • Beadle, Phil. 2020. The Fascist Painting/What is Cultural Capital. Woodbridge: John Catt Educational.
  • Bernstein, Basil. 1999. “Vertical and Horizontal Discourse: An Essay.” British Journal of Sociology of Education 20 (2): 157–173.
  • Bernstein, Basil. 2000. Pedagogy, Symbolic Control and Identity. Theory, research, critique. Oxford: Rowman and Littlefield.
  • Bonnycastle, Colin. 2011. “Social Justice along a Continuum: A Relational Illustrative Model.” Social Service Review 85 (2): 267–295.
  • Bradley, Deborah. 2015. “The dynamics of multiculturalism in Music matters: A philosophy of music education.” Action, Criticism, and Theory for Music Education 14 (3): 10–26.
  • Bull, Anna. 2014. “Reproducing Class? Classical Music Education and Inequality.” https://archive.discoversociety.org/2014/11/04/reproducing-class. Discover Society, November 4, 2014.
  • Celentano, Denise, and Luigi Carantini. 2020. Paradigms of Justice: Redistribution, Recognition, and Beyond. London: Routledge.
  • Department for Education. 2013. National Curriculum in England: Music Programmes of Study. London: Department for Education.
  • Department for Education. 2021. Model Music Curriculum: Key Stages 1-3. London: Department for Education.
  • Durkheim, Emile. [1912]1995. The Elementary Forms of Religious Life. Translated by K.E. Fields. New York: The Free Press.
  • Dworkin, Ronald. 1977. Taking Rights Seriously. London: Gerald Duckworth & Co. Ltd.
  • Dwyer, Rachael. 2016. Music Teachers’ Values and Beliefs. New York: Routledge.
  • Edwards, Gail. 2014. “Standpoint theory, realism and the search for objectivity in the sociology of education.” British Journal of Sociology of Education 35 (20): 167–184. https://doi.org/10.1080/01425692.2012.747588.
  • Elliott, David. 1995. Music Matters: A New Philosophy of Music Education. New York: Oxford University Press.
  • Finney, John. 2011. Music education in England 1950–2010: The child-centred progressive tradition. Farnham: Ashgate Press.
  • Fisk, Hilary. 2023. “Sharp decline of GCSE Music entries labelled a ‘great concern’ by ISM.” Music Teacher Magazine August 24 2023 https://www.musicteachermagazine.co.uk/news/article/sharp-decline-of-gcse-music-entries-labelled-a-great-concern-by-ism.
  • Fraser, Nancy. 1995. “From Distribution to Recognition? Dilemmas Of Justice in a 'Post-Socialist' Age.” New Left Review 212: 68–93.
  • Fraser, Nancy. 2000. “Rethinking Recognition.” New Left Review 3. https://newleftreview.org/issues/ii3/articles/nancy-fraser-rethinking-recognition.
  • Fraser, Nancy. 2005. “Reframing Social Justice in a Globalizing World.” New Left Review 36. https://newleftreview.org/issues/ii36/articles/nancy-fraser-reframing-justice-in-a-globalizing-world.
  • Fraser, Nancy. 2008. Adding Insult to Injury: Nancy Fraser Debates Her Critics, edited by Kevin Olson, and Elizabeth Anderson. London: Verso.
  • Gerwitz, Sharon. 2006. “Conceptualizing Social Justice in Education: Mapping the Territory.” Journal of Education Policy 13 (4): 469–484.
  • Green, Lucy. 2008. Music, Informal Learning and the School: A New Classroom Pedagogy. Farnham: Ashgate.
  • Hayek, Friedrich. 1960. The Constitution of Liberty. Chicago: The University of Chicago Press.
  • Hirsch, Eric D. 2006. The Knowledge Deficit: Closing the Shocking Education Gap for American Children. Boston: Houghton Mifflin Company.
  • Incorporated Society of Musicians and University of Sussex. 2019. Music Education: State of the Nation. London: All Party Parliamentary Group for Music Education.
  • Jorgensen, Estelle. 2003. Transforming Music Education. Indiana: Indiana University Press.
  • Keddie, Amanda. 2012. “Schooling and Social Justice through the Lenses of Nancy Fraser.” Critical studies in education 53 (3): 263–279.
  • Ladson-Billings, Gloria. 1995. “Toward a theory of culturally relevant pedagogy.” American Educational Research Journal 32 (3): 465–491.
  • McCarthy, Marie. 2015. “Understanding Social Justice from the Perspective of Music Education History.” In The Handbook of Social Justice in Music Education, edited by Cathy Benedict, Patrick Schmidt, Gary Spruce, and Paul Woodford, 29–46. New York: Oxford University Press.
  • McPhail, Graham. 2023. Knowledge and Music Education: A Social Realist Account: Knowledge and Music Education: A Social Realist Account. London: Routledge.
  • McQueen, Hilary. 2020. “Questioning the Gap in Music Literacy in England: Defining a Role for the Society for Music Analysis in Preparing Students for Music Degrees in Higher Education Today.” Report Prepared for the Society for Music Analysis. https://doi.org/10.13140/RG.2.2.12012.74883.
  • Moore, Rob. 2013. “Social Realism and the problem of the problem of knowledge in the sociology of education.” British Journal of Sociology of Education 34 (3): 333–353. https://doi.org/10.1080/01425692.2012.714251.
  • Nattiez, Jean-Jacques. 1987. Music and discourse: Towards a semiology of music. Princeton, NJ: Princeton University Press.
  • Newman, Stephen. 2019. “Rethinking Social Justice in Education: An Epistemological Approach.” In Handbook on Promoting Social Justice in Education, edited by Rosemary Papa, 213–232. New York: Springer Nature Switzerland.
  • Pace, Ian. 2023. “Music, Musicology and the Surrender of Aesthetics to the Ideals of Social Justice.” Paper presented at The Pursuit of Beauty, Cambridge, UK, 14-16 Sep 2023.
  • Philpott, Chris. 2015. “‘”Musical Literacy: Music as Language.” In Child as Musician: A Handbook of Musical Development, edited by Gary E. McPherson. Oxford: Oxford University Press.
  • Philpott, C. 2022. “What does it mean to decolonise the school music curriculum?” London Review of Education 20 (1): 7. https://doi.org/10.14324/LRE.20.1.07.
  • Philpott, Chris., and Gary Spruce. 2022. “Structure and Agency in Music Education.” In In The Routledge Handbook of Sociology in Music Education, edited by Ruth Wright, Geir Johansen, Panagiotis A. Kanellopoulos, and Patrick Schmidt, 288–299. London: Routledge.
  • Raser, Nancy. 1998. Social Justice in the Age of Identity Politics: Redistribution, Recognition, Participation. Berlin: Wissenshaftzentrum Berlin für Sozialforschung.
  • Rawls, John. 1971. A Theory of Justice. Harvard, MA: Harvard University Press.
  • Rodríguez-Revelo, E. 2017. “The standardization in the curriculum educational: the tip of the iceberg of homogenization.” Alteridad 12 (2): 248–258. https://doi.org/10.17163/alt.v12n1.2017.10.
  • Schippers, Huib. 2009. Facing the music: Shaping Music Education from a Global Perspective. Oxford: Oxford University Press.
  • Shively, Joseph. 2015. “Constructivism in Music Education.” Arts Education Policy Review 116 (3): 128–136. https://doi.org/10.1080/10632913.2015.1011815.
  • Singh, Parlo. 2002. “‘’Pedagogising Knowledge: Bernstein's theory of the pedagogic device.” British Journal of Sociology of Education 23 (4): 571–582. https://doi.org/10.1080/0142569022000038422.
  • Spruce, Gary. 2015. “Music Education, Social Justice, and the ‘Student Voice’: Towards a Dialogical Conception of Music Education.” In The Oxford Handbook of Social Justice in Music Education, edited by Cathy Benedict, Patrick Schmidt, Gary Spruce, and Paul Woodford, 287–301. Oxford: Oxford University Press.
  • Spruce, Gary. 2017. “The Power of Discourse: Reclaiming Social Justice from and for Music Education.” Education 3-13 45 (6): 720–733. https://doi.org/10.1080/03004279.2017.1347127.
  • Spruce, Gary. 2021. “The Pedagogies of the Creative Classroom.” In Creative and Critical Projects in Classroom Music, edited by John Finney, Chris. Philpott, and Gary Spruce, 108–118. London: Routledge.
  • Vaugeois, Lise. 2009. “Music Education as a Practice of Social Justice.” In Exploring Social Justice. How Music Education Might Matter, edited by Elizabeth Gould, June Countryman, Charlene Morton, and Leslie R. Steward, 2–22. Toronto: Canadian Music Educators Association.
  • Webster, Peter R. 2011. “Construction of music learning.” In MENC Handbook of Research on Music Learning, edited by Richard Colwell, and Peter R. Webster, 35–83. New York: Oxford University Press.
  • Wegerif, Rupert. 2011. “Towards a dialogic theory of how children learn to think.” Thinking Skills and Creativity 6: 179–190.
  • Westerlund, Heidi. 2012. “What Can a Reflective Teacher Learn from Philosophies of Music Education? From Personal Philosophy to Critical Cultural Readership.” In Debates in Music Teaching, edited by Chris Philpott, and Gary Spruce, 9–19. London: Routledge.
  • Whittaker, Adam, and Martin Fautley. 2021. “A Level Music: Going, Going, Gone?” Music Teacher Magazine. August 1, 2021. https://www.musicteachermagazine.co.uk/features/article/a-level-music-going-going-gone#:~:text = Concerned%20by%20the%20steady%20decline,City%20University%20unpick%20the%20data.
  • Whitty, Geoff. 2010. “Revisiting School Knowledge: some sociological perspectives on new school curricula.” European Journal of Education 45 (1): 28–45.
  • Young, Susan. 2023. “Where neoliberalism and neoconservatism meet: the inception and reception of a Model Music Curriculum for English Schools.” British Journal of Music Education 40: 147–157. https://doi.org/10.1017/S026505172300007.
  • Young, Michael, David Lambert, Carolyn Roberts, and Martin Roberts. 2014. Knowledge and the Future School: Curriculum and Social Justice. London: Bloomsbury.